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Creator Gender male

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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1827

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Period 19th century

Remove constraint Period: 19th century

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John Constable Sky Study with Rainbow
John Constable, 1776–1837
Sky Study with Rainbow
1827
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
Richard Parkes Bonington Trees and a Cottage by a River
Richard Parkes Bonington, 1802–1828
Trees and a Cottage by a River
1827
William Mulready Self-Portrait of the Artist Reclining on a Gothic Couch Reading a Book
William Mulready, 1786–1863
Self-Portrait of the Artist Reclining on a Gothic Couch Reading a Book
1827
Henry Thomas Alken Turbaned Cavalryman, Right Arm with Curved Sword Upraised
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
James Ward A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
James Ward, 1769–1859
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
Henry Thomas Alken "By - he'll get to the Earth..."
Henry Thomas Alken, 1785–1851
"By - he'll get to the Earth..."
1827
Henry Thomas Alken Going at a Rank of Hurdles with Temper and Resolution
Henry Thomas Alken, 1785–1851
Going at a Rank of Hurdles with Temper and Resolution
1827
Henry Thomas Alken "The Cover Hack"
Henry Thomas Alken, 1785–1851
"The Cover Hack"
1827
Richard Gilson Reeve Coaching: The Mail Coach in a Thunder on Newmarket Heath
Richard Gilson Reeve, 1803–1889
Coaching: The Mail Coach in a Thunder on Newmarket Heath
1827
Henry Pyall Riding - A pair: 1. Go along Bob
Henry Pyall, 1795–1833
Riding - A pair: 1. Go along Bob
1827
John West Giles Man Leading a Horse in Front of a Stable
Possibly John West Giles, active 1827–1865
Man Leading a Horse in Front of a Stable
1827
George Alken Foxhunting: Full Cry
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
William Daniell Windsor Castle from the South
William Daniell, 1769–1837
Windsor Castle from the South
1827
unknown artist A Cutter and Other Shipping in a Breeze
unknown artist
A Cutter and Other Shipping in a Breeze
1827-1828
Robert Smirke Malvolio Dancing
Robert Smirke, 1752–1845
Malvolio Dancing
1827
Edward Duncan A View of Ramsgate with the 'Emma', Sir William Curtis's Yacht
Edward Duncan, 1803–1882
A View of Ramsgate with the 'Emma', Sir William Curtis's Yacht
1827
Charles Turner Robert Banks Jenkinson, 2nd Earl of Liverpool
Print made by Charles Turner, 1774–1857
Robert Banks Jenkinson, 2nd Earl of Liverpool
1827
George Cooke Hanover Terrace Regent's Park
George Cooke, 1781–1834
Hanover Terrace Regent's Park
1827
Capt. Thomas Hastings Bonchurch, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Bonchurch, Isle of Wight
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Distant View of West Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Distant View of West Cowes, Isle of Wight
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Atherton
Capt. Thomas Hastings, 1778–1854
Atherton
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Buckler's Hard on Beaulieu River, Hampshire
Capt. Thomas Hastings, 1778–1854
Buckler's Hard on Beaulieu River, Hampshire
1827
Capt. Thomas Hastings Distant View of Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854
Distant View of Beaulieu, Hampshire
1827
Capt. Thomas Hastings Shanklin, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Shanklin, Isle of Wight
1827
Capt. Thomas Hastings Near Saint Lawrence, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Near Saint Lawrence, Isle of Wight
1827
Capt. Thomas Hastings Lord Henry Seymour's Estate
Capt. Thomas Hastings, 1778–1854
Lord Henry Seymour's Estate
1827
Capt. Thomas Hastings The Road between East Cowes and Newport, 1 September 1827
Capt. Thomas Hastings, 1778–1854
The Road between East Cowes and Newport, 1 September 1827
1827
Capt. Thomas Hastings East Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
East Cowes, Isle of Wight
1827
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
1827
George Cooke Canonbury House, Islington
George Cooke, 1781–1834
Canonbury House, Islington
1827
George Cooke Tooting Church
George Cooke, 1781–1834
Tooting Church
1827
George Cooke Blackfriar's Bridge
George Cooke, 1781–1834
Blackfriar's Bridge
1827
unknown artist Old London Bridge and the New Bridge under Construction
Print made by unknown artist
Old London Bridge and the New Bridge under Construction
between 1827 and 1828
George Cooke Tottenham High-Cross
George Cooke, 1781–1834
Tottenham High-Cross
1827
George Cooke The Tower of London from the Excavations for St. Katherine's Dock
George Cooke, 1781–1834
The Tower of London from the Excavations for St. Katherine's Dock
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
Robert Wallis Colchester, Essex
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827
Edward Goodall Fall of the Trees, Yorkshire
Print made by Edward Goodall, 1795–1870
Fall of the Trees, Yorkshire
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827
W. R. Smith Dartmouth Cove
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827
Robert Wallis Lancaster, from the Aqueduct Bridge
Print made by Robert Wallis, 1794–1878
Lancaster, from the Aqueduct Bridge
1827
Edward Goodall Fall of the Tees, Yorkshire
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
Robert Wallis Bolton Abbey, Yorkshire
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Capt. Thomas Hastings At Shanklin, Isle of Wight
Capt. Thomas Hastings, 1778–1854
At Shanklin, Isle of Wight
1827
William Camden Edwards Nicholas Revett
William Camden Edwards, 1777–1855
Nicholas Revett
1827
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
Thomas Goff Lupton Ramsgate
Print made by Thomas Goff Lupton, 1791–1873
Ramsgate
1827
Thomas Goff Lupton Calais Pier - the English Packet Arriving
Print made by Thomas Goff Lupton, 1791–1873
Calais Pier - the English Packet Arriving
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
George Vincent Landscape with Men Carrying Stick Across Shoulder (formerly Group of Trees with a Figure in the Roadway)
George Vincent, 1796–1832
Landscape with Men Carrying Stick Across Shoulder (formerly Group of Trees with a Figure in the Roadway)
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1827
Joseph Stannard The Beach at Mundesley
Joseph Stannard, 1797–1830
The Beach at Mundesley
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
George Richmond The Shepherd
Print made by George Richmond, 1809–1896
The Shepherd
1827
unknown artist Designs for Architectural Ornamentation: Doorways, Windows and a Lion's Head
Print made by unknown artist
Designs for Architectural Ornamentation: Doorways, Windows and a Lion's Head
undated
John Le Keux York House. The North and East Fronts as seen from the Stableyard
John Le Keux, 1783–1846
York House. The North and East Fronts as seen from the Stableyard
1827
John Roffe York House. Plan of the Basement Story
John Roffe, 1769–1850
York House. Plan of the Basement Story
1827
George Gladwin York House: Longitudinal Section from North to South
George Gladwin, active 1820s–1830s
York House: Longitudinal Section from North to South
1827
George Gladwin York House: Plan of Principle Floor
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
George Gladwin York House: Plan of the Ground Floor
George Gladwin, active 1820s–1830s
York House: Plan of the Ground Floor
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
Robert Wallis William Tell's Chapel
Print made by Robert Wallis, 1794–1878
William Tell's Chapel
1827
Robert Wallis St. Maurice
Print made by Robert Wallis, 1794–1878
St. Maurice
1827
Welby Sherman The Shepherd
Engraved by Welby Sherman, active 1827
The Shepherd
between 1827 and 1836
George Cooke Tooting Church
Print made by George Cooke, 1781–1834
Tooting Church
1827
Capt. Thomas Hastings Milfield, East Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
Milfield, East Cowes, Isle of Wight
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854
Beaulieu, Hampshire
1827
Capt. Thomas Hastings Fort at Portsmouth, Hampshire, 7 August 1827
Capt. Thomas Hastings, 1778–1854
Fort at Portsmouth, Hampshire, 7 August 1827
1827
Capt. Thomas Hastings St. Lawrence, Isle of Wight, 19 September 1827
Capt. Thomas Hastings, 1778–1854
St. Lawrence, Isle of Wight, 19 September 1827
1827
Capt. Thomas Hastings Beaulieu River, Hampshire
Capt. Thomas Hastings, 1778–1854
Beaulieu River, Hampshire
1827
Capt. Thomas Hastings Beaulieu, Hampshire
Capt. Thomas Hastings, 1778–1854
Beaulieu, Hampshire
1827
Capt. Thomas Hastings West Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854
West Cowes, Isle of Wight
1827