The Treasury, Whitehall, London: Alternate Elevations of the Facade
ca. 1733
9
William Henry Hunt, 1790–1864
The Building of Waterloo Bridge
ca. 1816
10
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
11
Paul Sandby, 1731–1809
London Cries: "Any Kitchen Stuff"
ca. 1759
12
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
13
Paul Sandby, 1731–1809
London Cries: "Black Heart Cherries..."
ca. 1759
14
Paul Sandby, 1731–1809
London Cries: A Fishmonger
ca. 1759
15
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
16
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
17
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
18
Paul Sandby, 1731–1809
London Cries: Flowers
undated
19
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
20
Paul Sandby, 1731–1809
London Cries: A Man with a Bottle
ca. 1759
21
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
22
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
23
Paul Sandby, 1731–1809
London Cries: Small Coal or Brushes
ca. 1759
24
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
25
Paul Sandby, 1731–1809
London Cries: A Man with a Bundle, Old Clothes
undated
26
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
27
Paul Sandby, 1731–1809
London Cries: A Tinker and His Wife
ca. 1759
28
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
29
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket of Oranges
ca. 1759
30
Paul Sandby, 1731–1809
London Cries: Boy with a Donkey
ca. 1759
31
unknown artist
Design for the Parterre at Hampton Court
early 18th century
32
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
33
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
34
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
35
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
36
Samuel Wale, 1721–1786
The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
undated
37
Louis Philippe Boitard, active 1734–1760
Head Dresses in Covent Garden
1747
38
Canaletto, 1697–1768
View of Old Somerset House from the Thames
undated
39
Thomas Rowlandson, 1756–1827
The Actresses Dressing Room at Drury Lane
between 1800 and 1810
40
Samuel Wale, 1721–1786
An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
undated
41
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
42
Robert Dighton, 1752–1814
Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786
1786
43
Amelia Long, 1762–1837
St. Paul's and Blackfriars Bridge
undated
44
unknown artist
The Arrival of Ferries at London Bridge (?)
undated
45
Bernard Lens III, 1682–1740
London: a View toward the City and St. Paul's from the North West
undated
46
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
47
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
48
Print made by unknown artist
The History of the Blind Beggar of Bethnal Green
1909
49
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
50
Sir James Thornhill, 1675–1734
Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral
between 1709 and 1717
51
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
52
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
53
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
54
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
55
Print made by Robert Spence, 1871–1964
George Fox and the Dead Cromwell
between 1897 and 1898
56
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
57
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
58
Thomas Rowlandson, 1756–1827
An Audience at Drury Lane Theatre
undated
59
Thomas Rowlandson, 1756–1827
Drury Lane. The School for Scandal
undated
60
Attributed to Inigo Jones, 1573–1652
A Plumed Saddle-Horse
ca. 1640
61
unknown artist
Edgware Road (perhaps tampered original)
undated
62
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
63
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
64
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
65
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
66
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
67
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
68
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
69
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
70
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
71
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
72
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
73
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
74
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
75
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
76
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
77
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
78
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
79
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
80
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
81
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
82
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
83
Print made by unknown artist
View of the Higher House of Parliament in England
ca. 1695
84
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
85
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
86
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
87
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
88
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
89
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
90
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
91
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
92
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
93
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
94
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
95
James McNeill Whistler, 1834–1903
Title Page of "A Series of Sixteen Etchings of Scenes of the Thames and Other Subjects"