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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms woman

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Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
John Constable Mary Constable Reading
John Constable, 1776–1837
Mary Constable Reading
1812
George Stubbs The Farmer's Wife and the Raven
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
William Hogarth Study of a Female Nude
William Hogarth, 1697–1764
Study of a Female Nude
undated
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Tenth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
undated
George Romney A Seated Woman
George Romney, 1734–1802
A Seated Woman
undated
George Romney Studies of a Seated Woman
George Romney, 1734–1802
Studies of a Seated Woman
undated
George Romney Studies for the Head of a Lady (Studies of a Woman's Head)
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
George Romney A Pensive Lady
George Romney, 1734–1802
A Pensive Lady
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
William Blake Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
1789
William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake Jerusalem, Plate 71, "And above Albions Land...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 71, "And above Albions Land...."
1804 to 1820
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
Joshua Cristall Girl in a Brown Dress
Joshua Cristall, 1768–1847
Girl in a Brown Dress
undated
Richard Dadd Portrait of a Woman with a Pitcher
Richard Dadd, 1817–1886
Portrait of a Woman with a Pitcher
1858
William Daniell Druidical Stone at Strather, near Barvas, Isle of Lewis
William Daniell, 1769–1837
Druidical Stone at Strather, near Barvas, Isle of Lewis
undated
Daniel Lysons Brass Plate of a Woman from Layton Church
Attributed to Daniel Lysons, 1762–1834
Brass Plate of a Woman from Layton Church
between 1796 and 1811
Henry Thomas Alken Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork
Henry Thomas Alken, 1785–1851
Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork
undated
William John Chamberlayne Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
William John Chamberlayne, 1821–1910
Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
undated
Richard Crosse Portrait of a Lady
Richard Crosse, 1742–1810
Portrait of a Lady
undated
Thomas Day Portrait of a Lady
Thomas Day, ca.1733–1807
Portrait of a Lady
1783
unknown artist Lady with a Veil
unknown artist
Lady with a Veil
undated
unknown artist Design for a Country House
unknown artist
Design for a Country House
ca. 1840
George Shepheard A Regency House
George Shepheard, ca. 1770–1842
A Regency House
ca. 1820
William Henry Hunt The Lecture House, Watford
William Henry Hunt, 1790–1864
The Lecture House, Watford
ca. 1820
Angelica Kauffmann Portrait of a Lady
Attributed to Angelica Kauffmann, 1741–1807
Portrait of a Lady
undated
William Henry Hunt Old Farm Buildings
William Henry Hunt, 1790–1864
Old Farm Buildings
ca. 1817
William Henry Hunt Portrait Study of a Girl
William Henry Hunt, 1790–1864
Portrait Study of a Girl
ca. 1823
Edmund Thomas Parris Studies of Tradesmen and Grooms
Edmund Thomas Parris, 1793–1873
Studies of Tradesmen and Grooms
undated
Augustus Welby Northmore Pugin Interior of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Interior of a Gothic Church
undated
Samuel Prout A Seated Peasant Woman Seen From Behind
Samuel Prout, 1783–1852
A Seated Peasant Woman Seen From Behind
undated
Samuel Prout A Peasant Woman, Standing, Seen From Behind
Samuel Prout, 1783–1852
A Peasant Woman, Standing, Seen From Behind
undated
Samuel Prout A Seated Peasant Woman
Samuel Prout, 1783–1852
A Seated Peasant Woman
before 1841
William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
Francis Wheatley Adelaide
Francis Wheatley, 1747–1801
Adelaide
between 1785 and 1786
Louis Philippe Boitard Hannah Snell - From the Life (in Male Dress)
Louis Philippe Boitard, active 1734–1760
Hannah Snell - From the Life (in Male Dress)
undated
Michel Vincent Brandoin Shepherd, Shepherdess and Dog
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
Alfred Edward Chalon A Dancer
Alfred Edward Chalon, 1780–1860
A Dancer
ca. 1836
William Mulready The Fight Interrupted
William Mulready, 1786–1863
The Fight Interrupted
undated
Gangaram Chintaman Tambat Woman Bending over Basket
Attributed to Gangaram Chintaman Tambat, active 1790s
Woman Bending over Basket
undated
Augustus Welby Northmore Pugin Interior of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Interior of a Gothic Church
undated
Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
Thomas Rowlandson Bucks of the First Head
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
unknown artist Bucks of the First Head
Print made by unknown artist
Bucks of the First Head
Francis Towne Dunkerswell Abbey, August 20, 1783
Francis Towne, 1740–1816
Dunkerswell Abbey, August 20, 1783
1783
James Ward A Sheet of Slight Sketches
James Ward, 1769–1859
A Sheet of Slight Sketches
undated
unknown artist A Large Christmas Card
Print made by unknown artist
A Large Christmas Card
1895
Benjamin West Mrs. West and Daughter Playing Catch
Benjamin West, 1738–1820
Mrs. West and Daughter Playing Catch
undated
Paul Sandby The Toilet
Paul Sandby, 1731–1809
The Toilet
undated
Thomas Hosmer Shepherd The Vine Inn, Vine Yard, Aldersgate in the City of London
Thomas Hosmer Shepherd, 1792–1864
The Vine Inn, Vine Yard, Aldersgate in the City of London
undated
John Thomas Smith Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side
John Thomas Smith, 1766–1833
Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side
undated
Samuel Wale An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
Samuel Wale, 1721–1786
An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
undated
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
James Watson Mrs. Abington as 'the Comic Muse'
Print made by James Watson, 1740–1790
Mrs. Abington as 'the Comic Muse'
ca. 1769
Benjamin West An Artist Sketching in Windsor Park
Benjamin West, 1738–1820
An Artist Sketching in Windsor Park
1789
George Cruikshank Devoted Wife
George Cruikshank, 1792–1878
Devoted Wife
undated
Robert Isaac Cruikshank Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
John Nixon Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire
John Nixon, ca. 1760–1818
Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire
undated
John Downman Mrs. Ives of Catton
John Downman, 1750–1824
Mrs. Ives of Catton
1780
Thomas Gainsborough Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
between 1779 and 1780
Thomas Gainsborough Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
1779 to 1780
unknown artist Woman Seated on a Chair
unknown artist
Woman Seated on a Chair
undated
Richard Houston Mrs. Wodhull
Richard Houston, ca. 1721–1775
Mrs. Wodhull
1772