A Study for the Pilkington Crest, a mower with a scythe
undated
6
Paul Sandby, 1731–1809
London Cries: Flowers
undated
7
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
8
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
9
Thomas Manby, 1633(?)–1695
Ponte Lucano, Near Tivoli
between 1660 and 1690
10
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
11
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
12
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
13
attributed to Hubert-François Gravelot, 1699–1773
Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
undated
14
Walter Greaves, 1846–1930
Dancing Platform, Cremorne Gardens, with a Portrait of Whistler
undated
15
Attributed to Samuel Howitt, 1756–1822
Sheet of Studies of Hounds, Hare, Falcon and Ducks
undated
16
Julius Caesar Ibbetson, 1759–1817
Sailors Carousing and Frying Watches
undated
17
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
18
Thomas Hearne, 1744–1817
The Welsh Curate
undated
19
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
20
Hablot Knight Browne, 1815–1882
The Search after Truth
undated
21
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
22
John Thomas Smith, 1766–1833
The Reconcilation
1817
23
John Thomas Smith, 1766–1833
The Smock Exposed
1817
24
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
25
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
26
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
27
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
28
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
29
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
30
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
31
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
32
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
33
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
34
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
35
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
36
Isaac Weld, 1774–1856
An Execution, Rome
1819
37
Isaac Weld, 1774–1856
Funeral Procession at Rome
1818
38
Anthony Walker, 1726–1765
Political Caricature: "The Spiritualists"
undated
39
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
40
Paul Sandby, 1731–1809
Election Scene
undated
41
William Pars, 1742–1782
A View at Lucerne
1775
42
unknown artist
Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
ca. 1740
43
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
44
Michael Angelo Hayes, 1811–1880
A Soldier's Knapsack: Two Studies, Side and Front View
undated
45
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
46
Julius Caesar Ibbetson, 1759–1817
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
undated
47
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
48
Thomas Rowlandson, 1756–1827
The London Citizen
undated
49
Thomas Rowlandson, 1756–1827
A Livery Stable
undated
50
Thomas Rowlandson, 1756–1827
Kitty Overcome
1821
51
Thomas Rowlandson, 1756–1827
Norwich Market Place
undated
52
Thomas Rowlandson, 1756–1827
The Miseries of the Country
undated
53
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
54
Thomas Rowlandson, 1756–1827
A Grub Street Poet
undated
55
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
56
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
57
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
58
Henry William Bunbury, 1750–1811
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
undated
59
Samuel Howitt, 1756–1822
A Chaise and Pair, With Post-Boy
undated
60
Thomas Rowlandson, 1756–1827
Parisian Street Figures
1786
61
Thomas Rowlandson, 1756–1827
Horsemen Colliding
between 1785 and 1790
62
Thomas Rowlandson, 1756–1827
A Village Scene with Girls Spinning
undated
63
Thomas Rowlandson, 1756–1827
New Shoes
undated
64
Thomas Rowlandson, 1756–1827
The Toll-Gate
undated
65
Thomas Rowlandson, 1756–1827
Ladies at Tea
between 1790 and 1795
66
Thomas Rowlandson, 1756–1827
Two Sleeping Figures
undated
67
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
68
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
69
Thomas Rowlandson, 1756–1827
Domestic Interior
undated
70
Thomas Stothard, 1755–1834
A Girl Giving a Key to a Cavalier
undated
71
Marcellus Laroon the Younger, 1679–1772
The Tea Party
ca. 1770
72
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures, Donkeys and Cottage
ca. 1767
73
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures outside a Cottage Door
between 1775 and 1780
74
George Dance, 1741–1825
The Collector
undated
75
Henry Fuseli, 1741–1825
Study of a Seated Woman
1791
76
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816
77
Hubert-François Gravelot, 1699–1773
Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)