Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
4
John Atkinson Grimshaw, 1836–1893
"The Lady of Shalott"
ca. 1875
Not on view
5
Thomas Stothard, 1755–1834
Oberon and Titania from "A Midsummer Night's Dream," Act IV, Scene i
1806
Not on view
6
unknown artist
Procession of Characters from Shakespeare's Plays
ca. 1840
Not on view
7
Charles Hunt, 1803–1877
Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
1863
Not on view
8
Gilbert Stuart Newton, 1794–1835
Shylock and Jessica from the 'Merchant of Venice,' II, ii
1830
Not on view
9
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
10
George Cruikshank, 1792–1878
The First Appearance of William Shakespeare on the Stage of the Globe Theatre
1864 to 1865
Not on view
11
John Cawse, 1779–1862
Falstaff and the recruits, from "Henry IV, Part II"
ca. 1818
Not on view
12
George Cruikshank, 1792–1878
Herne's Oak from 'The Merry Wives of Windsor,' V, v
ca. 1857
Not on view
13
John S. Clifton, active 1852–1869
Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
1849
Not on view
14
James Northcote, 1746–1831
Master Betty as Hamlet, before a Bust of Shakespeare
between 1804 and 1806
Not on view
15
Joseph Noel Paton, 1821–1901
Puck and Fairies, from "A Midsummer Night's Dream"
ca. 1850
Not on view
16
Gilbert Stuart Newton, 1794–1835
Captain Macheath Upbraided by Polly and Lucy in the 'Beggar's Opera', 1826
1826
Not on view
17
Richard Parkes Bonington, 1802–1828
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
18
Richard Dadd, 1817–1886
Hamlet and his Mother; The Closet Scene
1846
Not on view
19
Charles Robert Leslie, 1794–1859
Slender, with the Assistance of Shallow, Courting Anne Page, from "The Merry Wives of Windsor," Act III, Scene iv
1825
Not on view
20
William Mulready, 1786–1863
Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
1831
Not on view
21
unknown artist
Dr. Syntax: Walking with a Stick
ca. 1810
Not on view
22
Derby porcelain factory, founded 1756
Dr. Syntax: Losing His Temper
ca. 1810
Not on view
23
Derby porcelain factory, founded 1756
Dr. Syntax: On a Horse, Jumping a Gate
ca. 1810
Not on view
24
Joseph Gott, 1786–1860
Sylvia and the Wounded Stag
1824
Not on view
25
Francis Danby, 1793–1861
Oberon and Titania
1837
26
Print made by Samuel Palmer, 1805–1881
The Vine
1852
27
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
28
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
29
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
30
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
31
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
32
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
33
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
34
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
35
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
36
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
37
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
38
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
39
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
40
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
41
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
42
Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
43
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
44
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
45
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
46
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
47
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
48
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
49
after Joseph Mallord William Turner, 1775–1851
Aeneas Relating His Adventures to Dido
50
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
51
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
52
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
53
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
54
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
55
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
56
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
1826
57
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
58
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
59
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
60
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
1826
61
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
62
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
63
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
64
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
1826
65
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
66
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
67
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
68
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 7, "Fire"
1826
69
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
70
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
71
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
72
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
73
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
74
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
75
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
76
Print made by William Blake, 1757–1827
Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
77
Print made by William Blake, 1757–1827
Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
78
Print made by William Blake, 1757–1827
Jerusalem, Plate 90, "The Feminine separates...."
1804 to 1820
79
Print made by William Blake, 1757–1827
Jerusalem, Plate 91, "It is easier to forgive an enemy...."
1804 to 1820
80
Print made by William Blake, 1757–1827
Jerusalem, Plate 93, "Enitharmon heard...."
1804 to 1820
81
Print made by William Blake, 1757–1827
Jerusalem, Plate 94, "Albion cold lays on his Rock...."
1804 to 1820
82
Print made by William Blake, 1757–1827
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
83
Print made by William Blake, 1757–1827
Jerusalem, Plate 98, "Then each an Arrow flaming...."
1804 to 1820
84
Print made by William Blake, 1757–1827
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
85
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
86
Print made by William Blake, 1757–1827
Jerusalem, Plate 88, "Los answerd sighing...."
1804 to 1820
87
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
88
Print made by William Blake, 1757–1827
Jerusalem, Plate 1, Frontispiece
1804 to 1820
89
Print made by William Blake, 1757–1827
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
90
Print made by William Blake, 1757–1827
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
91
Print made by William Blake, 1757–1827
Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
1804 to 1820
92
Print made by William Blake, 1757–1827
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
93
Print made by William Blake, 1757–1827
Jerusalem, Plate 30, "And the Two that escaped...."
1804 to 1820
94
Print made by William Blake, 1757–1827
Jerusalem, Plate 39, "By Satans Watch-fiends...."
1804 to 1820
95
Print made by William Blake, 1757–1827
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
96
Print made by William Blake, 1757–1827
Jerusalem, Plate 48, "These were his last words...."