"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
2
Bradford Rudge, 1805–1885
"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin
undated
3
[Admission ticket to a masquerade at Bayswater, January 20, 1820]
[1820]
4
Thomas Sutherland, ca. 1785–1838
[Fox-hunting] Breaking Cover
1820-1821
5
Thomas Sutherland, ca. 1785–1838
[Fox-hunting] Full Cry
1820-1821
6
Thomas Sutherland, ca. 1785–1838
[Fox-hunting] Going to Cover
1820-1821
7
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a Dive
1820
8
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall
1820
9
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Dead Beat
1820
10
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Home
1820
11
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a Bog
1820
12
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty
1820
13
Henry Thomas Alken, 1785–1851
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting over a difficulty
1820
14
Thomas Sutherland, ca. 1785–1838
[Fox-hunting] Tree-ing the Fox
1820-1821
15
Howle, J. (Tailor)
[Gentlemen's fitting measurements diagram for use by tailors]
[approximately 1820-1830]
16
[Teleorama]
[approximately 1825?]
17
Samuel Palmer, 1805–1881
A Barn with a Mossy Roof, Shoreham
undated
18
Aquatinted by George Hunt, active 1820–1840
A Bath Coach
1820
19
Edmund Bristow, 1787–1876
A Bay Horse in a Field
ca. 1825
Not on view
20
William Webb, ca. 1780–1845
A Blenheim Spaniel
ca. 1825
Not on view
21
John Frederick Herring, 1795–1865
A Clydesdale Stallion
1820
Not on view
22
Stanley, C. (Portraitist)
A correct likeness, handsomely framed, in one minute, for one shilling
[approximately 1820?]
23
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
24
Samuel Palmer, 1805–1881
A Cottage among Trees, Shoreham
undated
25
Bartholomew Howlett, 1767–1827
A General View of the Remains of Bermondsey Abbey, Surrey
1820
26
Bartholomew Howlett, 1767–1827
A General View of the Remains of Bermondsey Abbey, Surry
1820
27
John R. Wildman, active 1823–1839
A Hunting Party in the Grounds of a Country House
1820s-1830s
Not on view
28
Francis Danby, 1793–1861
A Lake in Norway
ca. 1825
29
Print made by unknown artist
A Maiden Lady and her Family
between 1820 and 1840
30
Unknown artist (Company style)
A Muslim Wedding Procession by Night, Patna
between 1820 and 1830
31
Samuel Palmer, 1805–1881
A Page from a Cornish Sketchbook: Cornwall 30
undated
32
Samuel Palmer, 1805–1881
A Page from a Cornish Sketchbook: Cornwall 32
undated
33
Capt. Thomas Hastings, 1778–1854
A Sailing Vessel in Rough Seas, Hastings
1820
34
Joseph Mallord William Turner, 1775–1851
A Sea Piece - A Rough Sea with a Fishing Boat
1820 to 1830
35
James Ward, 1769–1859
A Study for the Central Character in Ward's Painting "The Deer Stealer"
1820
36
Sir George Hayter, 1792–1871
A Study from Nature; a lion among rocks, roaring, a human skull lower right
1820
37
Edmund Bristow, 1787–1876
A Traveller and a Shepherd in a Landscape
ca. 1825
Not on view
38
John Constable, 1776–1837
A View from Hampstead Heath (?)
