Views of the Back Front of Henry Phillip Hope's house towards Hyde Park in Seymour Place
1818
109
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
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110
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
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111
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
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112
Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
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113
Henry Phillip Hope, active 1799–1818
Soldats Asiatique
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114
Henry Phillip Hope, active 1799–1818
Vue d'une Colonne dans L'Interieur du Serail a Constantinople
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115
Henry Phillip Hope, active 1799–1818
Perspective View of Henry Phillip Hope's Arklow House in Connaught Place
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116
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
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117
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
undated
118
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
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119
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
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120
unknown artist
View of the North West Front of the Deepdene
undated
121
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
undated
122
unknown artist
View of the South East or Entrance Front seen from the East, Deepdene
undated
123
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
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124
Henry Phillip Hope, active 1799–1818
Paysage
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125
William Taverner, 1703–1772
Landscape with Buildings: Possibly at Richmond, Surrey
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126
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
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127
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
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128
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
129
Richard Banks Harraden, 1778–1862
Jesus College from the Meadows, Cambridge
ca. 1830
130
Richard Banks Harraden, 1778–1862
Chapel Front, Emanuel College, Cambridge
ca. 1833
131
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
132
Richard Banks Harraden, 1778–1862
St. Peter's College, Cambridge
ca. 1830
133
Richard Banks Harraden, 1778–1862
Warwick Vase, Public Library, Cambridge
1842
134
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
135
Lewis Kennedy, active 1775–1811
Flower Garden at Middleton Park, Oxfordshire
1811
136
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
137
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
138
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
139
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
140
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
141
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
142
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
143
John Yenn, 1750–1821
Design for a Doorway
ca. 1781
144
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
145
John Yenn, 1750–1821
Design for a Doorway
1781
146
John Yenn, 1750–1821
Design for a Doorway
ca. 1781
147
John Yenn, 1750–1821
Design for a Doorway
1781
148
unknown artist
Design for a Lamp
undated
149
unknown artist
Design for a Clock Case
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150
unknown artist
Design for Herms
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151
unknown artist
Elevation of a Bedchamber with Corinthian Decoration
undated
152
unknown artist
Design for a Classical House
undated
153
unknown artist
Hinton St. George, Somerset: Plan of the Vestibule
undated
154
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevations of the Music Hall
undated
155
unknown artist
Design for a Wine Cooler
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156
unknown artist
Gate House Battle Abbey
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157
unknown artist
Paultons, Hampshire
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158
unknown artist
Design for a Lamp
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159
unknown artist
Design for a Library
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160
unknown artist
Design for a Saloon
undated
161
unknown artist
Design for a Tripod and Design for Entablature of the Upper Range of Windows in the Hall
undated
162
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
163
Isaac Johnson, 1754–1835
Survey of Beauthorp-Hall Estates
1753
164
Richard Banks Harraden, 1778–1862
The Gate of Honour, Caius College, Cambridge
ca. 1840
165
Print made by Sir David Young Cameron, 1865–1945
R. 42. Greenock, No. 1. No. 13 in the Clyde Set
1889
166
Thomas Allen, active 1767–1772
Old Vauxhall Gardens, Ancient Manor House
undated
167
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
168
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
169
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
170
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
171
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
172
Thomas Anburey, 1759–1840
Mahore, a Fortress Belonging to Nizam Alley (1 of 6)
ca. 1792
173
John William Upham, 1772–1828
The Castle at Dieppe, Normandy
undated
174
Thomas Anburey, 1759–1840
Ruins of Baugnee-Ghur near Hydrabad (1 of 6)
ca. 1792
175
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
176
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
177
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
178
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
179
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
180
Thomas Miles Richardson Sr., 1784–1848
The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas
undated
181
Thomas Miles Richardson Sr., 1784–1848
Monk Bar, York
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182
Thomas Miles Richardson Sr., 1784–1848
Dunstanborough Castle
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183
Thomas Miles Richardson Sr., 1784–1848
St. Nicholas Church, Newcastle Upon Tyne
ca. 1825
184
James Bruce, 1730–1794
No. 1 plan of a temple at Baalbec
undated
185
Thomas Stothard, 1755–1834
Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)
undated
186
James Bruce, 1730–1794
Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings.
1765
187
unknown artist
Theatre, Deepdene
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188
unknown artist
Platform, Deepdene
undated
189
unknown artist
Stables, Deepdene
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190
unknown artist
Kitchen and Dairy, Deepdene
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191
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
192
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
undated
193
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
undated
194
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
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195
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
196
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
undated
197
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
198
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
199
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
200
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan