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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. The Deluge

The Deluge
Creator:
Engraved by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Mezzotint; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1838
Materials & Techniques:
Gray wash, brown wash, and graphite with pen and black and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 7 1/2 inches (31.3 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church

Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, white gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 10 3/8 inches (30.5 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church

Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Burial of Sarah

Burial of Sarah
Creator:
John Martin, 1789–1854
Date:
1833
Materials & Techniques:
Brown ink and brown wash on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 3 7/8 x 5 13/16 inches (9.8 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. St Agnes (after Domenichino)

St Agnes (after Domenichino)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 8 5/8 inches (28.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1822
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. But Deliver Us From Evil

But Deliver Us From Evil
Creator:
John Flaxman, 1755–1826
Date:
1805
Materials & Techniques:
Graphite, gray ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 7 5/8 inches (31.8 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church

Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church

Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 10 3/4 inches (34.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Brass Plate Monument for John Stockton, West Wickham Church

Brass Plate Monument for John Stockton, West Wickham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Interior of Milan Cathedral

Interior of Milan Cathedral
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/2 × 13 1/2 inches (49.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Stoning of Saint Stephen

The Stoning of Saint Stephen
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Beeston Priory, Beeston Regis

Beeston Priory, Beeston Regis
Creator:
Robert Dixon, 1780–1815
Date:
between 1810 and 1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Deluge

The Deluge
Creator:
Print made by John Martin, 1789–1854
Date:
1828
Materials & Techniques:
Mezzotint with etching; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 25 9/16 × 33 3/16 inches (64.9 × 84.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Five People Praying

Five People Praying
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1760
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 9/16 x 18 1/4 inches (31.9 x 46.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .
Creator:
Print made by Charles Gauthier Playter, died 1809
Date:
1793
Materials & Techniques:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 28 1/2 × 20 1/8 inches (72.4 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Virgin

The Virgin
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1778
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper laid on modern mount
Dimensions:
Mount: 15 1/4 x 11 1/16 inches (38.7 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. St. Nil

St. Nil
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1762
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 9/16 x 12 15/16 inches (49.7 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Mater Purissima

Mater Purissima
Creator:
Print made by Henry Bonnart, 1642–1711
Date:
undated
Materials & Techniques:
Etching, drypoint, and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 4 7/16 inches (16.8 × 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Job's Sacrifice

Job's Sacrifice
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Job Accepting Charity

Job Accepting Charity
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 3/4 inches (8.9 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Job and His Family

Job and His Family
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Vision of God

The Vision of God
Creator:
circle of John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 5 inches (9.2 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Morning Prayer

Morning Prayer
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1844
Materials & Techniques:
Etching on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 6 1/16 x 4 3/4 inches (15.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Verona, Hay Barge on the Medway, and a Calvary (three prints)

Verona, Hay Barge on the Medway, and a Calvary (three prints)
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
after 1833
Materials & Techniques:
Transfer lithograph on medium, moderately textured, cream laid paper, with beige chine collé
Dimensions:
Sheet: 10 3/8 x 8 1/8 inches (26.4 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church

Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking

Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 10 3/4 inches (36.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Death of the Good Old Man

The Death of the Good Old Man
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Interior of a Church

Interior of a Church
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 5/8 × 10 1/2 inches (34.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Pilgrims Paying Their Devotion in St. Peters at Rome

Pilgrims Paying Their Devotion in St. Peters at Rome
Creator:
Print made by David Allan, 1744–1796
Date:
between 1773 and 1775
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 9 7/8 × 6 15/16 inches (25.1 × 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Ten Needle-Box Prints

Ten Needle-Box Prints
Creator:
Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:
undated
Materials & Techniques:
Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. La Prière

La Prière
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 5/16 x 4 3/4 inches (18.5 x 12 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pan and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 9 5/8 inches (21.3 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Study for, Agony in the Garden

Study for, Agony in the Garden
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 7 7/8 inches (31.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Mrs. Quarrington as St. Agnes

Mrs. Quarrington as St. Agnes
Creator:
Thomas Chambars, ca. 1724–1789
Date:
1787
Materials & Techniques:
Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 14 3/4 inches (49.2 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Nuns Praying at Altar of a Church

Nuns Praying at Altar of a Church
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 1/2 × 10 9/16 inches (34.3 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene

West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1805
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 21 1/16 inches (45.1 × 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. West Window of the Chapel, New College Oxford: The Virtues - Faith

West Window of the Chapel, New College Oxford: The Virtues - Faith
Creator:
George Siegmund Facius, 1750–1804
Date:
1781
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/8 × 18 1/4 inches (63.8 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Sketch for the Passions: Pride

Sketch for the Passions: Pride
Creator:
Richard Dadd, 1817–1886
Date:
ca. 1854
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/8 inches (36.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Mourning at a Tomb

Mourning at a Tomb
Creator:
William Alexander, 1767–1816
Date:
between 1792 and 1794
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 6 1/2 inches (21.6 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church

No cover image available
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 10 1/2 inches (38.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Penitent

No cover image available
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
between 1842 and 1887
Materials & Techniques:
Stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 19 15/16 x 13 1/2 inches (50.6 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Death of the Good Old Man

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job

No cover image available
Creator:
Published by Arnold Fawcus, 1917–1979
Date:
1972
Materials & Techniques:
Collotype with hand coloring in watercolor on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 1/4 inches (14 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Mrs. Knight

No cover image available
Creator:
John Faber the Younger, ca. 1695–1756
Date:
1749
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/16 × 10 1/16 inches (36 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection