A catalogue of a collection of modern pictures & drawings, chiefly consisting of the works and property of Mr. Serres, Junior, marine painter to His Royal Highness the Duke of Clarence going to Italy
[1790]
2
Christie, Mr. (James), 1730–1803
A catalogue of a genuine capital and valuable collection of pictures, late the property of Isaac Jemineau, Esq; deceased
[1790]
3
A catalogue of the exhibition of stained glass by Mr. Pearson, painter to His Royal Highness the Prince of Wales
[1790]
4
unknown artist
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
between 1790 and 1799
Not on view
5
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
6
Sir George Howland Beaumont seventh Baronet, 1753–1827
Between Llangollen and Oswestry
1790
7
James Moore, 1762–1799
Binham Priory, Norfolk, England
1790
8
James Moore, 1762–1799
Bungay Castle
1790
9
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
10
Frederick Calvert, ca. 1785–ca. 1845
Carisbrook Castle, Isle of Wight
undated
11
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
12
James Moore, 1762–1799
Castle Acre Priory, Norfolk, England
1790
13
William Alfred Delamotte, 1775–1863
Christ Church, Canon's Garden, Oxford
undated
14
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
15
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
16
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
17
Joseph Mallord William Turner, 1775–1851
Cricket on the Goodwin Sands
undated
18
Frederick Calvert, ca. 1785–ca. 1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
19
Rooke, Hayman, 1722–1806
Descriptions and sketches of some remarkable oaks, in the park at Welbeck, in the county of Nottingham
MDCCXC [1790]
20
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
21
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
22
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
23
unknown artist
Durham
ca. 1795
Not on view
24
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
25
James Moore, 1762–1799
Ely Cathedral
1790
26
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
27
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
28
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
29
Gallery of poets, Pall-Mall and Fleet Street
1790
30
unknown artist
Gloucester Cathedral
ca. 1795
31
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
32
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
33
Edward Dayes, 1763–1804
Haweswater, Westmoreland
ca. 1795
34
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
35
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
36
Joseph Wright of Derby, 1734–1797
Lake Scene
1790
Not on view
37
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
38
James Moore, 1762–1799
Leiston Abbey, Suffolk England
1790
39
James Moore, 1762–1799
Leiston Abbey, Suffolk, England
1790
40
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
41
William Alfred Delamotte, 1775–1863
Merton College, Oxford
undated
42
James Moore, 1762–1799
Mettingham Castle, Suffolk, England
1790
43
Thomas Girtin, 1775–1802
Near Ramsgate, Kent
ca. 1795
44
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
45
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
46
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
47
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
48
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
49
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
50
James Moore, 1762–1799
Refectory of Walsingham
1790
51
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
52
James Moore, 1762–1799
Rumburgh Priory Church, Suffolk, England
1790
53
Frederick Calvert, ca. 1785–ca. 1845
Ryde, Isle of Wight
undated
54
Thomas Girtin, 1775–1802
Rye, Sussex
ca. 1795
55
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
56
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
57
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
58
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
59
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
60
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
61
John Bird of Liverpool, 1768–1829
Street Scene in Chorley, Lancashire, with a view of Chorley Hall
ca. 1795
Not on view
62
unknown artist
The Bell Tower of Evesham
ca. 1795
Not on view
63
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
64
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
65
attributed to Joseph Mallord William Turner, 1775–1851
The Hurries, Coal Boats Loading, North Shields
ca. 1795
66
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
67
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..