Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
2
Edward Lear, 1812–1888
Oasis Village
1854
3
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
4
Augustus Welby Northmore Pugin, 1812–1852
Designs for Town Hall Mons [sic]
1851
5
Paul Sandby, 1731–1809
The Bayswater Turnpike
undated
6
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
7
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
8
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
9
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
10
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
11
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
12
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
13
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
14
W. S. Penson, 19th century
View on the London and Birmingham Railway at Chalk Farm Showing the Train Carrying Livestock
undated
15
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
16
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
17
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
18
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
19
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
20
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
21
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
22
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
23
W. S. Penson, 19th century
View on the London and Birmingham Railway, Primrose Hill, Chalk Farm, Showing the Travelling Post Office
undated
24
Augustin Heckel, 1690–1770
The Bridge, Walton on Thames
ca. 1750
25
E. M. Henderson, active 1815–1830
Yarmouth Bridge, Aug. 1829
1829
26
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
27
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
28
Moses Griffith, 1747–1819
View of Erthig, Denbigshire, Wales
undated
29
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
30
Thomas Manby, 1633(?)–1695
Ponte Lucano, Near Tivoli
between 1660 and 1690
31
Samuel Howitt, 1756–1822
Four Galloping Horses
undated
32
William Henry Hunt, 1790–1864
A Farmyard
ca. 1815
33
Attributed to William Marlow, 1740–1813
Civita Castellana
undated
34
Peter Monamy, 1681–1749
Landing of William of Orange at Tor Bay
1688
35
Nicholas Pocock, 1740–1821
Bristol
ca. 1780
36
pupil of John Malchair, 1730–1812
Road Between Hills
undated
37
T. E. Jeffers, active 1836
Barnes Common, June 1836
1836
38
James Bruce, 1730–1794
Wolf
1764
39
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for Paneling of a Pew
ca. 1790
40
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
41
William Burgess, 1749–1812
Interior of a Stable, with Tow Horses Feeding
undated
42
Benjamin West, 1738–1820
Page Boy Asleep
undated
43
Paul Sandby, 1731–1809
The Gypsy Fortune-Teller
ca. 1758
44
unknown artist
God Creating the Universe
ca. 1800
45
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
46
Edward Francis Burney, 1760–1848
Paddington Canal: The Junction at Wormwood Scrubbs, with a Passenger Hailing the Uxbridge Passage Boat
undated
47
Edward Francis Burney, 1760–1848
John Gilpin in the Uxbridge Passage Boat
1820s
48
unknown artist
Dr. Mum
undated
49
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
50
John Chessell Buckler, 1793–1894
Costessy Hall, Norfolk
1831
51
unknown artist
Norton Hall, Cheshire: Ground Plan with Designs for a Canal
between 1760 and 1776
52
Robert Adam, 1728–1792
Castle with Figures in a Classical Landscape
undated
53
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
54
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
55
Charles Bentley, 1806–1854
Coast Scene with Shipping
undated
56
Sir James Thornhill, 1675–1734
Design for a Wall Panel
undated
57
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
58
unknown artist
Waterloo Bridge from the West, 1814
1814
59
Sir Robert Smirke the younger, 1781–1867
A View of Genoa, Taken Near the Gate of St. Thomas
1802-1804
60
Sir Robert Smirke the younger, 1781–1867
The Murazzi at Venice
1804
61
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
62
Thomas Rowlandson, 1756–1827
A Horse Sale at Hopkins's Repository (An outline)
undated
63
Robert Dighton, 1752–1814
Pheasant Shooting
before 1801
64
James Seymour, 1702–1752
Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743
1743
65
George Jones, 1786–1869
Magdalen Tower and Bridge, Oxford
undated
66
Mrs. P. D. H. Page, 20th century
Coastal Profiles of Dominica and Santa Cruz, after the original by John White in the British Museum [Caribbean and Oceanic, No. 2]
undated
67
attributed to Sir Thomas Lawrence, 1769–1830
Study of an Arrangement of Anemones
undated
68
Studio of Sir Jeffry Wyatville, 1766–1840
Ashridge: Elevation of Classical Lodge
undated
69
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: French Prisoners on Parole
1795
70
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: The Arrival of the Stage-Coach
1795
71
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
72
Sir Edwin Henry Landseer, 1802–1873
A Shooting Party: Mr. C. Leslie and Mr. John Leslie
1833
73
unknown artist
Design after a Greek Vase
undated
74
Thomas Rowlandson, 1756–1827
The Gourmand
undated
75
Thomas Rowlandson, 1756–1827
Serving Punch
between 1815 and 1820
76
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
77
Thomas Rowlandson, 1756–1827
Three Full-Length Figures of Men Talking
ca. 1815
78
Thomas Rowlandson, 1756–1827
Two Greyhounds Lying under a Tree
undated
79
Thomas Rowlandson, 1756–1827
Register Office for the Hiring of Servants
between 1800 and 1805
80
Thomas Rowlandson, 1756–1827
The Connoisseurs
ca. 1790
81
Thomas Rowlandson, 1756–1827
A Waggoner
undated
82
Thomas Girtin, 1775–1802
Valley of the Conway
ca. 1800
83
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
84
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
85
Thomas Rowlandson, 1756–1827
The Bookmaker and his Client outside the Ram Inn, Newmarket
undated
86
attributed to Thomas Girtin, 1775–1802
Dover
undated
87
Willey Reveley, 1760–1799
Views in the Levant: Landscape With Sea, Town and Hills
ca. 1785
88
Charles Hancock, 1802–1877
Two Shetland Ponies With a Groom
1834
89
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
90
George Shepheard, ca. 1770–1842
The Banqueting House, Whitehall, from the River
ca. 1810
91
Possibly William Henry Pyne, 1769–1843
The Horse Guards Parade
undated
92
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The Death
undated
93
James Seymour, 1702–1752
Coursing - After the Kill
undated
94
Samuel Howitt, 1756–1822
The Check
undated
95
Samuel Howitt, 1756–1822
Full Cry
undated
96
Henry Thomas Alken, 1785–1851
A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
1821
97
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
98
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
99
Robert Smirke, 1752–1845
Studies of Figures and Seals from Sandfords Geneal History