Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
19
Joseph Mallord William Turner, 1775–1851
Shipping Scene, with Fishermen
between 1815 and 1820
20
Edward Lear, 1812–1888
A Country House
ca. 1834
21
Edward Lear, 1812–1888
Manor (Knowsley Lane?)
undated
22
Edward Lear, 1812–1888
Memphis
1867
23
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
24
Edward Lear, 1812–1888
S. Pietro Degli Agostiniani. Leonessa
1844
25
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
26
Edward Lear, 1812–1888
Turin, Italy
after 1872
27
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
28
Edward Lear, 1812–1888
Albania
between 1848 and 1849
29
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
30
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
31
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
32
George Romney, 1734–1802
Three Young Witches
undated
33
George Romney, 1734–1802
Mother and Son
undated
34
George Romney, 1734–1802
Two Children Embracing
undated
35
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
36
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
37
George Romney, 1734–1802
Mythological Group of Women and Children
undated
38
George Romney, 1734–1802
Studies of a Seated Woman
undated
39
George Romney, 1734–1802
David Playing the Harp
undated
40
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
41
George Romney, 1734–1802
David before Saul
undated
42
George Romney, 1734–1802
Possibly a Fight Scene
undated
43
George Romney, 1734–1802
[Small Sketchbook]
1784
44
George Romney, 1734–1802
Seated Woman
undated
45
George Romney, 1734–1802
Prostrate Woman
undated
46
George Romney, 1734–1802
Samson Overpowered
undated
47
George Romney, 1734–1802
Pamela
undated
48
George Romney, 1734–1802
Muscious Scaevola
undated
49
George Romney, 1734–1802
Slight Group of Figures
undated
50
George Romney, 1734–1802
Landscape with a Leaning Tree
undated
51
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
52
George Romney, 1734–1802
Satan Presiding over Hell
undated
53
George Romney, 1734–1802
Demonic Attack for the Temptation of Christ
undated
54
George Romney, 1734–1802
Noah's Children Rejoicing
undated
55
George Romney, 1734–1802
Female Figures
undated
56
George Romney, 1734–1802
Initiation of a Rustic Nymph
undated
57
George Romney, 1734–1802
[Small Sketchbook]
1784
58
George Romney, 1734–1802
[Small Sketchbook]
1784
59
George Romney, 1734–1802
[Small Sketchbook]
1784
60
George Romney, 1734–1802
[Small Sketchbook]
1784
61
George Romney, 1734–1802
[Small Sketchbook]
1784
62
George Romney, 1734–1802
[Small Sketchbook]
1784
63
George Romney, 1734–1802
[Small Sketchbook]
1784
64
George Romney, 1734–1802
[Small Sketchbook]
1784
65
George Romney, 1734–1802
[Small Sketchbook]
1784
66
George Romney, 1734–1802
[Small Sketchbook]
1784
67
George Romney, 1734–1802
[Small Sketchbook]
1784
68
George Romney, 1734–1802
[Small Sketchbook]
1784
69
George Romney, 1734–1802
[Small Sketchbook]
1784
70
George Romney, 1734–1802
[Small Sketchbook]
1784
71
George Romney, 1734–1802
[Small Sketchbook]
1784
72
George Romney, 1734–1802
[Small Sketchbook]
1784
73
George Romney, 1734–1802
[Small Sketchbook]
1784
74
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
75
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
76
George Romney, 1734–1802
Standing Male Figure
undated
77
George Romney, 1734–1802
Prison Scene
undated
78
George Romney, 1734–1802
Howard Visiting a Prison
undated
79
Michel Jean Cazabon, 1813–1888
St. James Barracks
1851
80
Michel Jean Cazabon, 1813–1888
Cedar Point, Mount Tamana
1851
81
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
82
Richard Parkes Bonington, 1802–1828
A Seascape
undated
83
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
84
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
85
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
86
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
87
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
88
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
89
John Thomas Smith, 1766–1833
The Smock Exposed
1817
90
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
91
John Thomas Smith, 1766–1833
The Reconcilation
1817
92
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
93
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
94
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
95
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
96
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
97
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont