Search Constraints
You searched for:
Materials & Techniques brown ink
Remove constraint Materials & Techniques: brown inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionImage Available Available
Remove constraint Image Available: AvailableWork Type watercolor
Remove constraint Work Type: watercolorSearch Results
1
- The Haunted Wood
- undated
2
- The Launch of "La Sorciére" on the Lake of Geneva
- undated
3
- The Valley of Dolwyddelan
- undated
4
- Landscape Sketch
- undated
5
- The Valley of Vision
- undated
6
- Cornfields with Barn, Shoreham
- ca. 1829
7
- View from Rook's Hill, Kent
- 1843
8
- Study of Old Buildings
- undated
9
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
10
- The Primitive Cottage, Shoreham
- undated
11
- Mount Siabod from Tyn-y-Coed near Capel Curig
- undated
12
- A Barn with a Mossy Roof, Shoreham
- undated
13
- Conway Castle
- 1836
14
- Ivy Cottage, Shoreham
- undated
15
- Tintern Abbey
- 1835
16
- Dawn
- between 1831 and 1832
17
- Trees and Deer
- 1825
18
- Stoke Poges Church
- 1834
19
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
20
- Shipping
- between 1828 and 1830
21
- Dent de Lion, Margate
- ca. 1791
22
- Luxembourg
- ca. 1825 or 1834
23
- Lake Geneva and Mount Blanc
- 1802 to 1805
24
- Shipping Scene, with Fishermen
- between 1815 and 1820
25
- Tours: Sunset: Looking Backwards
- between 1826 and 1830
26
- High Street, Edinburgh
- ca. 1818
27
- Weymouth
- ca. 1811
28
- Amada, 9:30 am, 12 February 1867
- 1867
29
- Jericho, 7 May 1858
- 1858
30
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
31
- New Harbour, Malta
- 1866
32
- View near Palermo
- 1847
33
- Gozo, near Malta
- 1866
34
- Wied Zurrik (Malta)
- 1848
35
- Oasis Village
- 1854
36
- Albania
- between 1848 and 1849
37
- A Weasel
- 1832
38
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
39
- A View of the Pine Woods Above Cannes
- 1869
40
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
41
- Learning to Walk
- undated
42
- Seated Woman Feeding an Animal
- undated
43
- Mythological Group of Women and Children
- undated
44
- Studies for the Head of a Lady (Studies of a Woman's Head)
- undated
45
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
46
- Langford House, Dublin, Ireland: Elevations of Room Facing the Garden
- 1765
47
- View Near Arundel Castle
- 1823 and 1874
48
- Headfort House, Ireland: Lady's Room Ceiling
- 1772
49
- View at Swiss Cottage, London
- 1836
50
- On the Cimaronero River
- 1857
51
- The Market Place, Tanta, Egypt
- 1874
52
- South East View of the Church and Palace at Croydon, Surrey
- 1817
53
- Extensive View of Windsor Castle
- undated
54
- A Cottage in the Isle of Wight
- undated
55
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
56
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
57
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
58
- Hogarth Declaring His Love to Miss Thornhill
- 1817
59
- Street Scene at Stratford by Bow
- undated
60
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
61
- Man Asleep with his Mouth Wide Open and Hands Crossed
- undated
62
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
63
- Portrait of a Girl Sketching
- undated
64
- Hogarth Drawing Sarah Malcolm
- 1817
65
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
66
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
67
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
68
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
69
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
70
- Hogarth Sitting to Roubiliac for His Bust
- 1817
71
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
72
- A Woman of Fashion in Walking Dress
- undated
73
- Two Girls Carrying a Basket
- undated
74
- Relief Design for a Silver Salt Cellar
- undated
75
- Design for a Ceiling
- undated
76
- Venetian Fantasy
- undated
77
- Sheet of Classical Figure Studies
- undated
78
- Karnak
- between 1838 and 1839
79
- A Market Scene in Venice
- undated
80
- Mutton Cove, Plymouth
- undated
81
- The Duke of Newcastle's Expedition in Circassia
- undated
82
- Interior of Fort Nicholas, Sebastopol, Crimea
- undated
83
- Hypatia Teaching at Alexandria
- undated
84
- Inside View of Tintern Abbey looking from the Nave to the East Window
- undated
85
- Temple of Venus and Rome from the Colosseum
- 1781
86
- Newark Castle
- between 1785 and 1795
87
- The Eel Catcher
- undated
88
- Perspective View: the New Houses of Parliament
- ca. 1840-1849
89
- The Beach at Charmouth
- undated
90
- Burial of Sarah
- 1833
91
- The Rescue of Lot
- 1833
92
- The Walls of Jericho
- 1834
93
- A Tropical Coast, Sunset
- between 1840 and 1850
94
- Christ Preaching to the Elders in the Temple
- undated
95
- The Conversion of Saul
- undated
96
- Christ with Three Figures
- undated
97
- The Baptism of Christ
- undated
98
- Christ Healing the Palsied Man
- undated
99
- An Elderly Man Petitioning Christ
- undated
100
- The Miraculous Draught of Fishes
- undated