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Subject Terms women

William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

1794

William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

ca. 1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

1794

William Blake The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

1794

William Blake Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

1789

William Blake Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

1789

William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

1789

William Blake Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

1789

William Blake Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)

1794

William Blake Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)

1794

William Blake Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

1789

William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

1789

William Blake Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

1794

William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

1789

William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

1789

William Blake Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

1789

William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

1789

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

1794

William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

ca. 1797

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

William Blake Jerusalem, Plate 11, "To labours mighty...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 11, "To labours mighty...."

1804 to 1820

William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 12, "Why wilt thou give to her...."

1804 to 1820

William Blake Jerusalem, Plate 13, "And that toward Eden...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 13, "And that toward Eden...."

1804 to 1820

William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 19, "His children exil'd from his breast...."

1804 to 1820

William Blake Jerusalem, Plate 2, Title Page

Print made by William Blake, 1757–1827

Jerusalem, Plate 2, Title Page

1804 to 1820

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 21, "O Vala! O Jerusalem...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 21, "O Vala! O Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 24, "What have I said?...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 24, "What have I said?...."

1804 to 1820

William Blake Jerusalem, Plate 35, "Then the Divine hand...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 35, "Then the Divine hand...."

1804 to 1820

William Blake Jerusalem, Plate 38, "His face and bosom...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 38, "His face and bosom...."

1804 to 1820

William Blake Jerusalem, Plate 69, "Then all the Males...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

William Blake Jerusalem, Plate 7, "Was living: panting...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 7, "Was living: panting...."

1804 to 1820

William Blake Jerusalem, Plate 8, "Rose up against me...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 8, "Rose up against me...."

1804 to 1820

William Blake Jerusalem, Plate 80, "Encompassd by the frozen net...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 80, "Encompassd by the frozen net...."

1804 to 1820

William Blake Jerusalem, Plate 81, "I have mockd those...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 81, "I have mockd those...."

1804 to 1820

William Blake Jerusalem, Plate 93, "Enitharmon heard...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 93, "Enitharmon heard...."

1804 to 1820

William Blake Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 94, "Albion cold lays on his Rock...."

1804 to 1820

William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

1804 to 1820

William Blake Jerusalem, Plate 99, "All Human Forms identified...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 99, "All Human Forms identified...."

1804 to 1820

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

1793

William Blake America. A Prophecy, Plate 7, "Albions Angel stood...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 7, "Albions Angel stood...."

1793

William Blake The Book of Thel, Plate 2, Title Page

Print made by William Blake, 1757–1827

The Book of Thel, Plate 2, Title Page

1789

William Blake Europe. A Prophecy, Plate 13 (Bentley 10)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 13 (Bentley 10)

1794

William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

1794

William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake Illustrations of Imitation of Eclogue I, Page 16

William Blake, 1757–1827

Illustrations of Imitation of Eclogue I, Page 16

1821

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Five Visionary Heads of Women

William Blake, 1757–1827

Five Visionary Heads of Women

1819 to 1820

William Blake Joseph and Potiphar's Wife

William Blake, 1757–1827

Joseph and Potiphar's Wife

1803 to 1805

William Blake The Widow Embracing Her Husband's Grave

William Blake, 1757–1827

The Widow Embracing Her Husband's Grave

1805 to 1808

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

Michael "Angelo" Rooker Almshouses in St. Cuthbert's Churchyard, Wells

Michael "Angelo" Rooker, 1746–1801

Almshouses in St. Cuthbert's Churchyard, Wells

undated

William Frome Smallwood Ghent: Street with Figures, Leading Up to the Cathedral

William Frome Smallwood, 1806–1834

Ghent: Street with Figures, Leading Up to the Cathedral

1832

unknown artist Interior of Milan Cathedral

unknown artist

Interior of Milan Cathedral

undated

John Thomas Smith The Reconcilation

John Thomas Smith, 1766–1833

The Reconcilation

1817

Thomas Shotter Boys Hotel de Ville, Hague

Thomas Shotter Boys, 1803–1874

Hotel de Ville, Hague

1859

William Turner of Oxford View from the Dean's Garden, Christ Church, Oxford

William Turner of Oxford, 1789–1862

View from the Dean's Garden, Christ Church, Oxford

undated

Master of the Wire Line Country Scene: Cottage and Figures on a Winding Road

Master of the Wire Line, 18th century

Country Scene: Cottage and Figures on a Winding Road

undated

George Shepheard The Village of Aldbury, Hertfordshire

George Shepheard, ca. 1770–1842

The Village of Aldbury, Hertfordshire

1816

Canaletto Capriccio of a Venetian Courtyard

Follower of Canaletto, 1697–1768

Capriccio of a Venetian Courtyard

undated

John Henry Müntz Classical Composition

John Henry Müntz, 1727–1798

Classical Composition

undated

Sir George Howland Beaumont seventh Baronet Two Figures with a Skull

Sir George Howland Beaumont seventh Baronet, 1753–1827

Two Figures with a Skull

undated

Paul Sandby Dartmouth Castle

Paul Sandby, 1731–1809

Dartmouth Castle

1794

Michael "Angelo" Rooker Illustration to Beaumont and Fletcher

Michael "Angelo" Rooker, 1746–1801

Illustration to Beaumont and Fletcher

undated

William Simpson The Dilkoosha, Lucknow in the Distance

William Simpson, 1823–1899

The Dilkoosha, Lucknow in the Distance

1866

Thomas Stothard Illustration to the Virtuous Orphan

Thomas Stothard, 1755–1834

Illustration to the Virtuous Orphan

undated

Robert Adam Headfort House, Ireland: Lady's Room Ceiling

Robert Adam, 1728–1792

Headfort House, Ireland: Lady's Room Ceiling

1772

William Simpson The Village Well

William Simpson, 1823–1899

The Village Well

1864

Thomas Shotter Boys Notre Dame, Paris

Thomas Shotter Boys, 1803–1874

Notre Dame, Paris

between 1831 and 1845

Thomas Shotter Boys A Christening

Thomas Shotter Boys, 1803–1874

A Christening

undated

William Callow Madonna with a Rabbit

William Callow, 1812–1908

Madonna with a Rabbit

undated

James Roberts Three Ladies Standing on a Terrace

James Roberts, active 1766–1809

Three Ladies Standing on a Terrace

undated

Paul Sandby The Misses Sandby of Norwich

Paul Sandby, 1731–1809

The Misses Sandby of Norwich

undated

Sir Augustus Wall Callcott Woman on a Horse with Two Standing Women Overlooking a Landscape

Sir Augustus Wall Callcott, 1779–1844

Woman on a Horse with Two Standing Women Overlooking a Landscape

undated

Sir James Thornhill Design for a portrait of an architect or a painter

Sir James Thornhill, 1675–1734

Design for a portrait of an architect or a painter

undated

Samuel Wale An Eclipse in Harvest Time

Samuel Wale, 1721–1786

An Eclipse in Harvest Time

undated

Sir David Wilkie On the Pier, Calais

Attributed to Sir David Wilkie, 1785–1841

On the Pier, Calais

ca. 1810

William Alexander City of Lin Tsin, Shantung, with a View of the Grand Canal

William Alexander, 1767–1816

City of Lin Tsin, Shantung, with a View of the Grand Canal

1795

George Moutard Woodward Spy's Taken at Greenwich on Easter Monday

George Moutard Woodward, ca. 1760–1809

Spy's Taken at Greenwich on Easter Monday

undated

unknown artist Lake Maggiore

unknown artist

Lake Maggiore

ca. 1850