A book of landskips & buildings pleasant & useful for youth to draw after
[between 1726 and 1736]
3
Burgess, John Cart, 1798–1863
Useful hints on drawing and painting;
1818
4
Alston, J. W. (J. William)
Hints to young practitioners, in the study of landscape painting
5
The art of drawing in perspective
1777
6
Lamy, Bernard, 1640–1715
Perspective made easie, or, The art of representing all manner of objects as they appear to the eye in all scituations
MDCCX [1710]
7
A book of drawing, limning, washing or colouring of maps and prints
1660
8
Grose, Francis, 1731?-1791
Rules for drawing caricaturas
1789
9
Instructions in the art of drawing and painting
[between 1782 and 1807]
10
Hamilton, George, writer on art
The elements of drawing, for the use of students
1812
11
Troili, Giulio, 1613–1685
Paradossi per pratticare la prospettiua senza saperla
1683
12
Bowles, Carington, 1724–1793
All draughtsmen's assistant, or, Drawing made easy
[177-?]
13
The excellency of the pen and pencil,
1668
14
Cox, David, 1783–1859
A series of progressive lessons intended to elucidate the art of landscape painting in water colours
1812
15
Rudiments of drawing, shadowing, and colouring flowers in water colours
1818 [i.e. 1817]
16
Bowles's new preceptor in drawing ..
[ca. 1799]
17
Alston, J. W. (J. William)
Hints to young practitioners in the study of landscape painting
[1808?]
18
The Art of drawing and painting in water-colours
1731
19
Hayter, Charles, 1761–1835
An introduction to perspective, adapted to the capacities of youth, in a series of pleasing and familiar dialogues, between the author's children
1813
20
Hassell, J. (John), d. 1825
Hassell's drawing magazine ..
1808-1811
21
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
[1698]
22
Ferguson, James, 1710–1776
The art of drawing in perspective made easy
1775
23
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
1731
24
Grose, Francis, 1731?-1791
Rules for drawing caricaturas
1788
25
Lairesse, Gérard de, 1640–1711
The principles of design
1777
26
Murray, Henry, F.S.A.
The art of painting and drawing in coloured crayons
[between 1906 and 1916]
27
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting
1815
28
Prout, Samuel, 1783–1852
Rudiments of landscape in progressive studies
1813
29
Roberts, James, 1753–approximately 1809
Introductory lessons with familiar examples in landscape
1800
30
The art of drawing in perspective
1755
31
The excellency of the pen and pencil,
1688
32
The artist's vade-mecum
1776 [i.e. 177-?]
33
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... to which is added, a method of casting amber ..
1757
34
P. L
The English academy
1672
35
Ferguson, James, 1710–1776
The art of drawing in perspective made easy
1778
36
Burn, Robert Scott
The illustrated drawing-book
[18--]
37
Cobin, A
Short and plain principles of linear perspective, adapted to naval architecture
1794
38
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1819
39
The young artist's complete magazine, for the instruction of the young of both sexes, or, A complete body of the polite and useful arts
[1785?]
40
A new drawing-book of out-lines &c. : very proper for the first-practice of all who are willing to excell in that noble-art =
1722
41
A new drawing book engrav'd from the curious designs of that great master M. Poilly
[approximately 1730]
42
Peacham, Henry, approximately 1576–approximately 1643
The first booke of drawing & limning
circa 1700?
43
John Bluck, active 1791–1819
[Progressive lessons for drawing landscapes]
[1800]
44
Laporte, John, 1761–1839
The progress of a water-coloured drawing
[ca. 1811]
45
Russell, John, 1745–1806
Elements of painting with crayons
MDCCLXXII [1772]
46
The art of painting in miniature ..
1752
47
Arts companion, or A new assistant for the ingenious,
1749
48
Dubreuil, Jean, 1602–1670
Perspective practical, or, A plain and easie method of true and lively representing all things to the eye at a distance, by the exact rules of art ...