The Seven Ages of Man: The Schoolboy, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
4
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
5
Robert Smirke, 1752–1845
The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
6
John S. Clifton, active 1852–1869
Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
1849
Not on view
7
Landscape by William Hodges, 1744–1797
Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
1790
Not on view
8
Joseph Wright of Derby, 1734–1797
Virgil's Tomb by Moonlight, with Silius Italicus
1779
Not on view
9
James Smetham, 1821–1889
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
10
John Atkinson Grimshaw, 1836–1893
"The Lady of Shalott"
ca. 1875
Not on view
11
Walter Richard Sickert, 1860–1942
The Taming of the Shrew
ca. 1937
Not on view
12
Pieter van Bleeck, 1700–1764
Mrs. Cibber as Cordelia
1755
Not on view
13
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
14
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
15
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
16
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
17
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
18
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
19
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
20
Print made by Samuel Palmer, 1805–1881
The Vine
1852
21
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
22
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
23
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
24
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
25
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
26
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
27
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
28
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
29
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
30
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
31
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
32
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
33
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
34
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
35
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
36
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
37
George Fennell Robson, 1788–1833
Macbeth and Banquo on the Heath
ca. 1830
38
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808, published 1813
39
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
40
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
41
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1833
42
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
43
Rev. William Warren Porter, 1776–1804
Castle of Udolpho
undated
44
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
45
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
46
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
47
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
48
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
49
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
50
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
51
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
52
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
53
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
54
Print made by Thomas Abiel Prior, 1809–1886
The Golden Bough
1875
55
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
56
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
57
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
58
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'
1834
59
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
60
Keith Vaughan, 1912–1977
Je Dus Voyager
1949
61
Print made by William Forrest, 1802–1889
Smailholm Tower
1836
62
Print made by William Forrest, 1802–1889
Abbotsford, Large Vignette
1836
63
Print made by William Richardson, active 1842–1877