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William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

ca. 1788

William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

ca. 1788

William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake America. A Prophecy, Plate 14, "So Cried He...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 14, "So Cried He...."

1793

William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 16, "In the Flames Stood...."

1793

William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

ca. 1788

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

1794

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

1794

William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

1793

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake America. A Prophecy, Plate 18, "Over the Hills...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 18, "Over the Hills...."

1793

William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

1793

William Blake America. A Prophecy, Plate 4, "Silent as despairing love...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 4, "Silent as despairing love...."

1793

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

1789

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

1789

William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

1789

William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 35, "Ode to Adversity."

between 1797 and 1798

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

1794

William Blake Spring, from Songs of Innocence

Print made by William Blake, 1757–1827

Spring, from Songs of Innocence

ca. 1795

William Blake Songs of Innocence and of Experience

William Blake, 1757–1827

Songs of Innocence and of Experience

1789-1794

William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38

William Blake, 1757–1827

Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38

1819

William Blake A Woody Landscape

William Blake, 1757–1827

A Woody Landscape

ca. 1801

William Blake Landscape with Spire

William Blake, 1757–1827

Landscape with Spire

ca. 1801

William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

William Blake, 1757–1827

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

1805 to 1808

William Blake The Entrance Front of Hayley's House at Eartham

William Blake, 1757–1827

The Entrance Front of Hayley's House at Eartham

1801

Thomas Gisborne Men Loading a Cart Beside a River

Thomas Gisborne, active 1798

Men Loading a Cart Beside a River

undated

Edward Radclyffe A Welsh Funeral

Print made by Edward Radclyffe, 1809–1863

A Welsh Funeral

undated

William Byrne Untitled

William Byrne, 1743–1805

Untitled

1765

John Martin Archers Stalking a Stag

John Martin, 1789–1854

Archers Stalking a Stag

1821

Richard Earlom Tiger Hunting in the East Indies

Richard Earlom, 1743–1822

Tiger Hunting in the East Indies

1802

John Robert Cozens Bath: The North Parade

Print made by John Robert Cozens, 1752–1797

Bath: The North Parade

1773

John Robert Cozens South View of Bath

Print made by John Robert Cozens, 1752–1797

South View of Bath

1773

John Varley Old Mill at Battersea

formerly John Varley, 1778–1842

Old Mill at Battersea

undated

John Varley A Castle at the Waterside

John Varley, 1778–1842

A Castle at the Waterside

undated

Thomas Rowlandson View on Exmoor

Thomas Rowlandson, 1756–1827

View on Exmoor

undated

Heneage Finch fourth Earl of Aylesford Maxstoke Priory

Heneage Finch fourth Earl of Aylesford, 1751–1812

Maxstoke Priory

undated

Edward Francis Burney View in Surrey

Edward Francis Burney, 1760–1848

View in Surrey

undated

Edward Francis Burney Horse Cart

Edward Francis Burney, 1760–1848

Horse Cart

undated

Edward Francis Burney Pastural

Edward Francis Burney, 1760–1848

Pastural

undated

Edward Francis Burney River Landscape with Boats

Edward Francis Burney, 1760–1848

River Landscape with Boats

undated

Edward Francis Burney Bathampton Mill

Edward Francis Burney, 1760–1848

Bathampton Mill

undated

Edward Francis Burney Thatched-roof Barn

Edward Francis Burney, 1760–1848

Thatched-roof Barn

undated

Edward Francis Burney View at Rympton

Edward Francis Burney, 1760–1848

View at Rympton

