Genre: historical subject / Image Available: Available - YCBA Collections Search Search Results

301. The Exposition of Cyrus

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1781
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

302. Geography

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 14 inches (25.4 × 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

303. L'Age du Fer

Creator:: Print made by Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

304. S. Philippus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 14 13/16 inches (54.3 x 37.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

305. S. Paulus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 13/16 x 15 1/4 inches (52.8 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

306. S. Matthaeus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 5/8 x 15 1/4 inches (52.4 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

307. S. Andreas

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 3/16 x 14 7/16 inches (53.8 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

308. S. Simon

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 14 11/16 inches (53.9 x 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

309. S. Bartholomaeus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 14 11/16 inches (54 x 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

310. The Right Honorable Edward Lord Hawke (1705-1781)

Creator:: John Hall, 1739–1797
Date:: 1793
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 11 1/2 x 15in. (29.2 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

311. Shepherd and Shepherdess

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: 1676
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 6 3/4 inches (19 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

312. Theodosius

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1780
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 9 13/16 inches (30.7 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

313. Constantia

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1780
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

314. The Encampment at Brighton

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 13/16 × 25 7/8 inches (52.9 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

315. The Death of Captain Cook

Creator:: Figures engraved by Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Etching and line engraving; engraver's proof
Dimensions:: Sheet: 18 1/2 x 23 1/2in. (47 x 59.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Gems of the Great Exhibition No. 4: The Foreign Department

Creator:: Print made by George Baxter, 1804–1867
Date:: 1852 or 1854
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

Creator:: Print made by George Baxter, 1804–1867
Date:: 1841
Materials & Techniques:: Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. The History of the Blind Beggar of Bethnal Green

Creator:: Print made by unknown artist
Date:: 1909
Materials & Techniques:: Woodcut on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 5 inches (15.9 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Pomare, Queen of Tahiti

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:: Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. The Arms of Glasgow

Creator:: Print made by Thomas Bewick, 1753–1828
Date:: 1909
Materials & Techniques:: Wood-engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/16 x 3 3/4 inches (7.8 x 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. The Merry Tales of the Wise Man of Gotham

Creator:: Print made by unknown artist
Date:: 1909
Materials & Techniques:: Woodcut on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 x 5 3/16 inches (13.7 x 13.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Hitch in the Roman Triumph

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, white gouache, blue chalk and graphite on moderately thick, slightly textured, beige wove paper, mounted on card
Dimensions:: Mount: 14 7/16 × 21 1/16 inches (36.7 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and Jennifer Monaghan

325. View of Tonbridge During the Late Election, December 18, 1832

Creator:: Print made by Joseph Josiah Dodd, 1809–1894
Date:: after 1832
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:: Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Ten Needle-Box Prints

Creator:: Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:: undated
Materials & Techniques:: Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Goetz Von Berlichingen Before The Imperial Magistrate

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Pen and brown ink and brown wash with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 4 inches (12.1 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Morton Morris

328. Studies of Figures and Seals from Sandfords Geneal History

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 9/16 × 15 1/8 inches (24.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Studies From a French MSS Bible Registry

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 × 15 1/16 inches (24.9 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Studies from a French MSS Bible Register

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 7 1/4 inches (23.2 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. figure Studies for Medieval Noble Life

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 7 5/16 inches (23.2 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Study of Mary, Queen of Scots, Going to Execution

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 4 9/16 × 7 3/16 inches (11.6 × 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Study of a Religious Ceremony Scene

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814
Materials & Techniques:: Black chalk and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 11 1/8 × 8 7/16 inches (28.3 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Cover of "The Yellow Book: an Illustrated Quarterly", Volume I, April 1894

Creator:: Print made by Aubrey Vincent Beardsley, 1872–1898
Date:: 1894
Materials & Techniques:: Photomechanical reproduction on medium, smooth, contemporary glossy paper, laid on contemporary mount made of medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 x 8 1/2 inches (28.1 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

335. The Death of Chatham

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Line engraving, and stipple engraving, published state
Dimensions:: Plate: 25 3/8 x 31 3/4in. (64.5 x 80.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. The Reform Bill receiving The King's Assent by Royal Commission

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1836
Materials & Techniques:: Mezzotint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 33 1/4 × 23 3/4 inches (84.5 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. The Gothic Bridge at Eudes, Tours

Creator:: Print made by John Connell Ogle, active 1844–1864
Date:: 1855
Materials & Techniques:: Chromolithograph, as published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Handbill of Bermondsey Spa Gardens

Creator:: unknown artist
Date:: 1789
Materials & Techniques:: Letterpress on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 10 7/16 × 7 inches (26.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. The Monument of King Edward III in Westminster Abbey

Creator:: Claude Du Bosc, c.1711–1740
Date:: undated, ca. 1726-1740
Materials & Techniques:: Engraving on medium smooth laid paper
Dimensions:: Sheet: 14 3/4 × 8 3/4 inches (37.5 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. The Death of Sir Philip Sydney

