Materials & Techniques: stipple engraving / On-site Access: Accessible by appointment in the Study Room / Genre: literary theme

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

1797

Print made by Thomas Gaugain, 1748–1812

Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

1797

Print made by Peltro W. Tomkins, 1760–1840

Sylvia

1786

Print made by John Ogborne the Elder, 1755–1795

Mrs. Jordan in the Character of the Romp

1788

Print made by Francis Haward, 1759–1797

Cymon and Iphigenia

1797

Francesco Bartolozzi, 1728–1815

The Death of Arcite

1790

Print made by Francis Haward, 1759–1797

Mrs. Siddons, in the Character of the Tragic Muse

1787

William Finden, 1787–1852

An Alcove

1834

William Finden, 1787–1852

Children Swinging

1834

Print made by Francesco Bartolozzi, 1728–1815

The Cottagers

1794

Print made by James Parker, 1750–1805

The Fall of Agandecca

1783

Print made by Hugh Downman, d. 1789

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

ca. 1787

William Finden, 1787–1852

Shepherds

1834

Print made by Francesco Bartolozzi, 1728–1815

Lovelace in Prison

1788

William S. Leney, 1769–1831

Taming the Shrew, Act III, Scene II

1793

Print made by Thomas Macklin, active 1779–1793

Fallstaff Playing the Prince, The Prince Playing the King

1796

William Nutter, 1754–1802

Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

1789

Benjamin Smith, 1775–1833

"Tempest", Act I, Scene I

1797

Peltro W. Tomkins, 1760–1840

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

1792

Peltro W. Tomkins, 1760–1840

The Three Witches

1786

Peter Simon, 1750–1810

Taming Of The Shrew, Act III, Scene II

1795

Print made by Thomas Watson, 1743–1781

Miss Elizabeth Beauclerc as 'Una'

1782

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There Is Rue for You and Here's Some for Me

1784

Francesco Bartolozzi, 1728–1815

Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V

1789

Francesco Bartolozzi, 1728–1815

Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V

1789

Francesco Bartolozzi, 1728–1815

Queen Katherine's Dream - "Henry VIII"

1788

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

Robert Mitchell Meadows, Died before 1812

Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

1794

William Greatbach, Born 1802

Falstaff and his Friends

ca. 1868

John Keyse Sherwin, c.1751–1790

Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

1791

William Finden, 1787–1852

The Bird's Nest

1834

William Finden, 1787–1852

Lady Jane Grey

1834

William Finden, 1787–1852

An Arabesque

1834

William Finden, 1787–1852

An Arabesque

1834

William Finden, 1787–1852

A Voyage of Discovery

1834

William Finden, 1787–1852

The Mask

1834

Niccoló Schiavonetti, 1771–1813

John Hawkesworth

1806

unknown artist

Thomas Percy, Bishop of Dromore

undated

Print made by William Birch, 1755–1834

Mrs. Robinson

1792

Peltro W. Tomkins, 1760–1840

Mrs Seaforth as, Tuccia - The Vestal Virgin

1798

Thomas Watson, 1743–1781

Elizabeth Ann Sheridan (née Linley) as St. Cecilia

1779

George Vertue, 1684–1756

Sir Philip Sidney

1741

George Vertue, 1684–1756

Sir John Suckling

1744

Niccoló Schiavonetti, 1771–1813

Joseph Warton

1807

Anthony Cardon, 1772–1813

Dr. Joseph Warton

undated

Simon François Ravenet, 1706–1774

Isaac Watts

undated

Francesco Bartolozzi, 1728–1815

The Cottagers

1794

Print made by imitator of George Baxter, 1804–1867

Little Red Riding Hood

after 1856

Print made by William Bromley, 1769–1842

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

1811

Print made by Robert Dighton, 1752–1814

Hamlet in Scotland

1794

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

Edward Scriven, 1775–1841

George Colman, The Elder

1813

George Vertue, 1684–1756

Ralph Cudworth

undated

Francesco Bartolozzi, 1728–1815

Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire

1787

Print made by Caroline Watson, 1760–1814

Elizabeth Carter

1808

Samuel Freeman, 1773–1857

David Garrick Esq

1807

George Vertue, 1684–1756

Edmund Spenser

1727

Gabriel Scorodomoff, 1748–1792

Reflections on Clarissa Harlow

1785

Robert Thew, 1758–1802

Shakespeare, Macbeth Act IV, Scene I

1802

unknown artist

King Henry VI, Second Part, Act 3, Scene 3

1801

Benjamin Smith, 1775–1833

The Alto Relievo

1796

Robert Thew, 1758–1802

Shakespeare's Tempest Act IV Scene I. Prospero's Cell

1800

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

Thomas Ryder, 1746–1810

Twelfth Night, Act III, Scene IV: Olivia's House

1803

Print made by Francesco Bartolozzi, 1728–1815

John Henderson as Iago

before 1786

Francesco Bartolozzi, 1728–1815

Jane Shore

1790

Print made by Francesco Bartolozzi, 1728–1815

Tancred and Clorinda

1785

Print made by Francesco Bartolozzi, 1728–1815

Alphonso and Aciloe

1788

Print made by Francesco Bartolozzi, 1728–1815

Gualtherus and Griselda

1784

Francesco Bartolozzi, 1728–1815

Alcander and Nerina

1784

Francesco Bartolozzi, 1728–1815

Maria of Moulines

1784

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1773

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

James Heath, 1757–1834

"This is fairy gold, boy, and will prove so"

1804

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745