The Rustics Perform from "A Midsummer Night's Dream"
undated
411
unknown artist
Shakespeare Illustration: "Measure for Measure"
undated
412
unknown artist
Shakespeare Illustration: "Henry VIII"
undated
413
unknown artist
Venus and Cupid
undated
414
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
undated
415
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
416
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
417
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
418
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
419
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
420
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
undated
421
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
422
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
423
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
424
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
425
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
426
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
427
David Cox, 1783–1859
Pirate's Isle
1826
428
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
429
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
430
unknown artist
Troilus and Cressida?
undated
431
unknown artist
Troilus and Cessida: Six Women on the Walls of Illion
undated
432
unknown artist
A Midsummer Night's Dream: Three Figures
undated
433
unknown artist
Study for the Damned
undated
434
unknown artist
Infant Shakespeare, wih Comedy and Tragedy
undated
435
unknown artist
Lady MacBeth
undated
436
unknown artist
Awakening of Titania
undated
437
unknown artist
Sigismunda
undated
438
unknown artist
Apparition of Banquo's Ghost: Banquet Scene from MacBeth
undated
439
unknown artist
Scene from Midsummer's Night Dream? (451a)
undated
440
unknown artist
Mrs. Yates in the Character of Medea
after 1771
441
Rev. William Warren Porter, 1776–1804
Castle of Udolpho
undated
442
Abraham van Diepenbeeck, 1596–1675
Doctor Ass (A Satire on the Law)
undated
443
unknown artist
Apparition: Banquo?
undated
444
unknown artist
Scene from the Tempest
undated
445
unknown artist
Scene from Macbeth: Apparition of Banquo
undated
446
unknown artist
Scene from the Tempest
undated
447
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
448
J. R. Harris, active 1876
Sketches for Panels Executed at Crowe Hall
1876
449
J. R. Harris, active 1876
Sketches for Panels Executed at Crowe Hall
1876
450
J. R. Harris, active 1876
Sketches for Panels Executed at Crowe Hall
1876
451
George Chinnery, 1774–1852
Illustration to Fielding's Amelia
undated
452
J. R. Harris, active 1876
Sketches for Panels Executed at Crowe Hall
1876
453
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
454
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
455
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
456
unknown artist
When Swift They Saw John Gilpin Ride, Bare-Headed as Before
undated
457
unknown artist
Banquo's Ghost?
undated
458
unknown artist
Scene from MacBeth: Banquo?
undated
459
unknown artist
Birth of Shakespeare
undated
460
unknown artist
Scene from the Inferno
undated
461
unknown artist
Study for the Damned
undated
462
unknown artist
Scene from the Inferno Dramatic Landscape
undated
463
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
464
Richard Dadd, 1817–1886
Sketch for the Passions: Jealousy
1853
465
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
466
Richard Dadd, 1817–1886
Sketch for the Passions: Pride
ca. 1854
467
Joseph Slater, c. 1750– died after 1789
Robin Hood and Clarinda Hunting Deer
undated
468
Joshua Cristall, 1768–1847
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
between 1820 and 1822
469
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
470
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
471
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
472
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
473
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
474
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
475
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
476
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
477
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
478
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
479
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
480
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
481
Richard Westall, 1765–1836
Theatrical Figures About a Throne
undated
482
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
483
unknown artist
Hudibras and Rolpho
undated
484
Nathaniel Dance, 1735–1811
Theatrical Scene
after 1804
485
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
486
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
487
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
488
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
489
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
490
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
491
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
492
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
493
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
494
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
495
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
496
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
497
Mary Hoare, 1744–1820
Prospero and Miranda
1781
498
Mary Hoare, 1744–1820
Lady Macbeth, Sleepwalking
1781
499
Mary Hoare, 1744–1820
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
500
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI