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1
- Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
- ca. 1941
2
- Oberon and Titania
- 1837
3
- Over the Bank, Exmoor
- ca. 1895
4
- A Harrow in the Orchard
- ca. 1896
5
- Huntsman and Hounds
- ca. 1896
6
- A Cow Lodge with a Mossy Roof
- ca. 1829
7
- The Valley of Vision
- undated
8
- Cornfield and Church by Moonlight
- early 1830s
9
- Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
- ca. 1840
10
- A Cottage among Trees, Shoreham
- undated
11
- An Ancient Barn at Shoreham
- undated
12
- Opening the Fold: Early Morning
- ca. 1880
13
- The Timber Wain
- between 1833 and 1834
14
- A View on the Orwell
- undated
15
- Brighton Beach Looking West
- undated
16
- Horses Fighting
- undated
17
- Grotesque Male Head
- undated
18
- Grotesque Female Head
- undated
19
- Grotesque Female Head
- undated
20
- Grotesque Male Head
- undated
21
- Grotesque Female Head
- undated
22
- Grotesque Male Head
- undated
23
- Grotesque Female Head
- undated
24
- Grotesque Male Head
- undated
25
- Grotesque Male Head
- undated
26
- Grotesque Male Head
- undated
27
- Grotesque Male Head
- undated
28
- Grotesque Male Head
- undated
29
- Grotesque Male Head
- undated
30
- Grotesque Male Head
- undated
31
- Grotesque Female Head
- undated
32
- Ship Aground Brighton
- 1830
33
- Lake Geneva and Mount Blanc
- 1802 to 1805
34
- Andernach
- 1817
35
- Villa d'Este
- ca. 1796
36
- Rome from Monte Mario
- ca. 1818
37
- View of Hampton Court, Herefordshire, from the Northwest
- ca. 1806
38
- Barnard Castle
- ca. 1825
39
- Leeds
- 1816
40
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
41
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
42
- Just above Ekhmim
- 1867
43
- Karnak, 10:00 pm, 22 January 1867 (213)
- 1867
44
- Abu Seer
- 1867
45
- Abu Seer
- 1867
46
- Near Daboad
- 1867
47
- River pass, between barren rock cliffs
- 1867
48
- Shelaal, 2:30 am, 29 January 1867 (260)
- 1867
49
- Near Aswan
- 1867
50
- Shelaal, 5:30 am, 29 January 1867 (264)
- 1867
51
- El Areesh (Torrens Ægypti)
- 1867
52
- Near Khan Yunas
- 1867
53
- Negadeh
- 1867
54
- Karnak, 9:30 pm, 22 January 1867 (212)
- 1867
55
- Abu Seer
- 1867
56
- Gebel Sheikh Eredi
- 1867
57
- Near Gezir Shendowiel
- 1867
58
- Abydos, 1:00 pm, 12 January 1867 (134)
- 1867
59
- Brown's Parakeet
- 1832
60
- The Capo Sant' Angelo, Amalfi
- ca. 1885
61
- Bavella, Corsica
- ca. 1868
62
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
63
- Catania
- 1847
64
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
65
- Strongyli
- May 4, 1864
66
- Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
- 1804 to 1820
67
- America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
- 1793
68
- America. A Prophecy, Plate 2, Title Page
- 1793
69
- Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
- 1794
70
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
71
- The Poems of Thomas Gray, Design 79, "The Descent of Odin."
- between 1797 and 1798
72
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
73
- The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
- between 1797 and 1798
74
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
75
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
76
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
77
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
78
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
79
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
80
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
81
- Jerusalem, Plate 81, "I have mockd those...."
- 1804 to 1820
82
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
83
- Jerusalem, Plate 85, "Became a Space & an Allegory...."
- 1804 to 1820
84
- Jerusalem, Plate 86, "I see thy Form...."
- 1804 to 1820
85
- Jerusalem, Plate 87, "Repelling weeping Enion...."
- 1804 to 1820
86
- Jerusalem, Plate 88, "Los answerd sighing...."
- 1804 to 1820
87
- Jerusalem, Plate 98, "Then each an Arrow flaming...."
- 1804 to 1820
88
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
89
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
90
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
91
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
92
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
93
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
94
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
95
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
96
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
97
- The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
98
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
99
- The Poems of Thomas Gray, Design 25, "A Long Story."
- between 1797 and 1798
100
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798