plate etched between 1880 and 1883; impression printed in 1924
2
Print made by Samuel Palmer, 1805–1881
The Vine
1852
3
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
4
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
5
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
6
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
7
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
8
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
9
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
10
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
11
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
12
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
13
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
14
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
15
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
16
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
17
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
18
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
19
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
20
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
21
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
22
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
23
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
24
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
25
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
26
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
27
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
28
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
29
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
30
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
31
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
32
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
33
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
34
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
35
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
36
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
37
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
38
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
39
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
40
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
41
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
42
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
43
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
44
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
45
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
46
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
47
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
48
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
49
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
50
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
51
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
52
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
53
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
54
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
55
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
56
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
57
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
58
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
59
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
60
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
61
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
62
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
63
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
64
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
65
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
66
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
67
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
68
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
69
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
70
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
71
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
72
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
73
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
74
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
75
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
76
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
77
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
78
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
79
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
80
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
81
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
82
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
83
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
84
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
85
William H. Hoogkamer, 1790–1864
Welgelegen:Vue du Pavillon de Harlem prise du Bois
undated
86
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
87
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
88
Print made by William Heath, 1795–1840
Finis
1829
89
Print made by J. Carwitham, active 1720–1740
An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..
1778
90
Thomas Malton the Younger, 1748–1804
East India House
undated
91
Thomas Malton the Younger, 1748–1804
Banqueting House, Whitehall
undated
92
Print made by Paul Fourdrinier, 1698–1758
A Sea Engagement between the English and Algerines
ca. 1743
93
Print made by Remi Parr, 1743–after 1750
The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds
undated
94
Print made by George Cruikshank, 1792–1878
Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!
1819
95
Sir Howard Hodgkin, 1932–2017
Cardo's Bar (Red)
1979
96
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny