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201. Chatham, Kent

Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. Chatham, Kent

Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, (Completed Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof, early
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, with scraping out, touched with graphite (Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. Tamworth Castle, Staffordshire

Tamworth Castle, Staffordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. Arundel Castle and Town, Sussex

Arundel Castle and Town, Sussex
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Harlech Castle, North Wales

Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Lyme Regis

Lyme Regis
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Harlech Castle, North Wales

Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. Harlech Castle, North Wales

Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. Lyme Regis, Norfolk

Lyme Regis, Norfolk
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. Harlech Castle, North Wales

Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. Harlech Castle, North Wales

Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Harlech Castle, North Wales

Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. Harlech Castle, North Wales

Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. Whitehaven, Cumberland

Whitehaven, Cumberland
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1837
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. Whitehaven, Cumberland

Whitehaven, Cumberland
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. Crickieth Castle, North Wales

Crickieth Castle, North Wales
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. Crickieth Castle, North Wales

Crickieth Castle, North Wales
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1837
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. Rochester, Stroud, and Chatham, Medway, Kent

Rochester, Stroud, and Chatham, Medway, Kent
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1938
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. Crickieth Castle, North Wales

Crickieth Castle, North Wales
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/16 × 18 1/8 inches (28.4 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Line engraving, finished state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828 to 1837
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828
Materials & Techniques:
Open etching on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:
Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. Havre

Havre
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. Florence from the Chiesa al Monte

Florence from the Chiesa al Monte
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/16 × 15 inches (30.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. Florence from the Chiesa al Monte

Florence from the Chiesa al Monte
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1831
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 17 3/16 inches (29.5 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. Sidmouth from Offshore

Sidmouth from Offshore
Creator:
Henry Haseler, active 1814–1825
Date:
ca. 1815
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 12 5/8 inches (17.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. King Charles's Statue, Whitehall

King Charles's Statue, Whitehall
Creator:
unknown artist
Date:
ca. 1815
Materials & Techniques:
Watercolor on medium, rough, beige wove paper
Dimensions:
Sheet: 5 3/8 x 9 inches (13.7 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. Louth, Lincolnshire

Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 5/8 inches (30.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. Louth, Lincolnshire

Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Etching, open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 3/4 × 22 3/8 inches (42.5 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Louth, Lincolnshire

Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 9 3/8 × 11 7/8 inches (23.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. View of the City of San Cristoval de la Laguna as Seen from the Road to Las Mercedes

View of the City of San Cristoval de la Laguna as Seen from the Road to Las Mercedes
Creator:
Alfred Diston, active 1818–1829
Date:
1819
Materials & Techniques:
Pen and ink, watercolor on moderately thick, smooth beige wove paper
Dimensions:
Sheet: 10 5/8 × 14 3/8 inches (27 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Coventry, Warwickshire

Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof, touched with graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. Coventry, Warwickshire

Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. Coventry, Warwickshire

Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. Nottingham, Nottinghamshire

Nottingham, Nottinghamshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1833
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. Nottingham, Nottinghamshire

Nottingham, Nottinghamshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1833
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Arundel Castle and Town, Sussex

Arundel Castle and Town, Sussex
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. Worcester, Worcestershire

Worcester, Worcestershire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched with graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. Worcester, Worcestershire

Worcester, Worcestershire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (completed)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving, two plates; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 9/16 × 12 1/8 inches (44.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. St. Paul's from Southwark by Sunset

St. Paul's from Southwark by Sunset
Creator:
George Fennell Robson, 1788–1833
Date:
ca. 1832
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 23 1/4 × 35 1/4 inches (59.1 × 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

263. Old London Bridge and St. Paul's Cathedral From the Thames

Old London Bridge and St. Paul's Cathedral From the Thames
Creator:
David Cox, 1783–1859
Date:
ca. 1808
Materials & Techniques:
Brown wash with scratching out on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 4 1/8 x 7 inches (10.5 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. Venice (vignettes)

Venice (vignettes)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 11 7/8 inches (41.9 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. Florence (vignettes)

Florence (vignettes)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 5/8 inches (43.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. Venice (vignettes)

Venice (vignettes)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 × 12 inches (45.7 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Venice (vignettes)

Venice (vignettes)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. Tamworth Castle, Staffordshire

Tamworth Castle, Staffordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. Nottingham, Nottinghamshire

Nottingham, Nottinghamshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. Arundel Castle and Town, Sussex

Arundel Castle and Town, Sussex
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. The Church of St. Laurent

The Church of St. Laurent
Creator:
John Skinner Prout, 1806–1876
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and white gouache on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 21 5/8 × 13 inches (54.9 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

274. Rome, Castle of St. Angelo (vignette)

Rome, Castle of St. Angelo (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828 to 1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

275. Rome, Castle of St. Angelo (vignette)

Rome, Castle of St. Angelo (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 1/8 inches (44.1 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. Florence (vignette)

Florence (vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving with graphite; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 9 5/8 inches (37.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

277. St. Paul's From the River

St. Paul's From the River
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

278. Rochester, Stroud, and Chatham, Medway

Rochester, Stroud, and Chatham, Medway
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1838
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

279. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

280. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

281. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

282. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

283. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Line engraving, Engraver's Proof on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

284. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828-1837
Materials & Techniques:
Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/16 inches (30.5 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

286. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

287. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1832
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

288. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on moderateny thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

289. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof (touched) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 8 3/4 × 11 1/16 inches (22.2 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

291. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

293. Havre

Havre
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on thick, rough, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

295. Louth, Lincolnshire

Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; early engraver's proof on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. Ramsgate Harbour, Kent

Ramsgate Harbour, Kent
Creator:
John Monro, 1801–1880
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. The Daughters of Jerusalem Weeping by the Waters of Babylon

The Daughters of Jerusalem Weeping by the Waters of Babylon
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. The Walls of Jericho

The Walls of Jericho
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Gray and brown wash with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card
Dimensions:
Mount: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection