On-site Access: Accessible by appointment in the Study Room / Period: 19th century / Genre: literary theme

Print made by Robert Brandard, 1805–1862

Jedburgh Abbey

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Print made by Robert Wallis, 1794–1878

Kelso

1834

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

Print made by James T. Willmore, 1800–1863

Lochmaben Castle

1834

Print made by John Horsburgh, 1791–1869

Bemerside Tower

1834

Print made by William Miller, 1796–1882

Melrose

1834

Print made by William Miller, 1796–1882

Edinburgh from Blackford Hill

1834

Print made by William Bernard Cooke, 1778–1855

Newark Castle

1834

Print made by Robert Wallis, 1794–1878

Hohenlinden

1837

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1834

Print made by John Horsburgh, 1791–1869

Ashestiel

1834

Print made by Edward Goodall, 1795–1870

Gertrude of Wyoming - the Valley

1837

Print made by Edward Goodall, 1795–1870

Gertrude of Wyoming - the Waterfall

1837

Print made by Edward Goodall, 1795–1870

The Death Boat of Heligoland

1837

Print made by Edward Goodall, 1795–1870

The Chaplet

1839

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Print made by Sir Frank Short, 1857–1945

Aesacus and Hesperie

1896

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

John Horsburgh, 1791–1869

Bermerside

1834

Print made by John Horsburgh, 1791–1869

Dryden's Monument

1834

Print made by John Horsburgh, 1791–1869

Dryden's Monument

1834

Print made by William Miller, 1796–1882

Edinburgh from Blackford Hill

1834

Print made by William Miller, 1796–1882

Loch Katrine

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by William Finden, 1787–1852

Mannering, Hazlewood and Smugglers

1836

Print made by Thomas A. Woolnoth, 1785–1857

Mrs. W. West as Cordelia

1820

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'

undated

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'

undated

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'

undated

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

undated

Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Print made by George Richmond, 1809–1896

The Fatal Bellman

1827

Print made by George Cruikshank, 1792–1878

Jack Sheppard Committing the Robbery in Willesden Church

1839

Print made by George Cruikshank, 1792–1878

"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"

1839

Print made by George Cruikshank, 1792–1878

Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole

1839

Thomas Ryder, 1746–1810

Twelfth Night, Act III, Scene IV: Olivia's House

1803

Print made by George Cruikshank, 1792–1878

The Name on the Beams

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard and Blueskin in Mr. Woods Bedroom

1839

Print made by George Cruikshank, 1792–1878

The Murder on the Thames

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Escape from the Cage at Willesden

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard Accuses Thames Darrell of the Theft

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard Gets Drunk and Orders his Mother off

1839

Print made by George Cruikshank, 1792–1878

Jack Sheppard Exhibits a Vindictive Character

1835

Print made by George Cruikshank, 1792–1878

Jack Sheppard Tricking Shotbolt, the Gaoler

1839

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

Print made by George Cruikshank, 1792–1878

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

Print made by unknown artist

Grandpapa's Story or The Witches Frolick

1838

George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Print made by George Cruikshank, 1792–1878

The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

1839

Print made by George Cruikshank, 1792–1878

Jonathan Wild Discovers Darrell in the Loft

1835

Print made by George Cruikshank, 1792–1878

Mrs. Sheppard Expostulating with her Son

1839

Print made by George Cruikshank, 1792–1878

Audacity of Jack Sheppard

1839

Print made by Francesco Bartolozzi, 1728–1815

Twelfth Night, Act V, Scene I: The Street

1803

Print made by George Cruikshank, 1792–1878

Mr. Wood Offers to Adopt Little Jack Sheppard

1835

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

1839

Samuel William Reynolds, 1773–1835

Garrick in the Character of Richard III

1825

Edward Scriven, 1775–1841

Julius Caesar: Act IV Scene III: Brutus' Tent ..

1802

Print made by Edward Goodall, 1795–1870

Keswick Lake

1834

Print made by Robert Wallis, 1794–1878

Tornaro

1834

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870

A Hurricane in the Desert

1834

Print made by Edward Goodall, 1795–1870

Columbus Setting Sail

1834

Print made by Edward Francis Finden, 1791–1857

Malta

1832

Print made by John Cousen, 1804–1880

The Acropolis of Athens

1832

Print made by William Strang, 1859–1921

Nathan the Wise

1893

Print made by Francesco Bartolozzi, 1728–1815

And Ah! Let Pity Turn Her Dewy Eyes..

1801

Print made by Edward Goodall, 1795–1870

Greenwich Hospital

1834

Print made by William Miller, 1796–1882

An Old Manor House

1834

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by Edward Goodall, 1795–1870

Captivity

1834

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

Print made by Edward Goodall, 1795–1870

Bolton Abbey

1834

Print made by Edward Goodall, 1795–1870

The Alps at Daybreak

1834

Print made by William Miller, 1796–1882

Loch Lomond

1834

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. II

1834

Print made by Edward Francis Finden, 1791–1857

Cephalonia

1833

Print made by Edward Francis Finden, 1791–1857

Negropont

1834

Print made by Edward Francis Finden, 1791–1857

The School of Homer, Scio

1833

Print made by Edward Goodall, 1795–1870

The Landing of Columbus

1834

Print made by William Miller, 1796–1882

A Garden

1834

Print made by Edward Goodall, 1795–1870

Leaving Home

1834

Print made by Edward Goodall, 1795–1870

The Gipsy

1834

Print made by William Miller, 1796–1882

A Garden

1834

Print made by Edward Goodall, 1795–1870

A Village – Evening

1834

John Raphael Smith, 1752–1812

"William and Margaret"

1802

Robert Thew, 1758–1802

Shakespeare's Tempest Act IV Scene I. Prospero's Cell

1800

Alfred Thompson, ca. 1833–1895

Costume Design for two Morris Dancers

undated

Florence Claxton, active 1855–1889

L'Allegro

undated

Henry Thomas Alken, 1785–1851

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

Henry Thomas Alken, 1785–1851

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page

undated

Print made by Henry Robert Robertson, 1839–1921

Ulysses Deriding Polyphemus

ca. 1887

Print made by Sir David Young Cameron, 1865–1945

Title Page: William Hunter's Coat of Arms

1893

Print made by William Miller, 1796–1882

St. Michael's Mount - Shipwreck of Lycidas

1835

Print made by Edward Goodall, 1795–1870

Frontispiece (Fisher's `Pilgrim's Progress)

1838

Print made by Edward Goodall, 1795–1870

Summer Eve - the Rainbow

1837

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

On-site Access Accessible by appointment in the Study Room

Period 19th century

Genre literary theme

YCBA Collections Search

Refine your search

Search Constraints

On-site Access Accessible by appointment in the Study Room

Period 19th century

Genre literary theme

Search Results