Materials & Techniques: chine collé and etching (printing process) / Height [cm]: 23

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1818

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by John Cousen, 1804–1880

The Acropolis of Athens

1832-1834

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by James Fittler, 1758–1835

Isola Bella, on the Lago Maggiore

1818-1820

Print made by W. R. Smith, active 1819–1851

Florence, from Fiesoli

1818-1820

Print made by John Scott, 1774–1828

Aysgarth Force

1818-1823

Print made by James C. Allen, active 1821–1831

Lowestoffe

ca. 1830

Print made by James C. Allen, active 1821–1831

Whitby

ca. 1830

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1818-1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by George Hollis, 1792–1842

Rome, Bridge and Castle of St. Angelo, on the Tyber

1818

Print made by John Byrne, 1786–1847

Rome from Monte Testaccio

1818-1820

Engraved by George Hollis, 1792–1842

The Forum Romanum

1818-1820

Print made by John Byrne, 1786–1847

Rome, Tomb of Cecilia Metella

1818-1820

Print made by John Byrne, 1786–1847

Rome, Tomb of Cecilia Metella

1818-1820

Print made by John Le Keux, 1783–1846

Rome from the Farnesean Gardens

1818-1820

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carraia

1818-1820

Print made by George Hollis, 1792–1842

Rome; Bridge and Castle of St. Angelo on the Tyber

1818

Print made by John Byrne, 1786–1847

Rome from Monte Testaccio

1818-1820

Print made by Samuel Rawle, 1771–1860

Florence, from the Ponte alla Carria

1818-1820

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Plymouth, with Mount Batten

1817

Print made by James C. Allen, active 1821–1831

Dunwich, Suffolk

ca. 1830

Print made by James C. Allen, active 1821–1831

Orfordness

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by W. R. Smith, active 1819–1851

Florence, from Fiesoli

1818-1820

Print made by James Fittler, 1758–1835

Isola Bella on the Lago Maggiore

1818-1820

Print made by James Mitan, 1776–1822

Turin from the Portico of the Superga Church

1820

Print made by Edward Francis Finden, 1791–1857

Corinth from the Acropolis

1832

Print made by S. Fisher, active 1831–1844

Coventry, Warwickshire

1833

Print made by William Bernard Cooke, 1778–1855

The Mew Stone. Entrance of Plymouth Sound

1815

Print made by Edward Francis Finden, 1791–1857

Gate of Theseus, Athens

1832

Print made by George Cruikshank, 1792–1878

The Murder on the Thames

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard Accuses Thames Darrell of the Theft

1839

Print made by William Radclyffe, 1780–1855

Ashby de la Zouch

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James C. Allen, active 1821–1831

Dunwich, Suffolk

1819-1826

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Dunwich

1819-1826

Print made by John Crome, 1768–1821

Front of the New Mills

1813

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by William Radclyffe, 1780–1855

Louth, Lincolnshire

1829

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by John Cousen, 1804–1880

The Acropolis of Athens

1832-1834

Print made by Edward Francis Finden, 1791–1857

Scio (Fontana de Melek, Mehmet Pasha)

1833

Print made by Edward Francis Finden, 1791–1857

The Walls of Rome (Tomb of Caius Sestus)

1833

Print made by Edward Francis Finden, 1791–1857

The Field of Waterloo from Hougoumont

1833

Print made by George Cruikshank, 1792–1878

Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

1839

Print made by William Carpenter, 1818–1899

Charles Fox

1849

George H. Every, 1837–1910

Sir Joshua Reynolds

1866

Edward Francis Finden, 1791–1857

Hester Lynch Piozzi (Mrs. Thrale)

1835

Print made by John Crome, 1768–1821

Mousehold Heath, Norwich

between 1810 and 1811

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Materials & Techniques chine collé

Materials & Techniques etching (printing process)

Height [cm] 23

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Materials & Techniques chine collé

Materials & Techniques etching (printing process)

Height [cm] 23

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