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Collection
Prints and Drawings
355
Paintings and Sculpture
10
Creator
Moore, James, 1762–1799
86
Blake, William, 1757–1827
39
Edwards, Richard, active 1796–1797
39
Young, Edward, 1683–1765
39
Gillray, James, 1756–1815
24
Bartolozzi, Francesco, 1727–1815
22
Cruikshank, Isaac, 1764–1811
17
Ellis, William, 1747–1810
14
Girtin, Thomas, 1775–1802
14
Unknown artist
14
Newton, Richard, 1777–1798
10
Chamberlaine, John, 1745–1812
8
Holbein, Hans the Younger, ca. 1497–1543
8
Dent, William, active 1784–1793
7
Morland, George, 1763–1804
7
Parish, Henry William, active 1792
7
Walker, George, active 1792–died 1795
7
Webber, John, 1752–1793
7
Johnson, Joseph, 1738–1809
6
Rowlandson, Thomas, 1756–1827
6
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Creator
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Date
1745
525
1789
389
1792
[remove]
365
1791
352
1790
335
1797
310
1775
290
1794
279
1785
254
1767
241
1793
241
1795
223
1780
204
1798
192
1787
188
1752
187
1796
177
1799
174
1783
170
1768
169
1800
160
1788
154
1782
136
1758
132
1784
129
1770
125
1778
112
1763
111
1771
111
1755
109
1740
104
1786
98
1777
95
1765
93
1772
93
1776
87
1779
83
1762
80
1753
79
1717
76
1750
76
1773
72
1781
71
1760
70
1715
68
1754
68
1735
67
1739
67
1764
67
1700
63
1751
63
1705
62
1736
62
1730
61
1769
61
1774
55
1761
54
1749
51
1732
49
1738
48
1731
47
1748
47
1757
47
1737
46
1712
45
1720
42
1756
40
1742
37
1766
37
1744
32
1759
31
1728
30
1746
30
1725
28
1729
28
1743
28
1747
25
1734
23
1710
21
1723
17
1741
17
1733
16
1709
14
1690
13
1727
13
1718
12
1699
9
1701
9
1707
9
1695
8
0
7
1722
7
1713
6
1714
6
1721
6
1724
6
1704
5
1703
4
1697
3
1698
3
On-site Access
Accessible by appointment in the Study Room
355
Not on view
10
Image Use
Free to Use
363
Under Certain Circumstances
2
Image Available
Available
[remove]
365
Classification
Prints
195
Drawings & Watercolors
158
Paintings
9
Drawing & Watercolors-Architectural
1
Drawings & Watercolors-Miniatures
1
Sculptures
1
Creator Gender
male
[remove]
365
unknown
14
female
2
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
83
Young's Night Thoughts
39
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
7
Views in the South Seas 1776-1780
7
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
6
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
6
Iconographie Anglaise par Reynolds et Autres
4
The Winter's Tale
1
Views in the Province of Kiang Nan, China
1
Period
18th century
[remove]
365
Materials & Techniques
wove paper
173
graphite
143
watercolor
94
etching (printing process)
53
laid paper
50
line engraving
50
stipple engraving
29
black ink
20
brown ink
16
pen
15
aquatint
9
painting (technique)
9
oil paint
8
canvas
6
gray wash
6
mezzotint
6
soft ground
5
gray ink
4
hand coloring
4
black chalk
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
166
Unknown
32
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
4
to
133
Unknown
32
Work Type
drawing
184
watercolor
96
intaglio print
89
painting
9
ticket
3
bust
1
miniature
1
relief print
1
sculpture
1
Genre
architectural subject
116
landscape
61
literary theme
46
genre subject
34
portrait
26
marine art
18
figure study
9
religious and mythological subject
8
sporting art
8
animal art
5
cityscape
5
historical subject
5
Subject Terms
men
52
architectural subject
45
literary theme
42
landscape
39
text
37
women
34
trees
29
genre subject
21
clouds
17
costume
16
nudes
16
portrait
14
ruins
14
man
13
marine art
12
angels
10
buildings
10
children
10
house
10
river
10
more
Subject Terms
»
Associated Places
England
44
United Kingdom
40
Europe
28
Northumberland
7
Asia
6
Birmingham
6
India
6
Scotland
6
Devon
5
China
4
London
4
Greater London
3
Thames
3
Berkshire
2
Bristol
2
Cumbria
2
Cymru
2
Dartmouth
2
Hertfordshire
2
Holy Island
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
4
Asaf-ud-Daulah (1748–1797), nawab wazir of Oudh
2
Colonel Mordaunt (fl. 1786)
2
Humphry, Ozias (1742–1810), miniature and portrait painter
2
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
2
Robinson, Mary (1756/1758?–1800), author and actress
2
Zoffany, Johan Joseph (1733–1810), portrait painter
2
Apollo
1
Cleopas
1
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Diana
1
Fitzherbert, [née Smythe; other married name Weld] Maria Anne (1756–1837), unlawful wife of George IV by a marriage invalid under the Royal Marriages Act of 1772
1
Fox, Charles James (1749–1806), politician
1
Lennox, Charlotte (1730/31?–1804), novelist and writer
1
Luke the Evangelist
1
Mansell, William (second Duke of Newcastle's gamekeeper)
1
Moore, John (1730–1805), Lord Archbishop of Canterbury
1
Niobe
1
Proteus
1
Satan
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
40
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
14
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
7
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
6
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
5
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
4
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
3
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
3
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
2
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
2
Wilde Americk - Discovery and Exploration of the New World, 1500-1850 (Yale Center for British Art, 2001-09-27 - 2001-09-27)
2
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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365
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Creator Gender
male
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Yale Center for British Art, Paul Mellon Collection
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Date
1792
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Period
18th century
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1
Joseph Mallord William Turner, 1775–1851
Limekiln at Coalbrookdale
ca. 1797
Not on view
2
Arthur William Devis, 1762–1822
Grinding Corn