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. The Web

Creator:: Print made by John Bell, 1811–1895
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 8 1/8 x 6 5/8 inches (20.6 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

342. The Fall of Ninevah

Creator:: John Martin, 1789–1854
Date:: 1829
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/16 × 35 3/8 inches (64 × 89.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Diavoli Pescatori

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 x 14 15/16 inches (28.2 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

344. The Prince of Orange Landing at Torbay

Creator:: Print made by William Miller, 1796–1882
Date:: 1852
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. The Coronation of Queen Victoria

Creator:: Print made by Charles E. Wagstaff, 1808–
Date:: 1842
Materials & Techniques:: Etching, line engraving, stipple engraving, and mezzotint on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 29 1/4 × 37 3/8 inches (74.3 × 94.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Sir Francis Bacon, 1st Viscount St. Alban

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Hohenlinden (Vignette)

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Dido Building Carthage

Creator:: Print made by Edward Goodall, 1795–1870
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/4 × 12 3/4 inches (22.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Caligula' Palace & Bridge

Creator:: Print made by Edward Goodall, 1795–1870
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 3/4 inches (21.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Regulus leaving Carthage

Creator:: Print made by Samuel Bradshaw, 1830–1869
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Ancient Italy

Creator:: Print made by James T. Willmore, 1800–1863
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 5/8 inches (23.2 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Hougomont (Vignette)

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/4 × 10 3/4 inches (41.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Brienne

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 3/8 × 16 3/8 inches (26.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Vincennes

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/4 × 10 1/4 inches (41.3 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. The Simplon

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 × 10 1/2 inches (40.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Placenza

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 1/2 × 16 3/8 inches (26.7 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Field of Waterloo (with Lightning)

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Traitor's Gate - Tower of London

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Temple of Jupiter Panhellenius, Aegina

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Heidelberg Castle

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 12 1/4 inches (21 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. The Volunteers of the City and County of Dublin

Creator:: Print made by Joseph Collyer, 1748–1827
Date:: 1784
Materials & Techniques:: Etching and engraving, printed in color and hand-colored
Dimensions:: Image: 16 1/2 x 25in. (41.9 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. The Oath Of Viriathus

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. His Ego Ne Metas Rerum, Nec Tempora Pono:...

Creator:: Francesco Bartolozzi, 1728–1815
Date:: ca.1785
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Caesar in Egypt

Creator:: Print made by William Walcot, 1874–1943
Date:: 1926
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 13 3/8 inches (27.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

365. Arc de Triomphe, Paris

Creator:: Print made by William Walcot, 1874–1943
Date:: 1918
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 × 25 1/4 inches (76.2 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

366. Caesar in Egypt

Creator:: Print made by William Walcot, 1874–1943
Date:: 1926
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

367. The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)

Creator:: J. Miller, active 1769–1825
Date:: 1762
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 28 1/8 inches (49.2 × 71.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

Creator:: Print made by John Finlayson, 1730–1776
Date:: 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 x 22 3/8 inches (46 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. The Royal Academy of Arts

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1773
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 28 1/4 inches (49.2 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Cortes and Pizarro

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Ticket: Walker's Lectures

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 4 1/8 inches (15.2 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. At Rome

Creator:: Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 5 13/16 x 8 11/16 inches (14.8 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept The Crown

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Stipple engraving, proof before title on thick, rough, beige wove paper
Dimensions:: Sheet: 13 9/16 × 16 5/16 inches (34.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1842
Materials & Techniques:: Aquatint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/16 × 22 3/16 inches (30.6 × 56.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Queen Katherine's Dream

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and hand-coloring
Dimensions:: Sheet: 17 7/8 x 20in. (45.4 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

Creator:: J. Wellis, active 1799
Date:: 1799
Materials & Techniques:: Colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 25 1/4 inches (52.1 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Design for a National Savings Birthday Card

Creator:: Sir William Russell Flint, 1880–1969
Date:: between 1938 and 1945
Materials & Techniques:: Watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 × 14 1/2 inches (40.6 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

378. The Slave Trade

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 × 29 1/2 inches (55.9 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. African Hospitality

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1791
Materials & Techniques:: Mezzotint, printed in color, published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/4 x 29 1/4in. (56.5 x 74.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Life School at the Royal Academy

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1773
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 x 30 3/8 inches (55.9 x 77.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. The Ceremony of Opening London Bridge, August 1, 1831

Creator:: Print made by Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. The Death of Abercrombie

Creator:: Print made by Edward Mitchell, active 1805–1816
Date:: 1805
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 5/8 × 24 1/4 inches (57.5 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. The Murder of James I, King of Scotland

Creator:: Thomas Ryder, 1746–1810
Date:: 1792
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 7/8 × 24 3/8 inches (50.5 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. The Great Britain Iron Steam Ship

Creator:: Thomas Picken, active 1838–died 1870
Date:: 1846
Materials & Techniques:: Lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 21 7/8 inches (39.7 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Queen Judith reciting to Alfred when a child