ca. 1825
Not on view
39
George Barret Jr., 1767–1842
A View of London from Highgate
1820
40
Engraved by Robert Havell, 1769–1832
A View of London taken from Greenwich Park
1820
41
Robert Havell, 1769–1832
A View of Southwark Bridge
1820
42
Sir Charles Lock Eastlake, 1793–1865
A View of the Church of S. Sabina and the Pyramid of Cestius, Rome
ca. 1825
Not on view
43
Richard Parkes Bonington, 1802–1828
A Wooded Lane
ca. 1825
Not on view
44
Engraved by William Bernard Cooke, 1778–1855
Advertisement for Part I of 'Views at Hastings'
1820
45
unknown artist
Albany Street, Regents Park
ca. 1825
46
W., Ellen
Album of cut-paper flowers
circa 1835
47
Album of watercolors of British birds
circa 1820-circa 1830
48
unknown artist
An Album of 17 Views of Erlestoke House, Park and Surroundings
ca. 1825
49
Samuel Palmer, 1805–1881
An Ancient Barn at Shoreham
undated
50
George Hunt, active 1820–1840
Angling [a pair]: 1. Fly Fishing
undated
51
George Hunt, active 1820–1840
Angling [a pair]: 1. Fly Fishing
undated
52
Capt. Thomas Hastings, 1778–1854
As Much Underneath, Before the Road, Hastings
1820
53
Capt. Thomas Hastings, 1778–1854
Ascending the East Cliff, Hastings
1820
54
Capt. Thomas Hastings, 1778–1854
At Hastings, 5 October 1820
1820
55
Print made by John Scott, 1774–1828
Aysgarth Force
1820
56
James Sowerby, 1756–1822
Bantam Cock and Farmpails
1820
57
Joseph Mallord William Turner, 1775–1851
Barnard Castle
ca. 1825
58
Richard Parkes Bonington, 1802–1828
Beach Scene
ca. 1825
59
Richard Parkes Bonington, 1802–1828
Beached Vessels and a Wagon near Trouville
ca. 1825
On view at YUAG
60
John Martin, 1789–1854
Belshazzar's Feast
1820
Not on view
61
James Thomson, 1789–1850
Benjamin Robert Haydon
1820
62
Print made by William Thomas Fry, 1789–1843
Benjamin West, Esq. President of the Royal Academy
1820
63
James Thomson, 1789–1850
Benjamin West, late President of the Royal Academy
1820
64
unknown artist
Bermondsey Abby
1820
65
Grave, Joseph (Tailor)
Billhead recording clothing purchased by Mr. Davenport from Joseph Grave, clothiers, Manchester
1820
66
Gibson, Joseph (Merchant)
Billhead recording purchases for repairs to a trunk and items of clothing purchased by John Hancock in 1820, from Joseph Gibson, Portsmouth
1820
67
Samuel Lucas, 1805–1870
Boat Building on the Teign
undated
68
Thomas Rowlandson, 1756–1827
Bodmin Moor
ca. 1825
69
George Cruikshank, 1792–1878
Bow Street..
1820
70
Samuel Palmer, 1805–1881
Brambles
undated
71
Print made by Joseph Mallord William Turner, 1775–1851
Bridge and Monument
1820 to 1825
72
Print made by Joseph Mallord William Turner, 1775–1851
Bridge and Monument
1820 to 1825
73
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
74
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
75
unknown artist
Canonbury Tower, Islington in 1820
1820
76
Print made by Joseph Mallord William Turner, 1775–1851
Catania, Sicily
ca. 1825
77
Print made by Joseph Mallord William Turner, 1775–1851
Catania, Sicily
ca. 1825
78
unknown artist
Cato Street Conspiracy (no. 2)
1820
79
unknown artist
Cato Street Conspiracy (no. 3)
1820
80
Print made by Charles J. Hullmandel, 1789–1850
Cheshire Mastiff
1820
81
Print made by Joseph Skelton, active 1820–1850
Christ Church Cathedral and Part of Corpus Christi College
1820
82
Print made by Joseph Skelton, active 1820–1850
Christ Church from the Meadows
between 1820 and 1823
83
Print made by John Sell Cotman, 1782–1842
Church of L'Ery, near Pont-de-l'Arche
1820
84
Print made by Robert Brandard, 1805–1862
Clifden, Connemara
undated
85
Jacques-Laurent Agasse, 1767–1849
Clouded Leopards
ca. 1825
Not on view
86
Robert Brandard, 1805–1862
Coast Scene with Figures
undated
87
Cut-paper basket
Great Britain,
88
Thomas Harrison, 1744–1829
Design for Grosvenor Bridge, Chester
ca. 1825
89
Sir John Soane, 1753–1837
Design for Hyde Park and St. James' Park Entrance
ca. 1826
90
Print made by Charles Heath, 1785–1848
Dieppe
1820
91
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
92
Print made by Charles J. Hullmandel, 1789–1850
Dogs Drawn from Nature
1820
93
John Sell Cotman, 1782–1842
Domfront, Looking to the South East
1820
94
John Sell Cotman, 1782–1842
Douvres Church, Normandy
1820
95
Thomas Rowlandson, 1756–1827
Dr Syntax Meditating on the Tombstones
1820
96
Thomas Rowlandson, 1756–1827
Dr. Syntax and his Counterpart
1820
97
Thomas Rowlandson, 1756–1827
Dr. Syntax Attends the Execution
1820
98
Thomas Rowlandson, 1756–1827
Dr. Syntax Bound to a Tree by Highwaymen
1820
99
James Ward, 1769–1859
Dr. Syntax, a Bay Racehorse, Standing in a Coastal Landscape, an Estuary Beyond