between 1792 and 1795
Not on view
3
Sawrey Gilpin, 1733–1807
A Horse Frightened by a Snake
1792
Not on view
4
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
5
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
6
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
7
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
8
Henry Fuseli, 1741–1825
Christ Disappearing at Emmaus
1792
Not on view
9
Julius Caesar Ibbetson, 1759–1817
A Stage Coach on a Country Road
1792
Not on view
10
Joseph Nollekens, 1737–1823
Charles James Fox
1792
Not on view
11
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
12
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
13
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
14
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
15
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
16
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
17
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
18
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
19
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
20
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
21
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
22
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
23
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
24
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
25
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
26
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
27
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
28
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
29
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
30
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
31
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
32
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
33
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
34
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
35
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
36
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
37
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
38
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
39
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
40
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
41
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
42
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
43
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
44
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
45
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
46
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
47
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
48
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
49
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
50
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
51
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
52
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
53
George Walker, active 1792–died 1795
Man Haranguing a Gatepost
undated
54
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
55
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
56
Joseph Constantine Stadler, active 1780–1812
The Farm House
1792
57
Attributed to Gangaram Chintaman Tambat, active 1790s
View on the River Bhima at Deval Gaun, 28 Miles East of Poona
1792 to 1794
58
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
59
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Wrestling
1792
60
John Glover, 1767–1849
River with Fishermen
1792
61
John Webber, 1752–1793
The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
1792
62
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
63
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
64
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
65
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
66
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
67
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
68
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
69
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
70
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
1792
71
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
72
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
73
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
74
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
75
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
76
George Walker, active 1792–died 1795
Industrious Jenny
undated
77
George Walker, active 1792–died 1795
Figure Sketches
undated
78
George Walker, active 1792–died 1795
Rural Scene
undated
79
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
80
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
81
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
82
John Bogle, 1746–1804
Robert Graham of Gartmore, later Cunninghame Graham
1792
83
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
84
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
85
Lieutenant James Hunter, died 1792
Tipu Sultan's Summer Palace
1792
86
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
87
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
88
George Townly Stubbs, 1748–1815
[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...
1792
89
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
90
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
91
George Morland, 1763–1804
The Farmer's Stable
1792
92
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
93
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
94
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
95
James Wales, ca.1747–1795
Krishna and Radha
1792 to 1795
96
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
97
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
98
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
99
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
100
John Eginton, active 1763–1800
The Affectionate Daughter
1792
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