A Rake's Progress, Plate VII: In Fleet Street Prison
1735
3
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
4
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
6
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
7
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
8
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
9
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
10
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
11
Print made by George Cooke, 1781–1834
Gledhow
1816
12
Print made by George Cooke, 1781–1834
Gledhow
1816
13
Print made by William Bernard Cooke, 1778–1855
Martigny
1830
14
Print made by George Cooke, 1781–1834
Edinburgh Castle, Vignette Title to Vol. I
1826
15
Print made by John Horsburgh, 1791–1869
Bemerside Tower
1834
16
Print made by William Bernard Cooke, 1778–1855
Martigny (vignette)
1830
17
Print made by John Horsburgh, 1791–1869
Bermerside
1834
18
Print made by Henry Le Keux, 1787–1868
Heriot's Hospital
1822
19
Print made by Robert Wallis, 1794–1878
Edinburgh from Leith Harbour, Vignette Title to Vol. II
1826
20
Print made by George Cooke, 1781–1834
Edinburgh Castle, Vignette Title to Vol. I
1826
21
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
22
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
23
Print made by James H. Kernot, active early 19th century
St. Caterine's Hill, near Guildford, Surrey
1832
24
Print made by W. R. Smith, active 1819–1851
Richmond Hill and Bridge, Surrey
1832
25
Print made by William Finden, 1787–1852
Travelling Musicians
1830
26
Print made by William Miller, 1796–1882
The Dead Eagle - Oran
1837
27
Print made by Charles H. Jeens, 1827–1879
The Birdcage
between 1859 and 1861
28
Francesco Bartolozzi, 1728–1815
Design, For A Coin, Or, A Medallion
undated
29
Francesco Bartolozzi, 1728–1815
Two Cupids Supporting Coat of Arms
undated
30
Francesco Bartolozzi, 1728–1815
Medallion: Head of a Helmeted Warrior with a Shield decorated with a Horse
undated
31
Francesco Bartolozzi, 1728–1815
Medea looking at her two Children, one of whom she has Murdered with a Dagger
1777
32
Francesco Bartolozzi, 1728–1815
Vignette: Angel Holding Long Trumpets..
undated
33
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
34
Francesco Bartolozzi, 1728–1815
Illustration For a Book
1794
35
Francesco Bartolozzi, 1728–1815
Rural Felicity
1789
36
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
ca.1785
37
Francesco Bartolozzi, 1728–1815
A Concert Ticket, Composed By, Giovanni Christiano Bach
undated
38
Francesco Bartolozzi, 1728–1815
Vignette: Lettered "Bono Eventui"
undated
39
Edward Francis Finden, 1791–1857
View of Lichfield, The Birth Place of Dr. Samuel Johnson
1835
40
Print made by George Cooke, 1781–1834
Tooting Church
1827
41
Print made by John Burnet, 1784–1868
Buckingham House, St. James' Park
1810
42
Edward Francis Finden, 1791–1857
Yarmouth, Norfolk
1837
43
Charles Grignion, 1717–1810
A Perspective View of the Foundling Hospital with Emblematic Figures
1749
44
Francesco Bartolozzi, 1728–1815
The Transparency Picture at the Bank of England
1790
45
Francesco Bartolozzi, 1728–1815
George Frideric Handel
1784
46
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
47
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
48
Print made by Leopold Flameng, 1831–1911
Grolier with the Printer Aldus Manutius
1882
49
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841
50
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1842
51
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
52
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
53
Print made by James T. Willmore, 1800–1863
Fetcham Park
1838-1852
54
Print made by Joseph Powell, 1780–1834
Winchester Cross
1800
55
Etched by Thomas Gainsborough, 1727–1788
The Gipsies
1764
56
Francesco Bartolozzi, 1728–1815
Peasants Going to Market
1802
57
Print made by John Goldar, 1729–1795
Captain Conquest and His Baggage Wagon
1772
58
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
59
Print made by Pierre Charles Canot, ca. 1710–1777
Evening
1745
60
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
61
Print made by James Charles Armytage, 1802–1897
The Balcony
between 1835 and 1854
62
Print made by Pierre Charles Canot, ca. 1710–1777
Noon
1745
63
Print made by Pierre Charles Canot, ca. 1710–1777
Sun Under a Cloud
1745
64
Print made by Pierre Charles Canot, ca. 1710–1777
Night and a Ship on Fire
1745
65
Print made by George Cooke, 1781–1834
Part of Waterloo Bridge with the Shot Tower, &c
1832
66
Francesco Bartolozzi, 1728–1815
Hatred, Love, Moderation, Fury
1779
67
Francesco Bartolozzi, 1728–1815
La Mattina - The Morning
1760
68
Francesco Bartolozzi, 1728–1815
Lady and Child
1767
69
Francesco Bartolozzi, 1728–1815
Woman Dying On A Bed, With One Man and Two Women Mourning Her
1787
70
Francesco Bartolozzi, 1728–1815
The Deserted Village
1795
71
Print made by William Elliot, active 1774, died 1792
Kew: The White House, Orangery, and Temple of Arethusa
ca. 1760
72
Print made by William John Cooke, 1797–1865
Plymouth, Devonshire
1832
73
Print made by John Horsburgh, 1791–1869
Bemerside Tower (Vignette)
1834
74
Francesco Bartolozzi, 1728–1815
Cottagers at the Bottom of Mt. Vesuvius
1799
75
Print made by William Miller, 1796–1882
The Dead Eagle - Oran (Vignette)
1837
76
Print made by Robert Brandard, 1805–1862
A Frosty Morning-Sunrise
between 1859 and 1861
77
Print made by William Henry Simmons, 1811–1882
The Departure (Second Class)
1857
78
Francesco Bartolozzi, 1728–1815
Certificate From The Royal Academy, Appointing John Opie, As An Academician
1788
79
Francesco Bartolozzi, 1728–1815
Avarice, Charity, Devotion, Sacrilege
1778
80
Francesco Bartolozzi, 1728–1815
Artemis, Riding Her Chariot, Driven By Two Golden Horned Deer
undated
81
Francesco Bartolozzi, 1728–1815
La Passione
1779
82
Francesco Bartolozzi, 1728–1815
October
1793
83
Francesco Bartolozzi, 1728–1815
...Tu Sola Animos, Mentemque Peruris Gloria, Te Viriden Violet, Immunemque Senectae
undated
84
Francesco Bartolozzi, 1728–1815
Thomas Hollis
1767
85
Francesco Bartolozzi, 1728–1815
Memorial: Woman and Dog Grieving Over Portrait of a Man
undated
86
Francesco Bartolozzi, 1728–1815
Tobias and the Angel
87
Francesco Bartolozzi, 1728–1815
Mother and Child
1768
88
Print made by William John Cooke, 1797–1865
Worcester
undated
89
Francesco Bartolozzi, 1728–1815
The Rural Italian's Wedding
1775
90
Print made by Joseph Ryland, active ca. 1775–1790
A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers