Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
4
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
5
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
6
Edward Lear, 1812–1888
English Country Town
undated
7
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
8
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
9
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
10
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
11
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
12
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
13
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
14
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
15
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
16
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
17
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
18
Joseph Nash, 1808–1878
Sketches of Towns People
1827
19
Joseph Nash, 1808–1878
Fashionable Men and Women Promenading
1827
20
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
21
Thomas Stothard, 1755–1834
The Fortune Teller
1827
22
Richard Parkes Bonington, 1802–1828
Trees and a Cottage by a River
1827
23
Capt. Thomas Hastings, 1778–1854
Sketch of Boatmen on the Shore, Ships in the Distance
1827
24
Charles J. Hullmandel, 1789–1850
Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
1827
25
Robert Smirke, 1752–1845
Malvolio Dancing
1827
26
John Phillipps Emslie, 1839–1913
Ben Johnson's Lock
1827
27
unknown artist
Ticket for a Performance of Sacred Music on 1st March 1827
1827
28
George Cooke, 1781–1834
Wilsdon Church, Middlesex
1827
29
George Cooke, 1781–1834
Hanover Terrace Regent's Park
1827
30
James Tingle, active ca. 1830–1860
St. George's Chapel, Regent Street
1827
31
George Cooke, 1781–1834
Carton House in the Almonry, Westminster
1827
32
George Cooke, 1781–1834
Westminster from Vauxhall
1827
33
Joseph Nash, 1808–1878
Furneral Procession of His Late R. H. The Duke of York, leaving St. James's Palace
1827
34
George Cooke, 1781–1834
Demolition of Swallow Street
1827
35
George Cooke, 1781–1834
Shoreditch
1827
36
William Camden Edwards, 1777–1855
Nicholas Revett
1827
37
Print made by Frederick Rosenberg, active 1816–1832
The Mail Coach in a Flood
1827
38
Capt. Thomas Hastings, 1778–1854
At Shanklin, Isle of Wight
1827
39
Print made by George Cruikshank, 1792–1878
Blear-Eyed Moll
ca. 1832
40
Possibly John West Giles, active 1827–1865
Man Leading a Horse in Front of a Stable
1827
41
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
42
Print made by Edward Calvert, 1799–1883
The Ploughman
1827
43
Robert Smirke, 1752–1845
Merry Wives of Windsor
1827
44
Robert Smirke, 1752–1845
Taming of the Shrew
1827
45
Carl Trautmann, active 1835
Ansicht vom Schact und Tunnel unter Themse zu London
1827
46
Richard Parkes Bonington, 1802–1828
The Use of Tears
1827
47
Alfred Gomersal Vickers, 1810–1837
Crakow
1827
48
Alfred Gomersal Vickers, 1810–1837
Red Square, Moscow
1827
49
Alfred Gomersal Vickers, 1810–1837
Kremlin from the Quay
1827
50
Alfred Gomersal Vickers, 1810–1837
Moscow from the Esplanade of the Kremlin
1827
51
Print made by Augustus Welby Northmore Pugin, 1812–1852
Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects
undated
52
Print made by Augustus Welby Northmore Pugin, 1812–1852
Design for a Town Hall
undated
53
Print made by Augustus Welby Northmore Pugin, 1812–1852
The Annunciation
undated
54
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
55
Print made by Thomas Goff Lupton, 1791–1873
Ramsgate
1827
56
Print made by Augustus Welby Northmore Pugin, 1812–1852
Eight Groups of Designs for Gothic holy Objects
undated
57
Print made by Augustus Welby Northmore Pugin, 1812–1852
Three Sketches of: a House, A Gothic Spires and Ornamentation
undated
58
Print made by Augustus Welby Northmore Pugin, 1812–1852
Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4
undated
59
Print made by Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Portion of a Gothic Wall
undated
60
Print made by Augustus Welby Northmore Pugin, 1812–1852
Designs for Architectural Ornamentation: Columns, Capitals and Pilasters
undated
61
Print made by unknown artist
Designs for Architectural Ornamentation: Doorways, Windows and a Lion's Head
undated
62
Print made by Thomas Goff Lupton, 1791–1873
Stangate Creek, on the River Medway
1827
63
George Vincent, 1796–1832
Landscape with Men Carrying Stick Across Shoulder (formerly Group of Trees with a Figure in the Roadway)
1827
64
Charles H. Jeens, 1827–1879
William Blake
1827
65
James Thomson, 1789–1850
Abraham Cooper, R.A
1827
66
Charles Fox, 1749–1809
John Burnet, Author of "Practical Hints on Painting"
1827
67
Charles Turner, 1774–1857
John Flaxman
1827
68
Print made by George Cooke, 1781–1834
Tooting Church
1827
69
Print made by John Cleghorn, active 1840–1881
Plan of the Regent's Park
1827
70
Richard Gilson Reeve, 1803–1889
Coaching: The Mail Coach in a Thunder on Newmarket Heath
1827
71
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1827-1838
72
Henry Thomas Alken, 1785–1851
Going at a Rank of Hurdles with Temper and Resolution
1827
73
Henry Pyall, 1795–1833
Riding - A pair: 1. Go along Bob
1827
74
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Meeting
1827
75
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Death
1827
76
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - Full Cry
1827
77
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - Getting Away
1827
78
George Gladwin, active 1820s–1830s
York House: Plan of the Ground Floor
1827
79
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
80
John Roffe, 1769–1850
York House. Plan of the Basement Story
1827
81
John Le Keux, 1783–1846
York House. The South and West Fronts as seen from the Garden
1827
82
Print made by Samuel Freeman, 1773–1857
Statue of Achilles in Hyde Park
1827
83
John Le Keux, 1783–1846
York House. The North and East Fronts as seen from the Stableyard
1827
84
George Gladwin, active 1820s–1830s
York House: Longitudinal Section from North to South
1827
85
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Table
undated
86
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Staff
undated
87
Augustus Welby Northmore Pugin, 1812–1852
Design for an Unidentified House: Elevations and Plans
undated
88
Augustus Welby Northmore Pugin, 1812–1852
Designs for a Baptismal Font and a Tabernacle
undated
89
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Hinges, Keyplates and Doorstraps
undated
90
Augustus Welby Northmore Pugin, 1812–1852
Design for Inkstand for Westminster No. 1, End Elevation
undated
91
Augustus Welby Northmore Pugin, 1812–1852
Chapel of the Archbishop's Palace, Croydon: View from the East End
1827
92
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Giles' Catholic Church: Elevation of the Steeple