undated

Edward Francis Burney Woman Fishing

Edward Francis Burney, 1760–1848

Woman Fishing

undated

Edward Francis Burney Farmhouse

Edward Francis Burney, 1760–1848

Farmhouse

1802

Edward Francis Burney View at Margate

Edward Francis Burney, 1760–1848

View at Margate

undated

Edward Francis Burney Norbury Park

Edward Francis Burney, 1760–1848

Norbury Park

undated

Edward Francis Burney View near Bristol

Edward Francis Burney, 1760–1848

View near Bristol

undated

Edward Francis Burney The Bridge

Edward Francis Burney, 1760–1848

The Bridge

undated

Edward Francis Burney Bridge and Tower

Edward Francis Burney, 1760–1848

Bridge and Tower

undated

Edward Francis Burney Pamphilia

Edward Francis Burney, 1760–1848

Pamphilia

undated

Lydia Bates Deucalion and Pyrrha after the Flood

Print made by Lydia Bates, active 1784

Deucalion and Pyrrha after the Flood

1784

James Pattison Cockburn Bishop's Bridge, Norwich

James Pattison Cockburn, 1779–1847

Bishop's Bridge, Norwich

undated

Charles Vincent Barber Harvesting - The Noontide Rest

Charles Vincent Barber, 1784–1854

Harvesting - The Noontide Rest

1811

John Hamilton Mortimer Reclining Female Figure in an Italian Landscape

John Hamilton Mortimer, 1740–1779

Reclining Female Figure in an Italian Landscape

undated

William Rider Mount Honey, Fonthill, Wiltshire

William Rider, active 1824–1849

Mount Honey, Fonthill, Wiltshire

undated

John Donowell A View of Esq. Turner's Garden at Valence in Kent

John Donowell, active 1753–1786

A View of Esq. Turner's Garden at Valence in Kent

undated

Isaac Weld View of Mount Vernon, the seat of General Washington

Isaac Weld, 1774–1856

View of Mount Vernon, the seat of General Washington

1795

William Sherwin Barbara Duchess of Cleaveland as a Shepherdess

William Sherwin, 1645–1711

Barbara Duchess of Cleaveland as a Shepherdess

1670

Alexander Cozens Roman Sketchbook

Alexander Cozens, 1717–1786

Roman Sketchbook

1746

Paul Sandby Bayswater - London

Paul Sandby, 1731–1809

Bayswater - London

undated

Cornelius Varley Haymakers

Cornelius Varley, 1781–1873

Haymakers

after 1794

Alexander Runciman A Temple Perched on a Rocky Outcrop Seen Across a Lake

Alexander Runciman, 1736–1785

A Temple Perched on a Rocky Outcrop Seen Across a Lake

ca. 1767

unknown artist A Large Christmas Card

Print made by unknown artist

A Large Christmas Card

1895

Aubrey Vincent Beardsley A Large Christmas Card

Aubrey Vincent Beardsley, 1872–1898

A Large Christmas Card

1895

unknown artist Farmers Harvesting

unknown artist

Farmers Harvesting

undated

John Varley Chiswick

John Varley, 1778–1842

Chiswick

1814

Arthur Burgess Venus, after Masters of Tarrochi

Print made by Arthur Burgess, 1844–1886

Venus, after Masters of Tarrochi

undated

Frederick Catherwood Ruins at Sabachtsche

Frederick Catherwood, 1799–1854

Ruins at Sabachtsche

undated

Thomas Crofton Croker Ruined Abbey

Thomas Crofton Croker, 1798–1854

Ruined Abbey

undated

James Ward A Rocky Hillside with Trees and Figures

James Ward, 1769–1859

A Rocky Hillside with Trees and Figures

undated

Charles Hamilton Smith Farming Village

Charles Hamilton Smith, 1776–1859

Farming Village

undated

Edward Francis Burney Mowbray Park

Edward Francis Burney, 1760–1848

Mowbray Park

undated

Edward Francis Burney Landscape with Pasture Gate

Edward Francis Burney, 1760–1848

Landscape with Pasture Gate

undated

Leonard Raven-Hill Vive la Politesse! Ladies First!

Leonard Raven-Hill, 1867–1942

Vive la Politesse! Ladies First!

undated

William Blake Richmond Town on a Hillside

William Blake Richmond, 1842–1921

Town on a Hillside

undated

Edward Francis Burney Hilly Landscape with House

Edward Francis Burney, 1760–1848

Hilly Landscape with House

undated

Edward Francis Burney Country House

Edward Francis Burney, 1760–1848

Country House

undated

Lydia Bates Landscape with Classical Ruins

Print made by Lydia Bates, active 1784

Landscape with Classical Ruins

1784

William Callow Landscape after Wynants (in the Louvre)

William Callow, 1812–1908

Landscape after Wynants (in the Louvre)

undated

Samuel Davis Side View of Ayot House, Hertfordshire

Samuel Davis, 1760–1819

Side View of Ayot House, Hertfordshire

undated