Genre: historical subject / Image Use: Free to Use - YCBA Collections Search Search Results

401. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and line engraving on medium, moderately textured, cream laid paper laid on mount
Dimensions:: Mount: 15 1/4 x 19 1/16 inches (38.8 x 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Jane of Flanders, Countess of Mountford assembling the Inhabitants of Rennes

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. The Heroism of Prince Edward, Son of Henry VI

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. The Procession of the Knights of the Most Noble Order of the Garter

Creator:: Richard Cooper the Younger, 1740–1814
Date:: 1782
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 54 1/4 inches (50.2 x 137.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. Camillus Rescuing Rome From Brennus

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Line engraving and stipple engraving, sepia
Dimensions:: Sheet: 17 1/8 x 22 1/4in. (43.5 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Embarkation at Southampton, June 20th 1794

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. Familia Regia: Henry VIII, Henry VII, Elizabeth of York, Jane Seymour

Creator:: George Vertue, 1684–1756
Date:: 1742
Materials & Techniques:: Engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 7/8 × 23 3/4 inches (50.5 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. Study for Gassed Soldiers

Creator:: John Singer Sargent, 1856–1925
Date:: 1918
Materials & Techniques:: Charcoal and graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:: Sheet: 18 1/2 x 24 1/4 inches (47 x 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

409. House in Which Turner Died

Creator:: John Burnet, 1784–1868
Date:: 1852
Materials & Techniques:: Photomechanical print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. The Battle of Trafalgar

Creator:: Print made by Pellissier & Allen, active late 19th century
Date:: 1900
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Van Tromp Going About to Please His Masters

Creator:: Print made by Pellissier & Allen, active late 19th century
Date:: 1900
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. Another Saint Sebastian, Shot at by Cruel Archers

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 17 9/16 inches (30.5 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/8 inches (30.7 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. A Scene From the Farce of "The Critic," a Little Altered.

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. The Harpies Attacking the Daughters of Pandarus

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1849
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. The Triumph of Music

Creator:: Walter Crane, 1845–1915
Date:: ca. 1876
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 x 14 5/8 inches (27 x 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

419. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. Exhibition Etchings

Creator:: Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

421. Silas Deane

Creator:: Print made by Thomas Johnson, 1709–1767
Date:: undated
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 9 1/2 inches (31.8 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Manuscripts and Archives Collection, transfer from the Sterling Memorial Library

422. The Launching of H.M.S. 'Hibernia' 1804

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1804
Materials & Techniques:: Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. The Departure Of The Sons Of Tippoo From The Zenana

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 25 1/2 inches (52.1 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

424. The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852.

Creator:: Print made by Thomas Picken, active 1838–died 1870
Date:: 1853
Materials & Techniques:: Colored lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 21 1/4 x 28 3/4in. (54 x 73cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. The Destruction of Pompeii

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Watercolor and pastel on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 14 3/8 x 10 3/8 inches (36.5 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

426. Spanish Inquisition

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown, pen and red ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 1/2 inches (14 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. Drawing for "Retribution"

Creator:: Edward Armitage, 1817–1896
Date:: 1857
Materials & Techniques:: Black chalk, white chalk, and graphite on thick, moderately textured, brown wove paper
Dimensions:: Sheet: 27 1/2 × 30 1/2 inches (69.9 × 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Paul Walter

428. The Marriage of Her Most Gracious Majesty Queen Victoria

Creator:: Print made by Charles E. Wagstaff, 1808–
Date:: 1844
Materials & Techniques:: Etching, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 27 9/16 × 36 1/2 inches (70 × 92.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret

429. The Shah Nujeef

Creator:: William Simpson, 1823–1899
Date:: 1861
Materials & Techniques:: Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 14 5/8 x 20 7/8 inches (37.1 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. A Race Meeting at Newmarket Heath

Creator:: Jan Wyck, ca. 1645–1700
Date:: ca. 1671
Materials & Techniques:: Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

431. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret

432. Key to Life School at the Royal Academy

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 14 1/8 inches (25.7 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:: Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. Chance. The London Firemen's Dog

Creator:: Print made by unknown artist
Date:: 1834
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/4 × 11 1/4 inches (27.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Marriage of Henry the seventh

Creator:: Print made by George Barret Jr., 1767–1842
Date:: 1796
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

Creator:: Print made by John Maurer, active 1713–1761
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 × 16 1/2 inches (25.4 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868

Creator:: George Bryant Campion, 1796–1870
Date:: undated
Materials & Techniques:: Watercolor, gouache and black chalk on thick, moderately textured, brown wove paper
Dimensions:: Sheet: 20 1/16 × 29 7/8 inches (51 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

Creator:: Charles Claude Pyne, 1802–1878
Date:: 1872
Materials & Techniques:: Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. The Earthquake Scare in Piccadilly

