Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
60
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
61
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
62
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
63
William Blake, 1757–1827
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
64
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
1789
65
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
66
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
67
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
68
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
69
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
70
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
71
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
72
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
73
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
74
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
75
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
76
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
77
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
78
Print made by William Blake, 1757–1827
Pity
ca. 1795
79
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
80
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
81
James Northcote, 1746–1831
Study for Burying the Royal Children
ca. 1790
82
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
83
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
84
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
85
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
86
Print made by William Skelton, 1763–1848
Richard III: Act IV, Scene III, Tower of London
1795
87
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
88
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
89
Robert Smirke, 1752–1845
Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
undated
90
Print made by Henry Thomas Alken, 1785–1851
The Infant
1824
91
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
92
Print made by Benjamin Fawcett, 1808–1893
Scene Illustration: Milton's 'L'Allegro'
between 1860 and 1885
93
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
94
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
95
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
96
unknown artist
Mrs. Yates in the Character of Medea
after 1771
97
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
98
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
99
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
100
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to