St. Catherine's Chapel, Abbotsbury, Dorset, England
1791
503
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
504
Print made by James Fittler, 1758–1835
Warwick Castle
1780
505
Print made by Samuel William Reynolds, 1773–1835
Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth
1797
506
Caroline Watson, 1760–1814
Garrick Reading the Ode at the Shakespeare Jubilee
1784
507
unknown artist
The Royal Palace of St. James's next the Park
508
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
509
Pierre Charles Canot, ca. 1710–1777
Storm, Representing that Violent one, which drove his Majesty King George I into Rye
510
unknown artist
A View of the Three Walks terminated by the Cassina, the Pavilion, and the Rustic House in the Garden of the Earl of Burlington, at Chiswick
511
George Bickham the Younger, ca. 1706–1771
A View to the Grotto of the Serpentine River in the Alder Grove in the Gardens of Earl Temple at Stow, in Buckinghamshire
512
Print made by unknown artist
The Royal Palace of Hampton Court
513
unknown artist
A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford
514
unknown artist
The Town & Harbour of Portsmouth, with a View of His Majesty's Fleet Spitthead, (a)Portsmouth, (b)Gosport, (c)Portchester Castle, (d)Isle of Wight
515
John Boydell, 1720–1804
St. Clement Danes
1751
516
unknown artist
The Inside of St. Paul's Cathedral from the West End to the Choir
517
unknown artist
A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
518
unknown artist
The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir
519
Thomas Bowles, ca. 1712–died 1753
The Inside View of the Rotunda in Renelagh Gardens with the Company at Breakfast
520
unknown artist
View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation
1799
521
John S. Muller, ca. 1715–1792
A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens
522
Pierre Charles Canot, ca. 1710–1777
A View from one Tree-Hill in Greenwich Park
523
Thomas Bowles, ca. 1712–died 1753
Ranelagh House & Gardens with the Rotunda at the Time of the Jubilee Ball
524
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
525
unknown artist
A Perspective View of Vauxhall Gardens
undated
526
Thomas Bowles, ca. 1712–died 1753
The Inside of St. Martin's Church in the Fields
527
Thomas Bowles, ca. 1712–died 1753
The Inside of Westminster Abby
528
unknown artist
A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace
529
John Maurer, active 1713–1761
A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords
530
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet
531
Thomas Bowles, ca. 1712–died 1753
A South View of Westminster Abby & St. Margarets Church
532
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
533
Thomas Malton the Younger, 1748–1804
Cambridge University: Kings College Chapel
1798
534
Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
535
Thomas Malton the Younger, 1748–1804
Cambridge University: Jesus College
1799
536
Print made by John Boydell, 1720–1804
The Wreck of the Nuestra Senora de los Remedios
1753
537
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
538
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
539
Thomas Malton the Younger, 1748–1804
Kings College, the Chapel and Clare Hall in the University of Cambridge
1799
540
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
541
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
542
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
543
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
544
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
545
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
546
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
547
James Wyatt, 1746–1813
Projected Design for Fonthill Abbey, Wiltshire
1798
548
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
549
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
550
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
551
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
552
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
553
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
554
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
555
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
556
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
557
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
558
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
559
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
560
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
561
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
562
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
563
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
564
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Gourmands at Dinner
1798
565
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Music Master
1798
566
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
567
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
568
John Nixon, ca. 1760–1818
Bathing Machine on the Common, near Southsea Castle
1788
569
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
570
unknown artist
A view of the inside of Westminster Hall
ca. 1700
571
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
572
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
573
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
574
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
575
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
576
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
577
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
578
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
579
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
580
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
581
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
582
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
583
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
584
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
585
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
586
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
587
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
588
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
589
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
590
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
591
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
592
Thomas Rowlandson, 1756–1827
Mr. Drummond's Cottage, East Cowes, Isle of Wight
between 1797 and 1800
593
Thomas Rowlandson, 1756–1827
A Review in a Market Place
ca. 1790
594
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: French Prisoners on Parole
1795
595
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
596
Print made by Jacob Bonneau, 1741–1786
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
597
Thomas Rowlandson, 1756–1827
Comforts of Bath: Private Practice Previous to the Ball
1798
598
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
599
Thomas Rowlandson, 1756–1827
The Comforts of Bath: The Breakfast
1798
600
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll