Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
14
Alexander Monro, 1802–1844
Buildings Belonging to Magdalen Hall, Oxford
undated
15
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
16
John Linnell, 1792–1882
Tythrop
1817
17
William Heath, 1795–1840
An Episode at the Battle of Waterloo
1817
18
Samuel Howitt, 1756–1822
Polecat
ca. 1817
19
Richard Parkes Bonington, 1802–1828
Palais de Justice, Rouen
undated
20
John Chessell Buckler, 1793–1894
South East View of the Church and Palace at Croydon, Surrey
1817
21
Richard Parkes Bonington, 1802–1828
Study of a Seated Woman
undated
22
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
23
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
24
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
25
John Thomas Smith, 1766–1833
The Smock Exposed
1817
26
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
27
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
28
Alexander Monro, 1802–1844
Knaresborough
undated
29
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
30
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
31
Richard Parkes Bonington, 1802–1828
Road Workers, near Lillebonne
undated
32
W. Raddon, active 1817–1862
Study of a Youth Wearing a Cloak
undated
33
Samuel William Reynolds, 1773–1835
Thomas Girtin
1817
34
Francis Oliver Finch, 1802–1862
Classical Scene
undated
35
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
36
Joseph Cartwright, c.1789–1829
Single Frigate, Stern Forward; Albion 20 April 1817
1817
37
attributed to Sir Edwin Henry Landseer, 1802–1873
Landscape
undated
38
Capt. Thomas Hastings, 1778–1854
Near Gravesend from the High Road
1817
39
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
40
Print made by Richard Earlom, 1743–1822
Landscape with Ruins
1817
41
Print made by Richard Earlom, 1743–1822
A Study
1817
42
Print made by Richard Earlom, 1743–1822
A Landscape
1817
43
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
44
Print made by Richard Parkes Bonington, 1802–1828
Untitled (one of three)
undated
45
unknown artist
North West View of the Ancient Structure of Merchant-Taylors Hall and the Alms-Houses Adjoining in Threadneedle Street
1817
46
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
47
John Frederick Tayler, 1802–1889
A Fruit Stall in a Market
undated
48
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
49
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
50
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
51
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church
1817
52
Print made by William Sharp, 1749–1824
William Sharp
1817
53
Print made by W. R. Smith, active 1819–1851
Rosslyn Castle
ca. 1822
54
Print made by Samuel Middiman, ca. 1750–1831
Hardraw Fall
1817
55
Print made by William Bernard Cooke, 1778–1855
Plymouth, with Mount Batten
1817
56
Print made by William Bernard Cooke, 1778–1855
Martello Towers at Bexhill
1817
57
Print made by William Bernard Cooke, 1778–1855
Martello Towers at Bexhill
1817
58
Richard Parkes Bonington, 1802–1828
Study of a Woman with her Head on her Hand
undated
59
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
60
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham, Replication of Right Half
1817
61
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
62
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
63
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
64
Robert Bremmel Schnebbelie, active 1803–1849
Aldgate
1817
65
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
66
Thomas Shotter Boys, 1803–1874
The Footbridge
undated
67
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
68
Francis Oliver Finch, 1802–1862
Classical Landscape with Figures
undated
69
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
70
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
71
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
72
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
73
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
74
Thomas Shotter Boys, 1803–1874
A Christening
undated
75
Richard Parkes Bonington, 1802–1828
Ile de la Cite
undated
76
Richard Parkes Bonington, 1802–1828
Abbey St-Amand, Rouen
undated
77
Richard Parkes Bonington, 1802–1828
A Seascape
undated
78
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
79
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
80
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
81
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
82
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
83
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
84
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
85
John Thomas Smith, 1766–1833
The Reconcilation
1817
86
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
87
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
88
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
89
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
90
John Frederick Tayler, 1802–1889
Study of a Startled Horse
undated
91
Sir Edwin Henry Landseer, 1802–1873
A Herd of Deer Grazing in a Park
undated
92
John Buckler FSA, 1770–1851
North Front of Belton house Lincolnshire
1817
93
John Buckler FSA, 1770–1851
Flower Garden at Belton, Lincolnshire
1817
94
style of Sir Edwin Henry Landseer, 1802–1873
A Dappled Horse in a Stable
undated
95
John Buckler FSA, 1770–1851
Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart
1817
96
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
97
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
98
John Buckler FSA, 1770–1851
North East View of Harlaxton Manor House, Lincolnshire