<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Genre literary theme

Remove constraint Genre: literary theme

Image Use Free to Use

Remove constraint Image Use: Free to Use

Search Results

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 57, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
William Blake Jerusalem, Plate 66, "In awful pomp & gold...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 66, "In awful pomp & gold...."
1804 to 1820
William Blake Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
1804 to 1820
William Blake Jerusalem, Plate 69, "Then all the Males...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 69, "Then all the Males...."
1804 to 1820
William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
William Blake Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
1804 to 1820
William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
William Blake Jerusalem, Plate 77, "To the Christians...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 77, "To the Christians...."
1804 to 1820
William Blake Jerusalem, Plate 78, "The Spectres of..."
William Blake, 1757–1827
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
William Blake Jerusalem, Plate 79, "My tents are fall'n...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 79, "My tents are fall'n...."
1804 to 1820
William Blake Jerusalem, Plate 8, "Rose up against me...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 8, "Rose up against me...."
1804 to 1820
William Blake Jerusalem, Plate 80, "Encompassd by the frozen net...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 80, "Encompassd by the frozen net...."
1804 to 1820
William Blake Jerusalem, Plate 90, "The Feminine separates...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 90, "The Feminine separates...."
1804 to 1820
William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 6, "His Spectre driv'n...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
William Blake Jerusalem, Plate 65, "To decide Two Worlds...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 65, "To decide Two Worlds...."
1804 to 1820
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake The Life, and Posthumous Writings, of William Cowper (volume 3)
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Albion Compelling the Four Zoas to Their Proper Tasks
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Introduction to the Fables, The Shepherd and the Philosopher
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
William Blake Fable VI. The Miser and Plutus
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
William Blake Fable XIII. The Tame Stag
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
William Blake Fable XXIV. The Butterfly and the Snail
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
William Blake Fable XXII. The Goat Without a Beard
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
William Blake Fable XXVIII. The Persian, the Sun, and the Cloud
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
William Blake Fable XXX. The Setting-dog and the Partridge
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
William Blake Fable XLI. The Owl and the Farmer
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
William Blake Fable I. The Dog and the Fox
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Blake The Man Sweeping the Interpreter's Parlour
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
William Blake Fable XII. Pan and Fortune
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
William Blake Fable XVI. The Pin and the Needle
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
William Blake A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
George Romney Paradise Lost Sketchbook
George Romney, 1734–1802
Paradise Lost Sketchbook
ca. 1793
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
George Romney "Lear in the Storm," King Lear, Act III, Scene II
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
George Romney Daphnis and Chloe
George Romney, 1734–1802
Daphnis and Chloe
undated
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney Prospero and Miranda
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
George Romney Standing Figure, Probably for Lady Macbeth
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
George Romney Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney Titania's Attendants Chasing Bats
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated