(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
2
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
3
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
4
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
5
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
6
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
7
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
8
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
9
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
10
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
11
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
12
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
13
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
14
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
15
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
16
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
17
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
18
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
19
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
20
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
21
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
22
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
23
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
24
unknown artist
A Corner Pub and Attached Hotel
ca. 1928
25
unknown artist
A Victorian House in a Garden
ca. 1866
26
unknown artist
A Village School, Church, or Parish Hall and Rectory
ca. 1850
27
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
undated
28
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
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29
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
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30
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
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31
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
undated
32
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
33
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
34
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
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35
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
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36
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
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37
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
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38
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
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39
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
40
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
41
Studio of Sir Jeffry Wyatville, 1766–1840
Aldbury Lodge, Ashridge: Chamber Plan and North Elevation
undated
42
studio of Sir Jeffry Wyatville, 1766–1840
Aldbury Lodge, Ashridge: Plan and South Elevation
undated
43
unknown artist
Alms-Houses at Greenhithe, Kent
1774
44
Stephen Riou, 1720–1780
Alzata d'una Porta congli Prigioni della Citta
1752
45
Stephen Riou, 1720–1780
Alzata della Facciata d'una Chiesa
1752
46
Stephen Riou, 1720–1780
Alzata della faciata d'una Casa per fare alla Villa
1752
47
Stephen Riou, 1720–1780
Alzata di'una faciata d'un Palazzo di 15 finestre per fare in luogo nobile della citta
1752
48
Stephen Riou, 1720–1780
Arco nel Campo Marzo a Vicenza
1752
49
unknown artist
Badgebury House, South East Front - Elevation
1841
50
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
undated
51
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
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52
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
53
Arnold Mitchell, ca. 1863–1944
Bishopsgate Street
undated
54
Richard Banks Harraden, 1778–1862
Chapel Front, Emanuel College, Cambridge
ca. 1833
55
unknown artist
Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire
ca. 1835
56
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
57
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
58
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
59
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
60
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
61
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of South Front of South Wing
undated
62
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
63
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevations of the Music Hall
undated
64
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
65
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790
66
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
67
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
68
unknown artist
Cobham Hall, Kent: Sketch for a bed
ca. 1790
69
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
70
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
71
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
72
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
73
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
74
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
75
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
76
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
77
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
78
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
79
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
80
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
81
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
82
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
83
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
84
Studio of Sir Jeffry Wyatville, 1766–1840
Cottage at Belton House, Lincolnshire: Plan and Elevation
undated
85
David Simson, 1803–1874
Craigmillar Castle
1861
86
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
87
James Malton, 1761–1803
Design for a Castellated Hunting Lodge
1803
88
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
89
unknown artist
Design for a Classical House
undated
90
John Yenn, 1750–1821
Design for a Doorway
ca. 1781
91
John Yenn, 1750–1821
Design for a Doorway
1781
92
John Yenn, 1750–1821
Design for a Doorway
ca. 1781
93
John Yenn, 1750–1821
Design for a Doorway
1781
94
unknown artist
Design for a Library
undated
95
unknown artist
Design for a Saloon
undated
96
Studio of Sir Jeffry Wyatville, 1766–1840
Design for a Small Gothic Church: Elevation
undated
97
Studio of Sir Jeffry Wyatville, 1766–1840
Design for a Small Gothic Church: Elevation
undated
98
Studio of Sir Jeffry Wyatville, 1766–1840
Design for a Small Gothic Church: Section
undated
99
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
100
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan