Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
9
Edward Lear, 1812–1888
Manor (Knowsley Lane?)
undated
10
Edward Lear, 1812–1888
Albania
between 1848 and 1849
11
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
12
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
13
Edward Lear, 1812–1888
Memphis
1867
14
Edward Lear, 1812–1888
S. Pietro Degli Agostiniani. Leonessa
1844
15
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
16
Edward Lear, 1812–1888
Turin, Italy
after 1872
17
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
18
George Romney, 1734–1802
David Playing the Harp
undated
19
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
20
George Romney, 1734–1802
Studies of a Seated Woman
undated
21
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
22
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
23
George Romney, 1734–1802
Mythological Group of Women and Children
undated
24
George Romney, 1734–1802
Standing Male Figure
undated
25
George Romney, 1734–1802
Prison Scene
undated
26
George Romney, 1734–1802
[Small Sketchbook]
1784
27
George Romney, 1734–1802
[Small Sketchbook]
1784
28
George Romney, 1734–1802
[Small Sketchbook]
1784
29
George Romney, 1734–1802
[Small Sketchbook]
1784
30
George Romney, 1734–1802
[Small Sketchbook]
1784
31
George Romney, 1734–1802
[Small Sketchbook]
1784
32
George Romney, 1734–1802
[Small Sketchbook]
1784
33
George Romney, 1734–1802
[Small Sketchbook]
1784
34
George Romney, 1734–1802
[Small Sketchbook]
1784
35
George Romney, 1734–1802
[Small Sketchbook]
1784
36
George Romney, 1734–1802
[Small Sketchbook]
1784
37
George Romney, 1734–1802
[Small Sketchbook]
1784
38
George Romney, 1734–1802
[Small Sketchbook]
1784
39
George Romney, 1734–1802
[Small Sketchbook]
1784
40
George Romney, 1734–1802
Seated Woman
undated
41
George Romney, 1734–1802
[Small Sketchbook]
1784
42
George Romney, 1734–1802
[Small Sketchbook]
1784
43
George Romney, 1734–1802
[Small Sketchbook]
1784
44
George Romney, 1734–1802
[Small Sketchbook]
1784
45
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
46
George Romney, 1734–1802
David before Saul
undated
47
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
48
George Romney, 1734–1802
Possibly a Fight Scene
undated
49
George Romney, 1734–1802
Samson Overpowered
undated
50
Frederick Catherwood, 1799–1854
Maya Stela at Copan, Honduras
1843
51
Frederick Catherwood, 1799–1854
Well at Bolonchen, Yucatan
1843
52
Attributed to William Marlow, 1740–1813
Civita Castellana
undated
53
Sir Walter Thomas Monnington, 1902–1976
Macrocarpa
undated
54
Isaac Oliver, ca. 1565–1617
Leda and the Swan
undated
55
Henry Morton, ca. 1807–1825
The Fish Ponds
undated
56
attributed to John Hamilton Mortimer, 1740–1779
Portrait of John Saxby
undated
57
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
58
unknown artist
Standing Woman
undated
59
unknown artist
Ram and Two Sheep
undated
60
unknown artist
Thatched Roof and Tree
undated
61
John Martin, 1789–1854
The Rescue of Lot
1833
62
John Martin, 1789–1854
The Walls of Jericho
1834
63
John Martin, 1789–1854
Rocky River Landscape
undated
64
John Preston Neale, 1771/80–1847
Kingston Lacy, Dorset
undated
65
Sir John Everett Millais, 1829–1896
The Dying Man
ca. 1853
66
Isaac Oliver, ca. 1565–1617
Classical Study of Three Figures
undated
67
George Morland, 1763–1804
Peasants in a Grotto
undated
68
unknown artist
Landscape with Trees and Church Spire
undated
69
Henry Morton, ca. 1807–1825
St. Thomas' Church, Winchelsea
undated
70
unknown artist
Nocturnal View of Mountainous Landscape with River
undated
71
unknown artist
Harbor
undated
72
William Henry Harriott, active 1811, died 1839
Fish Market, Hastings
1824
73
Matthew Haughton, 1768–1821
A Fashionable Audience
undated
74
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
75
William Haygarth, active 1810–1816
Mount Soratte from Civita Castellana
1816
76
Francis Hayman, 1707/8–1776
Battledore and Shuttlecock
ca. 1740
77
George Heriot, 1766–1844
View of a Bridge
1819
78
Samuel Howitt, 1756–1822
Bear and Bee-Hives
undated
79
William Kent, ca.1686–1748
Design for a Pavilion in a Deer Park
ca. 1735
80
William Kent, ca.1686–1748
Octagonal Temple at Shotover Park, Oxfordshire: Plan, Section and Elevation
ca. 1738
81
Elias Martin, 1739–1818
Group of Caricature Heads
undated
82
James Northcote, 1746–1831
Study for a Tiger and Monkeys
undated
83
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
84
Philippe-Jacques de Loutherbourg, 1740–1812
A Bull Charging
1794
85
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
86
John Martin, 1789–1854
Burial of Sarah
1833
87
Joseph Nash, 1808–1878
The Tower of the Manor House, East Barsham, Norfolk
undated
88
unknown artist
Landscape with Bridge
undated
89
Michel Jean Cazabon, 1813–1888
Port of Spain, from the Harbour
1851
90
Michel Jean Cazabon, 1813–1888
Queen's Park, Port of Spain
1851
91
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
92
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
93
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
94
John Thomas Smith, 1766–1833
The Reconcilation
1817
95
John Thomas Smith, 1766–1833
The Smock Exposed
1817
96
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
97
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
98
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
99
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him