Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
3
Sir David Wilkie, 1785–1841
Sketch for 'The Reading of a Will'
1820
Not on view
4
Richard Wilson, 1713/4–1782
Wilton House from the Southeast
between 1758 and 1760
Not on view
5
Abraham Cooper, 1787–1868
'Elis' at Doncaster, Ridden by John Day, with his Van in the Background
between 1836 and 1837
Not on view
6
Peter Tillemans, 1684–1734
The Reverend Jemmet Browne at a meet of foxhounds
1730 to 1732
Not on view
7
Charles Towne, 1763–1840
Landscape with a Shepherd
ca. 1800
Not on view
8
William Frederick Witherington, 1785–1865
Mid-Day Rest, Harvest
ca. 1840
Not on view
9
James Lambert of Lewes, 1725–1788
Figures with a Donkey and Dog Crossing a Weir
1767
Not on view
10
John Frederick Herring, 1795–1865
Exercising the Royal Horses
between 1847 and 1855
Not on view
11
Robert Hannah, 1812–1909
Refreshing the Weary
ca. 1847
Not on view
12
Johan Joseph Zoffany, 1733–1810
The Drummond Family
ca. 1769
Not on view
13
George Vincent, 1796–1832
A View of Cheddar Gorge
ca. 1820
Not on view
14
John Vanderbank, 1694–1739
A Young Gentleman Riding a Schooled Horse
between 1728 and 1729
Not on view
15
Benjamin West, 1738–1820
The Artist and His Family
ca. 1772
Not on view
16
Thomas Stothard, 1755–1834
The Meadow
ca. 1820
Not on view
17
Arthur Devis, 1712–1787
Portrait of a Family, Traditionally Known as the Swaine Family of Fencroft, Cambridgeshire
1749
Not on view
18
Samuel De Wilde, 1748–1832
John Quick and John Fawcett in Thomas Moreton's "The Way to Get Married"
1796
Not on view
19
Sir Peter Francis Bourgeois, 1756–1811
Coastal Landscape with a Ferry Boat
1796
Not on view
20
George Chinnery, 1774–1852
Chinese Gamblers
ca. 1840
Not on view
21
Philippe-Jacques de Loutherbourg, 1740–1812
Revellers on a Coach
between 1785 and 1790
Not on view
22
George Henry Laporte, 1799–1873
Grey Arabian mare and foal, with a family
ca. 1835
Not on view
23
Marcellus Laroon the Younger, 1679–1772
Scene in a park, with figures from the Commedia dell'Arte
ca. 1735
Not on view
24
unknown artist
Studies of Heads
ca. 1740
Not on view
25
John Laguerre, 1688–1746
Hob's Defence
ca. 1725
Not on view
26
John Hamilton Mortimer, 1740–1779
A Caricature Group
ca. 1766
Not on view
27
William Mulready, 1786–1863
Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
1831
Not on view
28
Print made by William Blake, 1757–1827
Jerusalem, Plate 1, Frontispiece
1804 to 1820
29
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening; Plate 16
1793
30
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
31
Print made by William Blake, 1757–1827
Alas!; Plate 9
1793
32
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
33
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
34
William Blake, 1757–1827
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
between 1797 and 1798
35
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
36
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
37
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
38
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
39
Conrad Gessner, 1764–1826
A Horse, Dog and Figures outside a Cottage
undated
40
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
41
Print made by Richard Earlom, 1743–1822
View of a Portico by the Side of a River, with Herdsmen and Cattle
1774
42
Sir Francis Seymour Haden, 1818–1910
Wareham Bridge
1877
43
Sir Francis Seymour Haden, 1818–1910
Wareham Bridge
1877
44
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
45
Sir David Wilkie, 1785–1841
Finding the Will
46
Print made by unknown artist
Duke of Monmouth as a Boy
between 1673 and 1685
47
Print made by Sir David Young Cameron, 1865–1945
Porta del Molo, Genoa [North Italian Set: No. 23]
1896
48
Print made by Lydia Bates, active 1784
A Choral Band
ca. 1777
49
Print made by Isaac Beckett, 1652/3–1719
Betwixt a Subtile Priest & Cursed Wife
between 1681 and 1688
50
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
51
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
52
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
53
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
54
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
55
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
56
David Charles Read, 1790–1851
Landscape with two figures beside an old building
undated
57
Francis Wheatley, 1747–1801
Lismore Castle, Ireland
1783
58
Francis Wheatley, 1747–1801
Soldiers and Country Women
undated
59
Henry Morton, ca. 1807–1825
Bodiam Castle
undated
60
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
undated
61
Thomas Rowlandson, 1756–1827
Rowlandson and Wigstead on Tour
undated
62
Francis Wheatley, 1747–1801
St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
undated
63
Print made by John Finlayson, 1730–1776
Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last
1769
64
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
65
Print made by Francesco Bartolozzi, 1728–1815
Alphonso and Aciloe
1788
66
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
67
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
68
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
69
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
70
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
1839
71
Henry Thomas Alken, 1785–1851
The Death: Huntsman Holding Fox Aloft
undated
72
Henry Thomas Alken, 1785–1851
Rider Holding on to a Gray Horse After a Fall
undated
73
Print made by David Allan, 1744–1796
Glaud and Peggy
1808
74
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
75
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
76
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
77
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
78
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
79
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
80
Henry Thomas Alken, 1785–1851
The Huntsman, Galloping to Left and Encouraging Hounds
undated
81
Thomas Rowlandson, 1756–1827
A Man Buying Snuff
undated
82
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
83
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
84
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
85
Thomas Rowlandson, 1756–1827
The Historian Animating the Mind of the Young Painter