Materials & Techniques: brown ink / Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 33

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

1813 to 1823

unknown artist

Kirkeoch, Nun Mill

undated

unknown artist

Whitehall Palace, London: Section of Proposed Design

between 1710 and 1740

Thomas Sunderland, 1744–1828

Landscape at Ambleside

ca. 1800

Sir David Wilkie, 1785–1841

The Manse, Cults, Fife: The Artist's Old Home

undated

Sir David Wilkie, 1785–1841

The Manse, Cults, Fife: The Artist's Old Home

undated

William Haygarth, active 1810–1816

Mount Soratte from Civita Castellana

1816

William Haygarth, active 1810–1816

Crater of Vesuvius

1816

unknown artist

Copy of a Study for a Ceiling Decoration

undated

Captain John Bernard Gilpin, 1701–1776

The Southeast view of Rose Castle in Cumberland

1765

Henry Richard Greville third Earl of Warwick, 1779–1853

Landscape with Gorge and Cattle

undated

Julius Caesar Ibbetson, 1759–1817

Cardiff from the South

ca. 1789

William Henry Hunt, 1790–1864

Old Farm Buildings

ca. 1817

James Wyatt, 1746–1813

Cobham Hall, Kent: Elevations of Stables

1789

Joseph Nash, 1808–1878

Levens, Westmoreland, The Small Drawing Room

1873

William Pars, 1742–1782

Measured Drawing of Sculpture in Gymnasium at Ephesus

undated

William Evans of Bristol, 1809–1858

The 'Royal' Coach Outside the White Lion Inn

ca. 1845

George Garrard, 1760–1826

Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

1786

unknown artist

Design for Interior Ornament

undated

James Wyatt, 1746–1813

[One of] Five Designs for a Church

undated

Edward Allen Everitt, 1824–1882

Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box

undated

Print made by Francesco Bartolozzi, 1728–1815

Dr. John Fothergill

1782

Robert Adam, 1728–1792

Headfort House: Lady's Room Ceiling Rose

1772

Sir Richard Colt Hoare, 1758–1838

The Tomb of Plautius etc near Tivoli

1786 to 1819

Thomas Rowlandson, 1756–1827

How to Vault in the Saddle

1813

Print made by John Doyle ('H.B.'), 1797–1868

The Man Wot "Whips the House Out"

1849

Joshua Cristall, 1768–1847

A Groom, Berkshire

ca. 1816

Samuel Howitt, 1756–1822

Leopards at Play Among Fallen Trees and Rocks

ca. 1807

attributed to John Sell Cotman, 1782–1842

Doorway and Window of a Church

undated

Thomas Sunderland, 1744–1828

Mountain of Rigi and the Ancient Castle of Hapsbourg on the Lake of Lucerne

18th century-19th century

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith, 1766–1833

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1817

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

John Thomas Smith, 1766–1833

Hogarth Sitting to Roubiliac for His Bust

1817

unknown artist

The Virtuous Family

ca. 1790

Willem van de Velde the Younger, 1633–1707

An English Man-of-War, Port View from the Stern

ca. 1675

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

John Thomas Smith, 1766–1833

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1817

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817