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Materials & Techniques brown wash
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Remove constraint Materials & Techniques: penCredit Line Yale Center for British Art, Paul Mellon Collection
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1
- Dawn
- between 1831 and 1832
2
- Trees and Deer
- 1825
3
- Landscape Sketch
- undated
4
- An Ancient Barn at Shoreham
- undated
5
- Albania
- between 1848 and 1849
6
- Turin, Italy
- after 1872
7
- Bavella, Corsica
- ca. 1868
8
- The Pontine Marshes above Terracina
- ca. 1880
9
- Mythological Group of Women and Children
- undated
10
- Government House from St. Andrew's Library - Calcutta
- undated
11
- Designs for Gothic Ornamentation
- undated
12
- Man Leading a Horse
- undated
13
- Two Prize Fighters
- ca. 1742
14
- Pass of Glyndiffis
- undated
15
- Shakespeare House, Aldersgate Street
- undated
16
- Scene in a Roman Prison
- undated
17
- Leda and the Swan
- undated
18
- Margate Harbor
- ca. 1806
19
- Landscape with Trees and Church Spire
- undated
20
- Design for a Temple on a Square Plan and with a Dome: Elevation
- undated
21
- Landscape with Bridge
- undated
22
- Harbor
- undated
23
- Design for Stables: Plan and Elevation
- undated
24
- Four Galloping Horses
- undated
25
- Design for a Pavilion in a Deer Park
- ca. 1735
26
- Stowe House, Buckinghamshire: Design for Ceiling and Wall Decoration
- between 1728 and 1732
27
- Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan
- ca. 1733
28
- Design for an Unidentified Gothic Structure
- undated
29
- Design for a Pavilion in a Deer Park
- ca. 1735
30
- Stowe House, Buckinghamshire: Elevation and Section of Chimney Piece in the Hall
- ca. 1733
31
- The Building of Waterloo Bridge
- ca. 1816
32
- Octagonal Temple at Shotover Park, Oxfordshire: Plan, Section and Elevation
- ca. 1738
33
- The Cascade at Chiswick House, Middlesex: Elevation and Plan
- between 1720 and 1735
34
- Civita Castellana
- undated
35
- Design for a Circular Domed Temple: Elevation
- undated
36
- View of Revel, Capital of Esthonia
- undated
37
- Standing Woman
- undated
38
- Nocturnal View of Mountainous Landscape with River
- undated
39
- Ram and Two Sheep
- undated
40
- Thatched Roof and Tree
- undated
41
- Fulham Palace, Porter's Lodge
- undated
42
- Totnes from the Seymour Hotel
- 1838
43
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
44
- Cheyne Walk, Old Chelsea
- 1861
45
- Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
- ca. 1690
46
- Mount Soratte from Civita Castellana
- 1816
47
- Townsend's Building at Rousham, Oxfordshire: Elevation and Plan
- ca. 1738
48
- Coquet Island
- undated
49
- Design for a Shop Front: Elevation
- undated
50
- Neapolitan Fishermen
- 1791
51
- Design for an Altarpiece with a drawing of St. Luke mounted at the center
- undated
52
- Design for a Monument to Sir James Reade, Hatfield
- undated
53
- Lullingstone Castle
- ca. 1670
54
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
55
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
56
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
57
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
58
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
59
- Hogarth Sitting to Roubiliac for His Bust
- 1817
60
- Design for a portrait of an architect or a painter
- undated
61
- The Virtuous Family
- ca. 1790
62
- Margate Hoy
- 1807
63
- St. Michael and Lucifer
- undated
64
- Characters in the Streets of London
- 1799
65
- Design for an Ornamented Spandrel
- undated
66
- Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
- undated
67
- Plans of Ancient Roman Baths: Terme del Imp. Diocleziano
- undated
68
- Plans of Ancient Roman Baths - Terme de M Agrippa
- undated
69
- Plans of Ancient Roman Baths: Terme Antoniane
- undated
70
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
71
- Hogarth Declaring His Love to Miss Thornhill
- 1817
72
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
73
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
74
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
75
- The Smock Exposed
- 1817
76
- The Reconcilation
- 1817
77
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
78
- The House of Commons
- after 1731
79
- The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
- undated
80
- Interior of a Stable, with Tow Horses Feeding
- undated
81
- A Study for the Wellington Monument
- undated
82
- A Horse pulling a Drag
- undated
83
- Page Boy Asleep
- undated
84
- Preparatory drawing for The Waltz
- 1820s
85
- Unique Specimens of Mineralogy
- undated
86
- Design for a Ceiling at Addiscombe: Bacchus and Ariadne
- undated
87
- Prospero and Ariel
- 1821
88
- Falstaff Dragging the Body of Hotspur
- 1825
89
- Convent at Valmontone. November 1790
- 1790
90
- Loading Sacks into a Cart
- undated
91
- Falstaff Instructing Bardolph
- 1825
92
- Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion
- undated
93
- Man Beside a Stile
- undated
94
- John Gilpin in the Uxbridge Passage Boat
- 1820s
95
- Three Figure Studies
- undated
96
- Portrait of a Man Wearing a Full-Bottomed Wig
- undated
97
- Cobham Hall, Kent: Plan and Elevation of Lodge
- ca. 1790
98
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
99
- Design of Apollo and the Python for a Painted over-door Decoration
- undated
100
- Design for an Urn
- undated