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Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
George Romney Shepherdess Cutting an Inscription on a Tree
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
Francis Place A Study for the Pilkington Crest, a mower with a scythe
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
Paul Sandby London Cries: Flowers
Paul Sandby, 1731–1809
London Cries: Flowers
undated
Paul Sandby London Cries: A Lace Seller
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
Canaletto Capriccio of a Venetian Courtyard
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
Thomas Manby Ponte Lucano, Near Tivoli
Thomas Manby, 1633(?)–1695
Ponte Lucano, Near Tivoli
between 1660 and 1690
John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
Hubert-François Gravelot Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
attributed to Hubert-François Gravelot, 1699–1773
Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
undated
Walter Greaves Dancing Platform, Cremorne Gardens, with a Portrait of Whistler
Walter Greaves, 1846–1930
Dancing Platform, Cremorne Gardens, with a Portrait of Whistler
undated
Samuel Howitt Sheet of Studies of Hounds, Hare, Falcon and Ducks
Attributed to Samuel Howitt, 1756–1822
Sheet of Studies of Hounds, Hare, Falcon and Ducks
undated
Julius Caesar Ibbetson Sailors Carousing and Frying Watches
Julius Caesar Ibbetson, 1759–1817
Sailors Carousing and Frying Watches
undated
Thomas Hearne River Landscape with Figures
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
Thomas Hearne The Welsh Curate
Thomas Hearne, 1744–1817
The Welsh Curate
undated
Canaletto Venetian Fantasy
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
Hablot Knight Browne The Search after Truth
Hablot Knight Browne, 1815–1882
The Search after Truth
undated
Paul Sandby A Family in Hyde Park
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
John Thomas Smith The Smock Exposed
John Thomas Smith, 1766–1833
The Smock Exposed
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
John Thomas Smith The Eleventh Hour
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
John Thomas Smith Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
John Thomas Smith Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
Isaac Weld An Execution, Rome
Isaac Weld, 1774–1856
An Execution, Rome
1819
Isaac Weld Funeral Procession at Rome
Isaac Weld, 1774–1856
Funeral Procession at Rome
1818
Anthony Walker Political Caricature: "The Spiritualists"
Anthony Walker, 1726–1765
Political Caricature: "The Spiritualists"
undated
Thomas Rowlandson Cat Like Courtship
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
Paul Sandby Election Scene
Paul Sandby, 1731–1809
Election Scene
undated
William Pars A View at Lucerne
William Pars, 1742–1782
A View at Lucerne
1775
unknown artist Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
unknown artist
Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
ca. 1740
Thomas Rowlandson A Stage Coach Outside of the Entrance of an Inn
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
Michael Angelo Hayes A Soldier's Knapsack: Two Studies, Side and Front View
Michael Angelo Hayes, 1811–1880
A Soldier's Knapsack: Two Studies, Side and Front View
undated
Heinrich W. Schweickhardt Haymaking
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
Julius Caesar Ibbetson A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
Julius Caesar Ibbetson, 1759–1817
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
undated
Thomas Ross Riders, Figures and a Dog
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
Thomas Rowlandson The London Citizen
Thomas Rowlandson, 1756–1827
The London Citizen
undated
Thomas Rowlandson A Livery Stable
Thomas Rowlandson, 1756–1827
A Livery Stable
undated
Thomas Rowlandson Kitty Overcome
Thomas Rowlandson, 1756–1827
Kitty Overcome
1821
Thomas Rowlandson Norwich Market Place
Thomas Rowlandson, 1756–1827
Norwich Market Place
undated
Thomas Rowlandson The Miseries of the Country
Thomas Rowlandson, 1756–1827
The Miseries of the Country
undated
Thomas Rowlandson Covent Garden Market
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
Thomas Rowlandson A Grub Street Poet
Thomas Rowlandson, 1756–1827
A Grub Street Poet
undated
Thomas Rowlandson Hyde Park Corner
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
John Vanderbank "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
Henry William Bunbury Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
Henry William Bunbury, 1750–1811
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
undated
Samuel Howitt A Chaise and Pair, With Post-Boy
Samuel Howitt, 1756–1822
A Chaise and Pair, With Post-Boy
undated
Thomas Rowlandson Parisian Street Figures
Thomas Rowlandson, 1756–1827
Parisian Street Figures
1786
Thomas Rowlandson Horsemen Colliding
Thomas Rowlandson, 1756–1827
Horsemen Colliding
between 1785 and 1790
Thomas Rowlandson A Village Scene with Girls Spinning
Thomas Rowlandson, 1756–1827
A Village Scene with Girls Spinning
undated
Thomas Rowlandson New Shoes
Thomas Rowlandson, 1756–1827
New Shoes
undated
Thomas Rowlandson The Toll-Gate
Thomas Rowlandson, 1756–1827
The Toll-Gate
undated
Thomas Rowlandson Ladies at Tea
Thomas Rowlandson, 1756–1827
Ladies at Tea
between 1790 and 1795
Thomas Rowlandson Two Sleeping Figures
Thomas Rowlandson, 1756–1827
Two Sleeping Figures
undated
Thomas Rowlandson Labourers at Rest
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
Thomas Ross Figures with a Wagon and Horses
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
Thomas Rowlandson Domestic Interior
Thomas Rowlandson, 1756–1827
Domestic Interior
undated
Thomas Stothard A Girl Giving a Key to a Cavalier
Thomas Stothard, 1755–1834
A Girl Giving a Key to a Cavalier
undated
Marcellus Laroon the Younger The Tea Party
Marcellus Laroon the Younger, 1679–1772
The Tea Party
ca. 1770
Thomas Gainsborough Wooded Landscape with Figures, Donkeys and Cottage
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures, Donkeys and Cottage
ca. 1767
Thomas Gainsborough Wooded Landscape with Figures outside a Cottage Door
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures outside a Cottage Door
between 1775 and 1780
George Dance The Collector
George Dance, 1741–1825
The Collector
undated
Henry Fuseli Study of a Seated Woman
Henry Fuseli, 1741–1825
Study of a Seated Woman
1791
John White Abbott The Courtyard of Mr. Bank's House, Northernhay, Exeter
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816
Hubert-François Gravelot Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
Hubert-François Gravelot, 1699–1773
Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
undated
Hubert-François Gravelot Drawing for a Frontispiece: "The Toast"
Hubert-François Gravelot, 1699–1773
Drawing for a Frontispiece: "The Toast"
1735
George Romney Sketch of a Lady
George Romney, 1734–1802
Sketch of a Lady
undated