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Francis Danby The Ferry
Francis Danby, 1793–1861
The Ferry
ca. 1840
John R. Skeaping Arab Horsemen, Two Grey Horses
John R. Skeaping, 1901–1980
Arab Horsemen, Two Grey Horses
1965
Robert Polhill Bevan Ploughing the Hillside
Robert Polhill Bevan, 1865–1925
Ploughing the Hillside
ca. 1905
Robert Polhill Bevan The Horse Mart (with further sketches in the margin)
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Robert Polhill Bevan Under the Hammer
Robert Polhill Bevan, 1865–1925
Under the Hammer
between 1912 and 1913
Robert Polhill Bevan The Bayhorse, Tattersall’s
Robert Polhill Bevan, 1865–1925
The Bayhorse, Tattersall’s
1921
Robert Polhill Bevan Timber Hauling
Robert Polhill Bevan, 1865–1925
Timber Hauling
ca. 1917
Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
Robert Polhill Bevan Crocks
Robert Polhill Bevan, 1865–1925
Crocks
ca. 1924
Robert Polhill Bevan Sale at Ward's Repository, No. 2
Robert Polhill Bevan, 1865–1925
Sale at Ward's Repository, No. 2
ca. 1918
Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
Robert Polhill Bevan The Flying Pack
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
Robert Polhill Bevan Figures at Mass, Poland
Robert Polhill Bevan, 1865–1925
Figures at Mass, Poland
ca. 1904
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
George Stubbs Labourers
Print made by George Stubbs, 1724–1806
Labourers
1789
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764
Hudibras Vanquished by Trulla
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
William Hogarth Gabriel Hunt
William Hogarth, 1697–1764
Gabriel Hunt
undated
Joseph Mallord William Turner Lake of Thun, Switzerland
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Folkestone Harbour and Coast to Dover
Joseph Mallord William Turner, 1775–1851
Folkestone Harbour and Coast to Dover
ca. 1829
Joseph Mallord William Turner Teignmouth, Devonshire
Joseph Mallord William Turner, 1775–1851
Teignmouth, Devonshire
ca. 1813
Edward Lear Silsilis
Edward Lear, 1812–1888
Silsilis
1854
Edward Lear Near Suez, evening, 15 January 1849 (43)
Edward Lear, 1812–1888
Near Suez, evening, 15 January 1849 (43)
1849
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
Edward Lear Howatke
Edward Lear, 1812–1888
Howatke
1867
Edward Lear Val di Roppa, Corfu, 22 May 1868
Edward Lear, 1812–1888
Val di Roppa, Corfu, 22 May 1868
1868
Edward Lear Seated Men
Edward Lear, 1812–1888
Seated Men
1867
Edward Lear Studies of Camels and Egyptian Men
Edward Lear, 1812–1888
Studies of Camels and Egyptian Men
1867
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake Introduction (Plate 34)
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
William Blake Songs of Experience, Title Page (Plate 33)
Print made by William Blake, 1757–1827
Songs of Experience, Title Page (Plate 33)
1794
William Blake A Poison Tree (Plate 41)
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
William Blake The Human Abstract (Plate 46)
Print made by William Blake, 1757–1827
The Human Abstract (Plate 46)
1794
William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake The Little Girl Found (Plate 22)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake A Standard Bearer Fainting in the Routed Battle (Design 87)
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake "Fear to stop, and shame to fly..." (Design 91)
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798