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1
- Owl Standing, Anterior View
- 1795 to 1806
2
- Owl Standing, Anterior View
- 1795 to 1806
3
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
4
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
5
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
6
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
7
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
8
- Aged Ignorance; Plate 13
- 1793
9
- Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
- ca. 1797
10
- Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
- ca. 1797
11
- Young's Night Thoughts, Page 27, "O treacherous conscience!"
- ca. 1797
12
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
13
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- 1797
14
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
15
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
16
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
17
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- 1797
18
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
20
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
21
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
22
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
23
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
24
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
25
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
26
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
27
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
28
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
29
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
30
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
31
- Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
- 1797
32
- Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
- 1797
33
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
34
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
35
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
36
- Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
- 1804 to 1820
37
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
38
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
39
- Jerusalem, Plate 72, "And the Thirty-two Counties...."
- 1804 to 1820
40
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
41
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
42
- Jerusalem, Plate 48, "These were his last words...."
- 1804 to 1820
43
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
44
- Jerusalem, Plate 46, "Bath, mild Physician...."
- 1804 to 1820
45
- Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
- 1804 to 1820
46
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
47
- Songs of Innocence, Plate 16, "Night" (Bentley 20)
- 1789
48
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
49
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
50
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
51
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
52
- Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
- 1789
53
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
54
- For the Sexes: The Gates of Paradise, Plate 1, Title Page
- 1826
55
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
56
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
57
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
58
- Jerusalem, Plate 3, "To the Public...."
- 1804 to 1820
59
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
60
- Jerusalem, Plate 39, "By Satans Watch-fiends...."
- 1804 to 1820
61
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
62
- Jerusalem, Plate 44, "With one accord...."
- 1804 to 1820
63
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
64
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
65
- Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
- 1794
66
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- ca. 1797
67
- Mary Magdalen at the Sepulchre
- ca. 1805
68
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
69
- Young's Night Thoughts, Page 23, "We censure nature for a span too short"
- ca. 1797
70
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
71
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
72
- Cleopatra on the Cydnus to Meet Antony
- ca. 1821
73
- Queen Katherine's Dream
- 1807
74
- Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
- undated
75
- Design for a Ceiling Decoration
- 1723
76
- The Birth of Christ (Luke 2:15)
- before 1836
77
- Tobit and the Angel
- undated
78
- Annuciation
- undated
79
- Allegorical Scene
- undated
80
- Figure Study of a Bacchanalia Celebration in a Wooded Landscape
- undated
81
- Study of a Woman, being Taken Away by a Winged Being
- undated
82
- Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows
- undated
83
- Five Vignettes of Scenes from Antiquity
- undated
84
- The Web
- undated
85
- Intemperance
- undated
86
- Cupid and Psyche
- ca. 1870
87
- Doorhead of the Palazzo Contarini della Porta di Ferro
- undated
88
- Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
- 1853
89
- The Harpies Attacking the Daughters of Pandarus
- 1848
90
- Venus Crowned by Cupid
- between 1810 and 1815
91
- Wrapper for six prints from Alfred Crowquill's Christmas Pieces
- undated
92
- Romance
- 1922
93
- Ticket: For the Benefit of Mr. Salpietro
- 1799
94
- Ticket: For the Benefit of Mr. Salpietro
- 1799
95
- Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
- before 1797
96
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
97
- Iris
- 1808
98
- Cupid and Cephisa: "One Day as I was Walking in the Woods..."
- 1789
99
- Presages of the Millenium
- 1795
100
- Joshua and the Angel (Joshua 5:13)
- before 1835