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Collection Prints and Drawings
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101
- Man (Unidentified Subject)
- undated
102
- Sketches for a Man with a Horse
- undated
103
- Bolingbroke and Head of a Fiend
- undated
104
- Two Lovers (Man Awakening from a Dream)
- undated
105
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
106
- Head of a Man
- undated
107
- Laocoon
- undated
108
- Lear Awakened by Cordelia
- between 1774 and 1775
109
- Back View of a Standing Classical Male Figure
- undated
110
- River God
- undated
111
- Borghese Gladiator
- undated
112
- Study of a Male Figure
- undated
113
- Ladies in Waiting
- undated
114
- William Hayley
- undated
115
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
116
- Classical Male Nude with a Rearing Horse
- undated
117
- Classical Male Nude
- undated
118
- Seated and Half-Kneeling Woman
- undated
119
- Seated Man and Seated Woman
- undated
120
- Studies for Portraits of a Man and of a Woman
- undated
121
- Sketch for a Portrait of a Standing Man
- undated
122
- Major Thomas Pearson
- undated
123
- Horseman of Montecavallo
- between 1773 and 1774
124
- Lear Awakened by Cordelia
- ca. 1774
125
- John Henderson as Falstaff
- 1780
126
- Tom Hayley and William Meyer
- between 1749 and 1802
127
- Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
- 1797
128
- Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
- 1797
129
- Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
- 1797
130
- Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
- 1797
131
- Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
- 1797
132
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
133
- Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
- 1797
134
- The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
- between 1797 and 1798
135
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
136
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
137
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
138
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
139
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
140
- Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
- 1797
141
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
142
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
143
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
144
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
145
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
146
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
147
- The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
- between 1797 and 1798
148
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
149
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
150
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
151
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
152
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
153
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
154
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
155
- Songs of Innocence and of Experience
- 1789-1794
156
- Rev. John Caspar Lavater
- 1800
157
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
158
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
159
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
160
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
161
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
162
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
163
- Jerusalem, Plate 76
- 1804 to 1820
164
- The Poems of Thomas Gray, Design 79, "The Descent of Odin."
- between 1797 and 1798
165
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
166
- The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
- between 1797 and 1798
167
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
168
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
169
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
170
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
171
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
172
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
173
- Moses Receiving the Law
- ca. 1780
174
- Study for a Destroying Deity
- 1820 to 1825
175
- An Angel with a Trumpet
- between 1805 and 1808
176
- A Visionary Head
- 1819 to 1820
177
- Socrates, a Visionary Head
- ca. 1820
178
- Landscape with Sheep
- undated
179
- The Itinerant Pedlar
- undated
180
- Cottages at Letherhead Surrey
- undated
181
- Studies after Anthony van Dyck's Portrait of Arthur Goodwin
- 1825
182
- Alexander Pope
- ca. 1736
183
- Design for a portrait of an architect or a painter
- undated
184
- Study of Moored Boat with Seated Figure
- undated
185
- The Broken Pipe
- undated
186
- How to Ride without a Bridle
- undated
187
- Samuel Palmer
- 1830
188
- Landscape with a man playing a pipe under an old tree
- undated
189
- Study of Boats on Shore
- 1829
190
- The Death of Cordelia
- undated
191
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
192
- Rosebud, or the Judgement of Paris
- 1791
193
- Conway Castle
- 1789
194
- Incantation Scene
- undated
195
- Man Asleep in a Bunk on Board a Ship
- undated
196
- Portrait of a Man with a Double Chin
- undated
197
- Malvolio: Possibly a Self-Portrait in the Role
- undated
198
- Study of the Hermaphrodite
- undated
199
- Shepherd, Shepherdess and Dog
- undated
200
- The Spoiled Child, Scene IV
- ca. 1802