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Vanessa Bell Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
Vanessa Bell, 1879–1961
Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
ca. 1941
Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
John R. Skeaping Arab Horsemen, Two Grey Horses
John R. Skeaping, 1901–1980
Arab Horsemen, Two Grey Horses
1965
John R. Skeaping Moving Up to Challenge
John R. Skeaping, 1901–1980
Moving Up to Challenge
1963
John R. Skeaping Arab Horsemen, One Brown and One Gray Horse
John R. Skeaping, 1901–1980
Arab Horsemen, One Brown and One Gray Horse
1965
Robert Polhill Bevan Huntsman and Hounds
Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
ca. 1896
Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
Robert Polhill Bevan A Harrow in the Orchard
Robert Polhill Bevan, 1865–1925
A Harrow in the Orchard
ca. 1896
Samuel Palmer Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.
Samuel Palmer, 1805–1881
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
Samuel Palmer A Cow Lodge with a Mossy Roof
Samuel Palmer, 1805–1881
A Cow Lodge with a Mossy Roof
ca. 1829
Samuel Palmer The Valley of Vision
Samuel Palmer, 1805–1881
The Valley of Vision
undated
Samuel Palmer An Ancient Barn at Shoreham
Samuel Palmer, 1805–1881
An Ancient Barn at Shoreham
undated
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Samuel Palmer A Cottage among Trees, Shoreham
Samuel Palmer, 1805–1881
A Cottage among Trees, Shoreham
undated
Samuel Palmer The Timber Wain
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
John Constable Brighton Beach Looking West
John Constable, 1776–1837
Brighton Beach Looking West
undated
John Constable A View on the Orwell
attributed to John Constable, 1776–1837
A View on the Orwell
undated
George Stubbs Horses Fighting
after George Stubbs, 1724–1806
Horses Fighting
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
Joseph Mallord William Turner Ship Aground Brighton
Joseph Mallord William Turner, 1775–1851
Ship Aground Brighton
1830
Joseph Mallord William Turner Andernach
Joseph Mallord William Turner, 1775–1851
Andernach
1817
Joseph Mallord William Turner Barnard Castle
Joseph Mallord William Turner, 1775–1851
Barnard Castle
ca. 1825
Joseph Mallord William Turner Lake Geneva and Mount Blanc
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mount Blanc
1802 to 1805
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Northwest
Joseph Mallord William Turner, 1775–1851
View of Hampton Court, Herefordshire, from the Northwest
ca. 1806
Joseph Mallord William Turner Leeds
Joseph Mallord William Turner, 1775–1851
Leeds
1816
Joseph Mallord William Turner Villa d'Este
Joseph Mallord William Turner, 1775–1851
Villa d'Este
ca. 1796
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Negadeh
Edward Lear, 1812–1888
Negadeh
1867
Edward Lear Karnak, 10:00 pm, 22 January 1867 (213)
Edward Lear, 1812–1888
Karnak, 10:00 pm, 22 January 1867 (213)
1867
Edward Lear Near Aswan
Edward Lear, 1812–1888
Near Aswan
1867
Edward Lear Karnak, 9:30 pm, 22 January 1867 (212)
Edward Lear, 1812–1888
Karnak, 9:30 pm, 22 January 1867 (212)
1867
Edward Lear Shelaal, 2:30 am, 29 January 1867 (260)
Edward Lear, 1812–1888
Shelaal, 2:30 am, 29 January 1867 (260)
1867
Edward Lear Shelaal, 5:30 am, 29 January 1867 (264)
Edward Lear, 1812–1888
Shelaal, 5:30 am, 29 January 1867 (264)
1867
Edward Lear Near Daboad
Edward Lear, 1812–1888
Near Daboad
1867
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
Edward Lear Just above Ekhmim
Edward Lear, 1812–1888
Just above Ekhmim
1867
Edward Lear Abydos, 1:00 pm, 12 January 1867 (134)
Edward Lear, 1812–1888
Abydos, 1:00 pm, 12 January 1867 (134)
1867
Edward Lear Near Gezir Shendowiel
Edward Lear, 1812–1888
Near Gezir Shendowiel
1867
Edward Lear River pass, between barren rock cliffs
Edward Lear, 1812–1888
River pass, between barren rock cliffs
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Catania
Edward Lear, 1812–1888
Catania
1847
Edward Lear Near Khan Yunas
Edward Lear, 1812–1888
Near Khan Yunas
1867
Edward Lear El Areesh (Torrens Ægypti)
Edward Lear, 1812–1888
El Areesh (Torrens Ægypti)
1867
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
Edward Lear The Capo Sant' Angelo, Amalfi
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
Edward Lear The Dead Sea, 16 and 17 April 1858
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
Edward Lear Strongyli
Edward Lear, 1812–1888
Strongyli
May 4, 1864
William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
1804 to 1820
William Blake Jerusalem, Plate 43, "They saw their Wheels...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 43, "They saw their Wheels...."
1804 to 1820
William Blake Jerusalem, Plate 45, "Bath, healing City!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 45, "Bath, healing City!...."
1804 to 1820
William Blake Jerusalem, Plate 47, "From Camberwell to Highgate...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 47, "From Camberwell to Highgate...."
1804 to 1820
William Blake Jerusalem, Plate 48, "These were his last words...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 48, "These were his last words...."
1804 to 1820
William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
William Blake Jerusalem, Plate 79, "My tents are fall'n...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 79, "My tents are fall'n...."
1804 to 1820
William Blake Jerusalem, Plate 8, "Rose up against me...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
William Blake Jerusalem, Plate 9, "Condens'd his Emanations...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
William Blake Jerusalem, Plate 90, "The Feminine separates...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 90, "The Feminine separates...."
1804 to 1820
William Blake Jerusalem, Plate 91, "It is easier to forgive an enemy...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 91, "It is easier to forgive an enemy...."
1804 to 1820
William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake Europe. A Prophecy, Frontispiece Proof Impression
Print made by William Blake, 1757–1827
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 13, "And that toward Eden...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 13, "And that toward Eden...."
1804 to 1820
William Blake Jerusalem, Plate 17, "His Spectre divides...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 17, "His Spectre divides...."
1804 to 1820
William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 19, "His children exil'd from his breast...."
1804 to 1820
William Blake Jerusalem, Plate 2, Title Page
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 25, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
between 1797 and 1798