Creator:: Richard Westall, 1765–1836
Materials & Techniques:: Engraving, mixed method on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 1/4 inches (67.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Life School at the Royal Academy

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1773
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/8 x 28 1/2 inches (51.1 x 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. George Fox at Launceston Gaol

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/16 x 10 1/16 inches (31 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

388. George Fox Is Stoned by the Crowd at Walney Island

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 9 1/8 inches (28.1 x 23.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

389. George Fox and Captain Keat

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 13/16 x 10 1/4 inches (22.4 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

390. George Fox in the Garden of Dr. Craddock at Coventry

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 9/16 x 9 7/16 inches (29.4 x 23.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

391. George Fox and Captain Keat

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 x 11 3/4 inches (23.2 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

392. George Fox and the Dead Cromwell

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1898
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, greened white laid paper
Dimensions:: Sheet: 9 1/2 x 12 inches (24.2 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

393. George Fox Preaching at Carlisle

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1912
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/16 x 14 1/16 inches (29 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

394. George Fox Comes to London After the Great Fire

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

395. Paul Mellon at Ascot, Seated in a Carriage with the Duke of Kent, Princess Margaret and Queen Elizabeth The Queen Mother

Creator:: Ron Hammond, active 1970s
Date:: undated
Materials & Techniques:: Gelatin silver print on photographic paper
Dimensions:: Sheet: 7 5/8 x 10 5/8 inches (19.4 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Ryskamp

396. George the Third King of Great Britain &c &c &c

Creator:: Print made by William Woollett, 1735–1785
Date:: 1763-1764
Materials & Techniques:: Line engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

397. Plaza Real and Procession

Creator:: David Roberts, 1796–1864
Date:: 1835
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 15in. (26 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. The Church at Dixmude, West Flanders

Creator:: David Roberts, 1796–1864
Date:: ca. 1863
Materials & Techniques:: Watercolor and gouache over graphite, varnished on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 14 1/4in. (27.9 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. We Went Back to Our Inn...

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 6 3/4 inches (22.2 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

400. George Fox Is Beaten in the Steeple-House at Ulverston

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paperr
Dimensions:: Sheet: 9 5/16 x 11 11/16 inches (23.7 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

YCBA Collections Search

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301. The Exposition of Cyrus

302. Geography

303. L'Age du Fer

304. S. Philippus

305. S. Paulus

306. S. Matthaeus

307. S. Andreas

308. S. Simon

309. S. Bartholomaeus

310. The Right Honorable Edward Lord Hawke (1705-1781)

311. Shepherd and Shepherdess

312. Theodosius

313. Constantia

314. The Encampment at Brighton

315. The Death of Captain Cook

316. Funeral of the Late Duke of Wellington

317. Gems of the Great Exhibition No. 4: The Foreign Department

318. The Great Exhibition: Exterior View from the Southwest

319. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

320. The History of the Blind Beggar of Bethnal Green

321. Pomare, Queen of Tahiti

322. The Arms of Glasgow

323. The Merry Tales of the Wise Man of Gotham

324. Hitch in the Roman Triumph

325. View of Tonbridge During the Late Election, December 18, 1832

326. Ten Needle-Box Prints

327. Goetz Von Berlichingen Before The Imperial Magistrate

328. Studies of Figures and Seals from Sandfords Geneal History

329. Studies From a French MSS Bible Registry

330. Studies from a French MSS Bible Register

331. figure Studies for Medieval Noble Life

332. Study of Mary, Queen of Scots, Going to Execution

333. Study of a Religious Ceremony Scene

334. Cover of "The Yellow Book: an Illustrated Quarterly", Volume I, April 1894

335. The Death of Chatham

336. The Reform Bill receiving The King's Assent by Royal Commission

337. The Gothic Bridge at Eudes, Tours

338. Handbill of Bermondsey Spa Gardens

339. The Monument of King Edward III in Westminster Abbey

340. The Death of Sir Philip Sydney

341. The Web

342. The Fall of Ninevah

343. Diavoli Pescatori

344. The Prince of Orange Landing at Torbay

345. The Coronation of Queen Victoria

346. Sir Francis Bacon, 1st Viscount St. Alban

347. Hohenlinden (Vignette)

348. Dido Building Carthage

349. Caligula' Palace & Bridge

350. Regulus leaving Carthage

351. Ancient Italy

352. Hougomont (Vignette)

353. Brienne

354. Vincennes

355. The Simplon

356. Placenza

357. Field of Waterloo (with Lightning)

358. Traitor's Gate - Tower of London

359. Temple of Jupiter Panhellenius, Aegina

360. Heidelberg Castle

361. The Volunteers of the City and County of Dublin

362. The Oath Of Viriathus

363. His Ego Ne Metas Rerum, Nec Tempora Pono:...

364. Caesar in Egypt

365. Arc de Triomphe, Paris

366. Caesar in Egypt

367. The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)

368. Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

369. The Royal Academy of Arts

370. Cortes and Pizarro

371. Ticket: Walker's Lectures

372. At Rome

373. The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept The Crown

374. This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1