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1
- The Ferry
- ca. 1840
2
- Over the Bank, Exmoor
- ca. 1895
3
- The Bayhorse, Tattersall’s
- 1921
4
- Under the Hammer
- between 1912 and 1913
5
- Ploughing the Hillside
- ca. 1905
6
- The Horse Mart (with further sketches in the margin)
- ca. 1918
7
- Sale at Ward's Repository, No. 2
- ca. 1918
8
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
9
- Crocks
- ca. 1924
10
- Timber Hauling
- ca. 1917
11
- Figures at Mass, Poland
- ca. 1904
12
- Human Figure, Lateral View
- 1795 to 1806
13
- The First Stage of Cruelty
- ca. 1750
14
- Grotesque Male Head
- undated
15
- Grotesque Male Head
- undated
16
- Grotesque Male Head
- undated
17
- Grotesque Male Head
- undated
18
- Grotesque Male Head
- undated
19
- Grotesque Male Head
- undated
20
- Grotesque Male Head
- undated
21
- Grotesque Male Head
- undated
22
- Grotesque Male Head
- undated
23
- Gabriel Hunt
- undated
24
- Folkestone Harbour and Coast to Dover
- ca. 1829
25
- Teignmouth, Devonshire
- ca. 1813
26
- Rome from Monte Mario
- ca. 1818
27
- Silsilis
- 1854
28
- Opposite Beni Hassan
- 1867
29
- Studies of Camels and Egyptian Men
- 1867
30
- Near Suez, evening, 15 January 1849 (43)
- 1849
31
- Howatke
- 1867
32
- Seated Men
- 1867
33
- Val di Roppa, Corfu, 22 May 1868
- 1868
34
- David before Saul
- undated
35
- The Accusation of Susanna by the Elders
- undated
36
- Three Sketches of a Man in Uniform
- undated
37
- David Playing the Harp
- undated
38
- Lear Awakened by Cordelia
- between 1774 and 1775
39
- Miranda, Prospero, and Caliban: The Tempest
- undated
40
- Howard Visiting a Prison
- undated
41
- The Banquet Scene
- ca. 1792
42
- Prison Scene
- undated
43
- Howard Visiting a Prison
- undated
44
- Men Going out to Fight, with a Crowd of Cowering Women Behind
- undated
45
- Prison Scene
- undated
46
- Prison Scene
- undated
47
- Prison Scene
- undated
48
- Howard Visiting a Prison
- undated
49
- Howard Visiting a Prison
- between 1790 and 1794
50
- The Two Friends
- undated
51
- The Accusation of Susanna
- ca. 1773
52
- Sketches for "The Accusation of Susanna"
- undated
53
- Two Men Fighting
- undated
54
- Howard Visiting a Prison
- undated
55
- Prison Scene
- undated
56
- Bacchanalian Scene (Possibly Antediluvian)
- undated
57
- Samson Overpowered
- undated
58
- Howard Visiting a Prison
- undated
59
- The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
- 1789
60
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
61
- Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
- ca. 1797
62
- Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
- ca. 1797
63
- Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
- ca. 1797
64
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
65
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
66
- Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
- ca. 1797
67
- Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
- ca. 1797
68
- Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
- ca. 1797
69
- Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
- ca. 1797
70
- Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
- ca. 1797
71
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
72
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
73
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
74
- Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
- 1789
75
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
76
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
77
- Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
- 1794
78
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
79
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
80
- Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
- 1794
81
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
82
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
83
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
84
- Young's Night Thoughts, Page 27, "O treacherous conscience!"
- ca. 1797
85
- Jerusalem, Plate 85, "Became a Space & an Allegory...."
- 1804 to 1820
86
- Jerusalem, Plate 87, "Repelling weeping Enion...."
- 1804 to 1820
87
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
88
- The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
- between 1797 and 1798
89
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
90
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
91
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
92
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
93
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
94
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
95
- Jerusalem, Plate 76
- 1804 to 1820
96
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
97
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
98
- Jerusalem, Plate 91, "It is easier to forgive an enemy...."
- 1804 to 1820
99
- Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
- 1804 to 1820
100
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798