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Samuel Palmer Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
Samuel Palmer, 1805–1881
Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
1835 or 1836
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer Kensington Gardens
Samuel Palmer, 1805–1881
Kensington Gardens
ca. 1848
Samuel Palmer The Bright Cloud
Samuel Palmer, 1805–1881
The Bright Cloud
undated
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer At Hailsham, Sussex: a Storm Approaching
Samuel Palmer, 1805–1881
At Hailsham, Sussex: a Storm Approaching
1821
John Constable Sky Study with Rainbow
John Constable, 1776–1837
Sky Study with Rainbow
1827
John Constable Stoke Poges Church
John Constable, 1776–1837
Stoke Poges Church
1834
Joseph Mallord William Turner A Sea Piece - A Rough Sea with a Fishing Boat
Joseph Mallord William Turner, 1775–1851
A Sea Piece - A Rough Sea with a Fishing Boat
1820 to 1830
Joseph Mallord William Turner The Moselle Bridge, Coblenz
Joseph Mallord William Turner, 1775–1851
The Moselle Bridge, Coblenz
ca. 1842
William Blake Help! Help!; Plate 12
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
William Blake I Want! I Want!; Plate 11
Print made by William Blake, 1757–1827
I Want! I Want!; Plate 11
1793
William Blake Air; Plate 6
Print made by William Blake, 1757–1827
Air; Plate 6
1793
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Jerusalem, Plate 100
Print made by William Blake, 1757–1827
Jerusalem, Plate 100
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
William Blake Jerusalem, Plate 15, "And Hand & Hyle...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
William Blake Jerusalem, Plate 18, "From every-one of the Four Regions...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
William Blake Jerusalem, Plate 24, "What have I said?...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 39, "By Satans Watch-fiends...."
1804 to 1820
William Blake Jerusalem, Plate 43, "They saw their Wheels...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 43, "They saw their Wheels...."
1804 to 1820
William Blake Jerusalem, Plate 5, "The banks of the Thames...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 5, "The banks of the Thames...."
1804 to 1820
William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
William Blake Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Print made by William Blake, 1757–1827
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
William Blake Jerusalem, Plate 65, "To decide Two Worlds...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 65, "To decide Two Worlds...."
1804 to 1820
William Blake Jerusalem, Plate 69, "Then all the Males...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 69, "Then all the Males...."
1804 to 1820
William Blake Jerusalem, Plate 8, "Rose up against me...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
1804 to 1820
William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 82, "I have heard Jerusalems groans...."
1804 to 1820
William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 85, "Became a Space & an Allegory...."
1804 to 1820
William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
William Blake Jerusalem, Plate 3, "To the Public...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 3, "To the Public...."
1804 to 1820
William Blake Jerusalem, Plate 57, "And the voices of Bath...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 57, "And the voices of Bath...."
1804 to 1820
William Blake Jerusalem, Plate 92, "What do I see!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
William Blake For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
William Blake Abraham and Isaac
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
Edward Lear Peppering, Oct. 3. 1834
Edward Lear, 1812–1888
Peppering, Oct. 3. 1834
1834
Edward Lear Yewbarrow, Wastwater, 16 September 1836
Edward Lear, 1812–1888
Yewbarrow, Wastwater, 16 September 1836
1836
Edward Lear Derwentwater
Edward Lear, 1812–1888
Derwentwater
1836
Edward Lear Ullswater, 14 Oct. 1836
Edward Lear, 1812–1888
Ullswater, 14 Oct. 1836
1836
Edward Lear Balgrate. 14. October. 1837
Edward Lear, 1812–1888
Balgrate. 14. October. 1837
1837
Edward Lear Derwentwater, September 1836
Edward Lear, 1812–1888
Derwentwater, September 1836
1836
Edward Lear Bassenthwaite
Edward Lear, 1812–1888
Bassenthwaite
1836
Edward Lear Crummock Water
Edward Lear, 1812–1888
Crummock Water
1836
Edward Lear Brothers Water from Patterdale
Edward Lear, 1812–1888
Brothers Water from Patterdale
1836
Edward Lear Ullswater
Edward Lear, 1812–1888
Ullswater
1836
Edward Lear St. Giulio, Orta, 26 September 1837
Edward Lear, 1812–1888
St. Giulio, Orta, 26 September 1837
1837
Edward Lear Boat on the Nile
Edward Lear, 1812–1888
Boat on the Nile
1854
Edward Lear Gebel Sheikh Abu Fodde
Edward Lear, 1812–1888
Gebel Sheikh Abu Fodde
1854
Edward Lear Massa Forno, Gozo
Edward Lear, 1812–1888
Massa Forno, Gozo
1866
Edward Lear Below Rabat, Malta
Edward Lear, 1812–1888
Below Rabat, Malta
1866
Edward Lear View on the Nile
Edward Lear, 1812–1888
View on the Nile
1854
Edward Lear Rocky Valley of Mosta, Malta
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta
1866
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Ibreem
Edward Lear, 1812–1888
Ibreem
1867
Edward Lear Near Abu Simbel
Edward Lear, 1812–1888
Near Abu Simbel
1867
Edward Lear Near Wady Halfeh
Edward Lear, 1812–1888
Near Wady Halfeh
1867
Edward Lear Wady Halfeh
Edward Lear, 1812–1888
Wady Halfeh
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Faras Westbank
Edward Lear, 1812–1888
Faras Westbank
1867
Edward Lear Abu Simbel, 1:10 pm, 9 February 1867 (385)
Edward Lear, 1812–1888
Abu Simbel, 1:10 pm, 9 February 1867 (385)
1867
Edward Lear Toske
Edward Lear, 1812–1888
Toske
1867
Edward Lear Amada, 7:30 am, 12 February 1867 (423)
Edward Lear, 1812–1888
Amada, 7:30 am, 12 February 1867 (423)
1867
Edward Lear Maharraka
Edward Lear, 1812–1888
Maharraka
1867
Edward Lear Maharraka, 7:25 am, 14 February 1867 (463)
Edward Lear, 1812–1888
Maharraka, 7:25 am, 14 February 1867 (463)
1867
Edward Lear Maharraka, 7:35 am, 14 February 1867 (465)
Edward Lear, 1812–1888
Maharraka, 7:35 am, 14 February 1867 (465)
1867
Edward Lear Near Dakkeh
Edward Lear, 1812–1888
Near Dakkeh
1867
Edward Lear Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
Edward Lear, 1812–1888
Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
1867
Edward Lear Near Dendour
Edward Lear, 1812–1888
Near Dendour
1867