Search Constraints
You searched for:
Materials & Techniques gray wash
Remove constraint Materials & Techniques: gray washSubject Terms genre subject
Remove constraint Subject Terms: genre subjectSearch Results
1
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
2
- Mr. Hobson of Markfield and Family
- ca. 1806
3
- Study for the Foundlings
- ca. 1739
4
- Man with Horse and Cart Entering a Quarry
- ca. 1797
5
- The Indian Woman
- undated
6
- Cloaked Figure Leaping
- undated
7
- Horseman of Montecavallo
- between 1773 and 1774
8
- Shepherdess Cutting an Inscription on a Tree
- undated
9
- Two Nude Children
- undated
10
- Howard Visiting a Prison
- between 1790 and 1794
11
- Prison Scene
- undated
12
- Prison Scene
- undated
13
- Two Sisters
- undated
14
- Boy Seated beneath a Rock
- undated
15
- Prison Scene
- undated
16
- Woman at a Column
- undated
17
- Ladies in Waiting
- undated
18
- Sketch for Howard Scene
- undated
19
- Possibly a Deposition
- undated
20
- Study for The Woodman's Daughter
- 1849
21
- A Man Kneeling
- 1770
22
- Poulterer's Shop
- undated
23
- In Mr. Barnard's Boat, Kingston
- undated
24
- A Study for the Pilkington Crest, a mower with a scythe
- undated
25
- London Cries: A Man with a Basket (Man Selling Pots and Pans)
- undated
26
- Classical Study of Three Figures
- undated
27
- London Cries: Shoe Cleaner
- ca. 1759
28
- London Cries: Small Coal or Brushes
- ca. 1759
29
- London Cries: All Fire and No Smoke
- ca. 1759
30
- London Cries: Flowers
- undated
31
- London Cries: A Man Swaggering
- undated
32
- London Cries: Boy with a Donkey
- ca. 1759
33
- A Wooded Track
- 1813
34
- High Street at Bushey, Hertfordshire
- 1812
35
- Peasants in a Grotto
- undated
36
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
37
- London Cries: A Tinker and His Wife
- ca. 1759
38
- London Cries: A Lace Seller
- ca. 1759
39
- Landscape at Ambleside
- ca. 1800
40
- Capriccio of a Venetian Courtyard
- undated
41
- Ponte Lucano, Near Tivoli
- between 1660 and 1690
42
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
43
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
44
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
45
- Edinburgh Castle and Horse Fair
- ca. 1828
46
- Humorous Family Scene
- undated
47
- Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
- undated
48
- Two Little Girls
- ca. 1810
49
- A Soldier on Horseback
- undated
50
- Dancing Platform, Cremorne Gardens, with a Portrait of Whistler
- undated
51
- Flying the Kite
- ca. 1740
52
- Battledore and Shuttlecock
- ca. 1740
53
- Unloading Pit Props at Coalbrookdale
- after 1790
54
- Sheet of Studies of Hounds, Hare, Falcon and Ducks
- undated
55
- A Fashionable Audience
- undated
56
- The Lady at the Dressing Table
- ca. 1897
57
- Sailors Carousing and Frying Watches
- undated
58
- Title page for "The Guardian"
- undated
59
- River Landscape with Figures
- undated
60
- Cart Bearing a Large Tree Trunk
- undated
61
- Wayfarers
- undated
62
- A Rustic Scene
- undated
63
- Windsor Castle
- undated
64
- The Ruins of the College of Lincluden, near Dumfries
- ca. 1806
65
- The Welsh Curate
- undated
66
- The Fisherman
- undated
67
- The Offer
- undated
68
- Horsemen in a Landscape
- undated
69
- An Eclipse in Harvest Time
- undated
70
- Venetian Fantasy
- undated
71
- Pale Melancholy
- ca. 1804
72
- Study of a Seated Woman
- 1787
73
- The Search after Truth
- undated
74
- A Family in Hyde Park
- undated
75
- Interior Scene with Family at Tea
- undated
76
- The Reconcilation
- 1817
77
- The Smock Exposed
- 1817
78
- Hogarth Drawing Sarah Malcolm
- 1817
79
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
80
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
81
- The Eleventh Hour
- 1817
82
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
83
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
84
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
85
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
86
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
87
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
88
- Hogarth Sitting to Roubiliac for His Bust
- 1817
89
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
90
- Interior of a Coppersmith's, Shoe Lane
- undated
91
- Administering the Oath at Highgate
- undated
92
- Canvasing for Member of Parliament
- undated
93
- The Ferry
- undated
94
- Relieving the Distressed Travellers
- undated
95
- The Produce of Industry
- undated
96
- Greenwich Hospital
- undated
97
- Utensils
- ca. 1790
98
- An Autumn Afternoon on Hampstead Heath
- 1939
99
- Unidentified Periodical / Play Illustration
- undated
100
- Unidentified Periodical / Play Illustration
- undated