Materials & Techniques: etching (printing process) / On-site Access: Accessible by appointment in the Study Room / Associated Places: United Kingdom / Subject Terms: man

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Materials & Techniques etching (printing process)

On-site Access Accessible by appointment in the Study Room

Associated Places United Kingdom

Subject Terms man

Print made by William Byrne, 1743–1805

The Ruins of the College of Lincluden

1782

Print made by John Copley, 1875–1950

An Autumn Afternoon on Hampstead Heath

1939

Print made by Francesco Bartolozzi, 1728–1815

Lovelace in Prison

1788

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by John Robert Cozens, 1752–1797

Bath: The South Parade

1773

Print made by John Bogle, 1746–1804

Night Watchman

1776

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

Valentine Green, 1739–1813

St. Augustine's Gate, Canterbury

1779

Sir Francis Seymour Haden, 1818–1910

Horsley's House at Willesley

1865

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by Frederick Landseer Maur Griggs, 1876–1938

St. Ippolyts, no. 2, 1903

1903

Sir Francis Seymour Haden, 1818–1910

Newcastle Emlyn

1864

Print made by Robert Sargent Austin, 1895–1973

Early Spring, Gloucestershire

1922

Print made by Sir David Young Cameron, 1865–1945

The Palace, Stirling Castle

1893

Print made by Frederick Landseer Maur Griggs, 1876–1938

Sutton

1912

Print made by John Crome, 1768–1821

Road Scene, Trowse Hall, near Norwich

1813

Print made by Frederick Landseer Maur Griggs, 1876–1938

Laneham

1922

Print made by Sir Muirhead Bone, 1876–1953

East Blatchington

1908

Print made by Frederick Landseer Maur Griggs, 1876–1938

Laneham

1923

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by William Miller, 1796–1882

Durham Cathedral

1836

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salomon

1794

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Print made by R. F. Cahusac, active 1830

Athenaeum

1830

Print made by George Cooke, 1781–1834

Tooting Church

1827

Print made by James McNeill Whistler, 1834–1903

Ryde Pier

1887

Print made by Richard Samuel Chattock, 1825–1906

Footbridge over the Wiley

1884

Print made by Thomas Chambars, ca. 1724–1789

Edward Courtney, Earl of Devonshire

undated

Print made by Francesco Bartolozzi, 1728–1815

Edward Hawke, 1st Baron Hawke

1796

Print made by David Allan, 1744–1796

Bauldy and Mause

1808

Print made by David Allan, 1744–1796

Peggy and Patie

1808

Print made by David Allan, 1744–1796

Patie and Peggy

1808

Print made by David Allan, 1744–1796

Jenny and Roger

1808

Print made by Robert Spence, 1871–1964

George Fox Comes to London After the Great Fire

between 1890 and 1911

Isaac Jehner, 1750–c.1806

William Canynges

undated

Print made by Stanley Roy Badmin, 1906–1989

Swinbrook Bridge

1931

Print made by William Ellis, 1747–1810

Clapham

1792

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Stanford, the Seat of Sir Edward Winnington, Baronet

undated

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