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Materials & Techniques brown wash
Remove constraint Materials & Techniques: brown washCollection Prints and Drawings
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1
- A Pastoral Scene
- 1835
2
- Study of a Pilgrim
- undated
3
- Three Young Witches
- undated
4
- Two Children Embracing
- undated
5
- Prison Scene
- undated
6
- Female Figures
- undated
7
- Slight Group of Figures
- undated
8
- Seated Woman
- undated
9
- Shepherdess Cutting an Inscription on a Tree
- undated
10
- Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
- undated
11
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
12
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
13
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
14
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
15
- Hogarth Drawing Sarah Malcolm
- 1817
16
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
17
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
18
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
19
- Hogarth Sitting to Roubiliac for His Bust
- 1817
20
- Interior of a Coppersmith's, Shoe Lane
- undated
21
- Church and Cottages
- undated
22
- The Long Minuet as Danced at Bath
- after 1787
23
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
24
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
25
- The Smock Exposed
- 1817
26
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
27
- The Reconcilation
- 1817
28
- The Misses Sandby of Norwich
- undated
29
- The Fisherman
- undated
30
- Page Boy Asleep
- undated
31
- Horsemen in a Landscape
- undated
32
- A Scene at Windsor
- undated
33
- Landscape with Shepherd
- undated
34
- An Illustration to Rob Roy: Interior with a Party Drinking
- undated
35
- Smugglers
- undated
36
- Thatched Roof and Tree
- undated
37
- London Cries: A Man with a Basket (Man Selling Pots and Pans)
- undated
38
- London Cries: Small Coal or Brushes
- ca. 1759
39
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
40
- London Cries: A Man Swaggering
- undated
41
- London Cries: A Man with a Bottle
- ca. 1759
42
- London Cries: All Fire and No Smoke
- ca. 1759
43
- Classical Composition
- undated
44
- Classical Composition
- undated
45
- A Fashionable Audience
- undated
46
- Battledore and Shuttlecock
- ca. 1740
47
- Flying the Kite
- ca. 1740
48
- The Blacksmith
- undated
49
- Travelers on a Road above a River
- 1821
50
- The Dying Man
- ca. 1853
51
- Classical Study of Three Figures
- undated
52
- Shopping in the Rows, Chester
- 1837
53
- A View at Lucerne
- 1775
54
- Twenty Young Girls in a Group Walking to the Left
- undated
55
- Characters in the Streets of London
- 1799
56
- Kingston Lacy, Dorset
- undated
57
- Peasants in a Grotto
- undated
58
- The Fish Ponds
- undated
59
- Two Wheeled Cart and Figures
- undated
60
- Group of Figures: A Dogfight
- ca. 1785
61
- Head of a Man with a Beard Looking to the Left
- undated
62
- Harwich, Essex
- ca. 1820
63
- The Life of a Nobleman: Scene the Second - The First Party
- undated
64
- The Life of a Nobleman: Scene the Seventh - The Mess Room
- undated
65
- The Life of a Nobleman: Scene the First - The Inheritance
- undated
66
- The Life of a Nobleman: Scene the Third - The Night House
- undated
67
- The Life of a Nobleman: Scene the Fourth - The Betting Booth
- undated
68
- The Life of a Nobleman: Scene the Fifth - The Gambling House
- undated
69
- The Life of a Nobleman: Scene the Sixth - The Usurer
- undated
70
- Convent at Valmontone. November 1790
- 1790
71
- The Fight Interrupted
- undated
72
- Woman and Child Holding a Doll
- between 1758 and 1760
73
- Washerwomen
- between 1790 and 1805
74
- Loading Sacks into a Cart
- undated
75
- Wayfarers
- undated
76
- Design for an Ornamental Cartouche: Samuel Garth
- undated
77
- Fish Market, Hastings
- 1824
78
- A Soldier on Horseback
- undated
79
- Scene in a Roman Prison
- undated
80
- Illustration for The New Doll: Sewing Clothes for the Doll
- 1825
81
- View on the river Vulturnus, Sept.r 1790
- 1790
82
- At Tivoli, near Rome
- 1786 to 1819
83
- Neptune's Grotto at Tivoli
- 1786 to 1819
84
- Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
- 1791
85
- Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790
- 1790
86
- Ferry over the river Vulturnus, Sept.r 1790
- 1790
87
- View on the river Vulturnus, Sept.r 1790
- 1790
88
- An Ancient Sepulchre at Albano
- 1786 to 1819
89
- The Capuchin Convent at Gensano
- 1786 to 1819
90
- An Ancient Sepulchre near Albano, vulgarly ascribed to the Horatii
- 1786 to 1819
91
- The Pont du Gard in Languedoc
- 1786 to 1819
92
- At Larici near Albano in Italy
- 1786 to 1819
93
- The Lake of Nemi called Speculum Diane
- 1786 to 1819
94
- A Convent at Albano overlooking the Campagna
- 1786 to 1819
95
- The Town and Lake of Nemi, in Italy
- 1786 to 1819
96
- A Mill at Marino, near Rome
- 1786 to 1819
97
- The Tomb of Plautius, near Tivoli
- 1786 to 1819
98
- At Tivoli, near Rome
- 1786 to 1819
99
- The Tomb of Plautius etc near Tivoli
- 1786 to 1819
100
- At Marino, near Rome
- 1786 to 1819