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Materials & Techniques brown wash
Remove constraint Materials & Techniques: brown washCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSearch Results
1
- The Haunted Wood
- undated
2
- A Lake in Norway
- ca. 1825
3
- Subterranean Pool with Sculptural Torchere
- undated
4
- Dawn
- between 1831 and 1832
5
- Trees and Deer
- 1825
6
- Study for Cottage in Cornfield, East Bergholt
- ca. 1833
7
- Study of Waves
- undated
8
- An Ancient Barn at Shoreham
- undated
9
- Rome from San Spirito
- undated
10
- Study of Old Buildings
- undated
11
- Landscape Sketch
- undated
12
- A Moonlit Scene with a Winding River
- ca. 1827
13
- Boxhill
- 1868
14
- Study of a Pilgrim
- undated
15
- A Pastoral Scene
- 1835
16
- Benjamin Read
- ca. 1757
17
- Shipping Scene, with Fishermen
- between 1815 and 1820
18
- The Straw Yard
- 1808
19
- The Pontine Marshes above Terracina
- ca. 1880
20
- Bavella, Corsica
- ca. 1868
21
- Albania
- between 1848 and 1849
22
- Turin, Italy
- after 1872
23
- Studies of a Seated Woman
- undated
24
- Studies for the Head of a Lady (Studies of a Woman's Head)
- undated
25
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
26
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
27
- Mythological Group of Women and Children
- undated
28
- Port of Spain, from the Harbour
- 1851
29
- Trinity Church, Port of Spain
- 1851
30
- Bamboo Arches, St. Anns
- 1851
31
- Queen's Park, Port of Spain
- 1851
32
- St. James Barracks
- 1851
33
- On the Cimaronero River
- 1857
34
- Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
- ca. 1831
35
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
36
- Hogarth Declaring His Love to Miss Thornhill
- 1817
37
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
38
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
39
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
40
- The Reconcilation
- 1817
41
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
42
- Wooded Landscape with Cattle, Figures and a House
- undated
43
- Cedar Point, Mount Tamana
- 1851
44
- The Cottage, Mount Tamana
- 1851
45
- Maraccas Waterfall
- 1851
46
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
47
- The Smock Exposed
- 1817
48
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
49
- London Cries: A Man Swaggering
- undated
50
- London Cries: A Man with a Bottle
- ca. 1759
51
- Design for a Naval Monument: Elevation
- 1799
52
- Lullingstone Castle
- ca. 1670
53
- Design for a Monument to Sir James Reade, Hatfield
- undated
54
- A Seascape
- undated
55
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
56
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
57
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
58
- Hogarth Sitting to Roubiliac for His Bust
- 1817
59
- Advanced Guard - Sunrise
- ca. 1832
60
- Culver Cliff, Sandown Bay, Isle of Wight
- undated
61
- The Misses Sandby of Norwich
- undated
62
- A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome
- Between 1747 and 1755
63
- Plymouth Harbor
- undated
64
- Relief Design for a Silver Salt Cellar
- undated
65
- A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
- ca. 1715
66
- Design for a portrait of an architect or a painter
- undated
67
- Portrait of a Young Lady as a Shepherdress
- undated
68
- John Britton, F.S.A
- ca. 1820
69
- Cascade of Buffalora
- undated
70
- Margate Hoy
- 1807
71
- A Study for the Wellington Monument
- undated
72
- Luggila, County of Wicklow
- undated
73
- Carlisle Bay, Barbados
- ca. 1820
74
- The Long Minuet as Danced at Bath
- after 1787
75
- Music: Composition in a Garden
- ca. 1832
76
- Design for Ceiling Walls and Staircase
- between 1712 and 1713
77
- River, Trees and Distant Town
- undated
78
- Design for an Altarpiece with a drawing of St. Luke mounted at the center
- undated
79
- Study of a Cow
- undated
80
- The Quarry
- undated
81
- Margaret Ramsay, the Artist's Second Wife (Died 1782)
- 1754
82
- St. Michael and Lucifer
- undated
83
- Old Man, Warrior and Boy in a Classical Landscape
- undated
84
- A Servant Bringing Water to Three Hunters
- undated
85
- Horseman Approaching Traveller Beside River
- undated
86
- River Landscape with Two Figures, Lake and Distant Mountains
- undated
87
- A Tree Struck by Lightning
- undated
88
- Joshua Commanding the Sun to Stand Still
- 1818
89
- The Arrival of Prince Frederick from Hanover in 1728?
- ca. 1728
90
- Queen Victoria
- undated
91
- Prospero and Ariel
- 1821
92
- Anne Page and Slender
- 1821
93
- Falstaff Dragging the Body of Hotspur
- 1825
94
- Falstaff Instructing Bardolph
- 1825
95
- Group of Figures: A Dogfight
- ca. 1785
96
- Portrait of a Man Wearing a Full-Bottomed Wig
- undated
97
- Workmen at Refreshment (Banditti?)
- 1819
98
- Male with Arms Spread Wide Seen from Behind
- undated
99
- Commander with Aides on Horseback Directing a Battle
- undated
100
- Twenty Young Girls in a Group Walking to the Left
- undated