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: 1750
Materials & Techniques:: Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. The Arrest of Lord Edward Fitzgerald

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 9/16 × 8 11/16 inches (14.1 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

443. Memorial for the Seven Children, of James and Mary Woodmason, Killed by Fire, in the Family Mansion

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1825
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. Key To The Figures In "The Death Of Chatham"

Creator:: Abraham Raimbach, 1784–1868
Date:: 1794
Materials & Techniques:: Etching and engraving, published state
Dimensions:: Plate: 10 5/8 x 30 5/8in. (27 x 77.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. Cover of "The Yellow Book: an Illustrated Quarterly", Volume II, July 1894

Creator:: Print made by Aubrey Vincent Beardsley, 1872–1898
Date:: 1894
Materials & Techniques:: Photomechanical reproduction on thin, slightly textured, orange wove paper, laid on contemporary mount made of moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 11 x 8 9/16 inches (27.9 x 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

446. Glasgow Exhibition: Entrance from the Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:: Sheet: 11 1/8 × 7 1/4 inches (28.3 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

447. Glasgow Exhibition: From the Dome

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

448. Glasgow Exhibition: Ireland and Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige Asian paper, laid on mount
Dimensions:: Sheet: 6 1/4 x 9 1/16 inches (15.9 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

449. Hohenlinden

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1837
Materials & Techniques:: Line engraving, Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Lochiel's Warning

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, Engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Gertrude of Wyoming - the Waterfall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Gertrude of Wyoming - the Valley

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Gertrude of Wyoming - the Waterfall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. Brienne

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving with scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 3/8 inches (21.6 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. Brienne

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; early touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 × 12 3/8 inches (21.6 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. Fontainebleau

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 1/4 × 8 1/2 inches (33.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Etching and engraving, touched with graphite (Engraver's Proof b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. Gertrude of Wyomimg - The Waterfall (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Rolandseck (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. "It's Auld Ailie Hersell"

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. Battle of the Baltic

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. Battle of the Baltic

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Lochiel's Warning

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Hohenlinden

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. Hougomont

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 7 1/2 inches (27.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Placenza

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 × 13 1/4 inches (21.6 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. The Simplon

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 × 11 3/8 inches (43.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. HMS Bellerophon, Plymouth Sound

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and line engraving with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 5 3/4 inches (20.3 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Ticket: For the Benefit of Mr. Salpietro

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 5 9/16 inches (10.8 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. Ticket: For the Benefit of Mr. Salpietro

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 6 1/4 inches (14.6 x 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. Bird's Eye View of [Queen Victoria's Funeral] Procession

Creator:: Henry William Brewer, 1836–1903
Date:: 1902
Materials & Techniques:: Pen and black ink, graphite, gray wash and gouache on thick, slightly textured, cream wove paper, mounted on board
Dimensions:: Sheet: 22 15/16 × 16 3/16 inches (58.3 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

473. The Interview Between Edgar and Elfreda After Her Marriage with Athelwood

Creator:: William Wynne Ryland, 1732–1783
Date:: 1786
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/8 × 24 3/16 inches (48.6 × 61.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

474. Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798

Creator:: Richard Livesay, 1753–1826
Date:: 1799
Materials & Techniques:: Aquatint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 × 23 9/16 inches (48.6 × 59.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..

Creator:: Charles Rosenberg, active 1828–1848
Date:: 1831
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 13/16 × 20 inches (45.2 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

476. And This Was Caesar

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 6 5/16 x 8 1/16 inches (16 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

477. A Morning Ride

Creator:: James Gillray, 1756–1815
Date:: 1804
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle

478. The Norman Conquest, or the Battle of Hastings

Creator:: Print made by Charles Grignion, 1717–1810
Date:: 1751
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

479. Norham Castle on the River Tweed

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Chromolithograph, as published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

480. The Monument in Westminster Abbey of King Henry V

Creator:: George Vertue, 1684–1756
Date:: between 1699-1756
Materials & Techniques:: Engraving on medium smooth laid paper
Dimensions:: Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

Creator:: Print made by Charles Rosenberg, active 1828–1848
Date:: 1837
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 18 9/16 × 25 5/16 inches (47.1 × 64.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

482. The City of the Pestilence

Creator:: Print made by John Bell, 1811–1895
Date:: between 1826 and 1852
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 3/8 x 15 inches (29 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

483. The Murder of James First, King of Scotland

Creator:: Thomas Ryder, 1746–1810
Date:: 1792
Materials & Techniques:: Etching and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

484. Figures with a Bull From Parthenon Frieze

Creator:: William Pars, 1742–1782
Date:: undated
Materials & Techniques:: Graphite and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 10 1/16 inches (19.4 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. Sketch of a Horseman, From the Parthenon Frieze

Creator:: William Pars, 1742–1782
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 x 10 1/8 inches (19.1 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. Flint Castle, North Wales

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1836
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 15/16 inches (27.9 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 9/16 × 5 13/16 inches (9 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. Marengo

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 10 1/4 inches (38.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

489. Hendrik Karel Nicolaas Van Der Noot

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1787
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

490. The Society of Dilettanti

Creator:: William Say, 1768–1834
Date:: between 1800 and 1820
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 15 1/4 inches (52.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

491. The Dead Eagle - Oran

Creator:: Print made by William Miller, 1796–1882
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

492. View of the Coronation Procession of George IV

Creator:: unknown artist
Date:: ca. 1821
Materials & Techniques:: Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

493. Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

Creator:: Print made by James Gillray, 1756–1815
Date:: 1793
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 14 3/8 inches (31.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

494. The Valley of the Shadow of Death

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 7/16 inches (26.4 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. The Death of the Great Wolf

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/8 × 17 7/16 inches (34 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. Presages of the Millenium

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. The Body of Lucretia Exposed to the Romans

Creator:: James Jefferys, 1751–1784
Date:: between 1777 and 1778
Materials & Techniques:: Pen and black ink, pen and brown ink, gray wash and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 24 7/8 x 37 inches (63.2 x 94 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

498. The Infant

Creator:: Print made by Henry Thomas Alken, 1785–1851
Date:: 1824
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 10 7/8 inches (22.8 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

499. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. Celebration on the Thames near Whitehall

Creator:: Willem van de Velde the Elder, ca. 1611–1693
Date:: 1685
Materials & Techniques:: Pen and brown ink, graphite, and gray wash on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 17 3/8 inches (28.3 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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401. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

402. Jane of Flanders, Countess of Mountford assembling the Inhabitants of Rennes

403. The Heroism of Prince Edward, Son of Henry VI

404. The Procession of the Knights of the Most Noble Order of the Garter

405. Camillus Rescuing Rome From Brennus

406. Embarkation at Southampton, June 20th 1794

407. Familia Regia: Henry VIII, Henry VII, Elizabeth of York, Jane Seymour

408. Study for Gassed Soldiers

409. House in Which Turner Died

410. The Battle of Trafalgar

411. Van Tromp Going About to Please His Masters

412. Another Saint Sebastian, Shot at by Cruel Archers

413. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

414. A Scene From the Farce of "The Critic," a Little Altered.

415. The Harpies Attacking the Daughters of Pandarus

416. The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

417. St. Germain-en-Laye

418. The Triumph of Music

419. Funeral of the Late Duke of Wellington

420. Exhibition Etchings

421. Silas Deane

422. The Launching of H.M.S. 'Hibernia' 1804

423. The Departure Of The Sons Of Tippoo From The Zenana

424. The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852.

425. The Destruction of Pompeii

426. Spanish Inquisition

427. Drawing for "Retribution"

428. The Marriage of Her Most Gracious Majesty Queen Victoria

429. The Shah Nujeef

430. A Race Meeting at Newmarket Heath

431. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

432. Key to Life School at the Royal Academy

433. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

434. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

435. Chance. The London Firemen's Dog

436. Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel

437. Marriage of Henry the seventh

438. A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

439. Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868

440. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

441. The Earthquake Scare in Piccadilly

442. The Arrest of Lord Edward Fitzgerald

443. Memorial for the Seven Children, of James and Mary Woodmason, Killed by Fire, in the Family Mansion

444. Key To The Figures In "The Death Of Chatham"

445. Cover of "The Yellow Book: an Illustrated Quarterly", Volume II, July 1894

446. Glasgow Exhibition: Entrance from the Piazza

447. Glasgow Exhibition: From the Dome

448. Glasgow Exhibition: Ireland and Russia

449. Hohenlinden

450. Lochiel's Warning

451. Gertrude of Wyoming - the Waterfall

452. Gertrude of Wyoming - the Valley

453. Gertrude of Wyoming - the Waterfall

454. Brienne

455. Brienne

456. Fontainebleau

457. Scott's Birthplace, no. 39, Castle Street, Edinburgh

458. Scott's Birthplace, no. 39, Castle Street, Edinburgh

459. Gertrude of Wyomimg - The Waterfall (Vignette)

460. Rolandseck (Vignette)

461. "It's Auld Ailie Hersell"

462. Battle of the Baltic

463. Battle of the Baltic

464. Lochiel's Warning

465. Hohenlinden

466. Hougomont

467. Placenza

468. The Simplon

469. HMS Bellerophon, Plymouth Sound

470. Ticket: For the Benefit of Mr. Salpietro

471. Ticket: For the Benefit of Mr. Salpietro

472. Bird's Eye View of [Queen Victoria's Funeral] Procession

473. The Interview Between Edgar and Elfreda After Her Marriage with Athelwood

474. Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798