Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
1790
Not on view
5
Thomas Roberts, 1748–1778
Knock Ninney and Lough Erne from Bellisle, County Fermanagh, Ireland
1771
Not on view
6
George Smith, 1714–1776
A View Near Arundel, Sussex, with Ruins by Water
mid-18th century
Not on view
7
John Taylor of Bath, 1735–1806
A Bridge Over the River Wye
1776
Not on view
8
Joseph Wright of Derby, 1734–1797
The Rev. and Mrs. Thomas Gisborne, of Yoxall Lodge, Staffordshire
1786
Not on view
9
George Barret, ca. 1728/32–1784
Morning: Landscape with Cattle
ca. 1775
Not on view
10
Thomas Gainsborough, 1727–1788
Sir William Pulteney (formerly Johnstone), fifth baronet
ca. 1772
Not on view
11
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
12
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
13
Thomas Gainsborough, 1727–1788
The Gravenor Family
ca. 1754
Not on view
14
Thomas Gainsborough, 1727–1788
Edward Augustus, Duke of Kent
ca. 1787
Not on view
15
Thomas Gainsborough, 1727–1788
Wooded Landscape with a Man Talking to Two Seated Women
ca. 1745
Not on view
16
Marcellus Laroon the Younger, 1679–1772
Lovers in a Park
ca. 1745
Not on view
17
Thomas Bardwell, 1704–1767
Portrait of a Gentleman
ca. 1740
Not on view
18
Henry Walton, 1746–1813
A Country Gentleman
ca. 1776
Not on view
19
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
ca. 1715
Not on view
20
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
21
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
22
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
23
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
24
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
25
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
26
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
27
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
28
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
29
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
30
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
31
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
32
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
33
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
34
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
35
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
36
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
37
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
38
attributed to Paul Sandby, 1731–1809
View in Wales
undated
39
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
40
Benjamin West, 1738–1820
A Farm near Windsor
1789
41
Paul Sandby, 1731–1809
Trees, with a Man Crossing a Footbridge
undated
42
Michael "Angelo" Rooker, 1746–1801
Almshouses in St. Cuthbert's Churchyard, Wells
undated
43
Paul Sandby, 1731–1809
Conway Castle
1789
44
unknown artist
Hawkstone Hall, Shropshire
ca. 1790
45
Paul Sandby, 1731–1809
Italianate Landscape with Travelers, No. 1
ca. 1765
46
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
47
Paul Sandby, 1731–1809
Couple in a Farmyard
1782
48
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
49
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
50
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
51
Print made by John Smith, 1652–1743
Diana and Acteon
1705
52
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
53
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
between 1779 and 1780
54
Print made by Johann Jacobus Haid, 1704–1767
L'Enfant Prodigue dans la plus grande Misere
undated
55
Thomas Rowlandson, 1756–1827
Entrance to Festiniog, Wales
1797
56
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
57
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
58
Thomas Girtin, 1775–1802
A Village in a Wood
ca. 1796
59
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
60
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
61
Francis Towne, 1740–1816
Craig yr Aderyn, near Llanfihangel-y-Pennant
1777
62
Thomas Girtin, 1775–1802
Turver's Farm, Wimbish, Essex
ca. 1799
63
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
64
Print made by Richard Cosway, 1742–1821
Richard and Maria Cosway, and Ottobah Cugoano
1784
65
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
66
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
67
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
68
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Germanico
1772
69
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
70
Print made by George Bickham the Elder, 1683/4–1758
Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
71
Gainsborough Dupont, 1754–1797
Landscape: Man Carrying Faggots
undated
72
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
73
Print made by Jean B. C. Chatelain, 1710–1771
Man Chopping Wood
1737
74
Print made by Jean B. C. Chatelain, 1710–1771
Man and Woman Digging
1737
75
Print made by Francesco Bartolozzi, 1728–1815
Virtuous Love
1793
76
Print made by James Caldwall, 1739–1819
Ham Court, the Seat of John Martin, Esq
undated
77
Louisa Augusta Greville, 1743–active 1762
Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
1759
78
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
79
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
80
Print made by James Bretherton, ca. 1730–1806
Inimitable Mr. James Moss
1773
81
Print made by James Bretherton, ca. 1730–1806
Man with a Walking Stick in a Landscape
1773
82
Valentine Green, 1739–1813
Rinaldo and Armida
1775
83
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
84
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
85
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
86
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
87
unknown artist
Fishing near a Waterfall
1790
88
attributed to Thomas Gainsborough, 1727–1788
Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains