Design for Table - Elevation, View of Top, View of base
ca. 1835
203
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
undated
204
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
205
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
206
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
207
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
208
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
209
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
210
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
211
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
212
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
213
Henry Shaw, 1800–1873
Greek Armour
undated
214
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
undated
215
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
216
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
217
Henry Phillip Hope, active 1799–1818
Facade of Three Bay Late Georgian House
undated
218
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
219
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
undated
220
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
undated
221
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
undated
222
unknown artist
View of the North West Front of the Deepdene
undated
223
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
undated
224
unknown artist
View of the South East or Entrance Front seen from the East, Deepdene
undated
225
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
undated
226
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
undated
227
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
228
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
229
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
230
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
231
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
232
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
233
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
234
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
235
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
236
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
237
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
238
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
239
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
240
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
241
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
242
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
243
Giles Hussey, 1710–1788
Study of classical figure of man
between 1730 and 1768
244
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
245
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
246
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
247
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
248
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
249
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
250
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
251
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
252
Giles Hussey, 1710–1788
Study of classical scultpure of Castor and Pollux
between 1730 and 1768
253
Giles Hussey, 1710–1788
Study of classical sculpture of Apollo Sauroctonur and Nymph with a shell
between 1730 and 1768
254
Gideon Yates, active 1825–1837
Old London Bridge from the Surrey Shore, showing Fishmonger's Hall, the Monument, etc
1826
255
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
256
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
257
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
258
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
259
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
260
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
261
Edward Walhouse Mark, 1817–1895
The Tuscan Order
undated
262
Edward Walhouse Mark, 1817–1895
The Ionic Order
undated
263
Edward Walhouse Mark, 1817–1895
The Ionic Order, after Palladio
undated
264
unknown artist
Alms-Houses at Greenhithe, Kent
1774
265
Hugh Cairncross, died 1808
Designs for Ardgowan House, A Volume
1797
266
David Simson, 1803–1874
At Stirling (view with tools in foreground)
1861
267
unknown artist
Cavorting Putti with Classical Vase and Fountain
undated
268
unknown artist
Man in 17th Century Costume
undated
269
unknown artist
Norbury Park May 15 1805 (with ms. notes)
1805
270
Formerly David Loggan, 1633–1692
Designs for a Stables
undated
271
unknown artist
Design for a Classical House
undated
272
unknown artist
Hinton St. George, Somerset: Plan of the Vestibule
undated
273
Studio of Sir Jeffry Wyatville, 1766–1840
Windsor Castle, Berkshire: South Front of Military Knights Houses
1838
274
Lewis Kennedy, active 1775–1811
Flower Garden at Middleton Park, Oxfordshire
1811
275
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
276
Richard Banks Harraden, 1778–1862
Jesus College from the Meadows, Cambridge
ca. 1830
277
Richard Banks Harraden, 1778–1862
Chapel Front, Emanuel College, Cambridge
ca. 1833
278
Richard Banks Harraden, 1778–1862
Warwick Vase, Public Library, Cambridge
1842
279
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
280
Richard Banks Harraden, 1778–1862
St. Peter's College, Cambridge
ca. 1830
281
Richard Banks Harraden, 1778–1862
Jesus College, Cambridge
ca. 1830
282
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
283
Richard Banks Harraden, 1778–1862
Christ's College, Cambridge
ca. 1836
284
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
285
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
286
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
287
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
288
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn from Penzance
undated
289
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790
290
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
291
Capt. Henry Pendarves Tremenheere, c.1763–1841
Newlyn Town
undated
292
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
293
unknown artist
Stables at Grittleton House, Wiltshire
ca. 1835
294
unknown artist
Stables at Grittleton House, Wiltshire
ca. 1835
295
unknown artist
Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire
ca. 1835
296
John Howe, active 1838
The Great Fair in Hyde Park on the 28th of June 1838 to Celebrate the Coronation of her most gracious Majesty Queen Victoria the First
1838
297
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of South Front of South Wing