Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
9
Isaac Shaw, active 1830
Opening of the Liverpool and Manchester Railway
ca. 1830
10
Isaac Shaw, active 1830
View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding
ca. 1830
11
Isaac Shaw, active 1830
Railway Office, Liverpool
ca. 1830
12
Isaac Weld, 1774–1856
An Execution, Rome
1819
13
Paul Sandby, 1731–1809
A Good-bye
undated
14
James Ward, 1769–1859
A Boy and Girl Conversing
undated
15
attributed to Samuel Jackson, 1794–1869
The Moonlit Lake
undated
16
Gavin Hamilton, 1723–1798
Classical Composition
undated
17
Francis Hayman, 1707/8–1776
Battledore and Shuttlecock
ca. 1740
18
John Martin, 1789–1854
Travelers on a Road above a River
1821
19
John Preston Neale, 1771/80–1847
Kingston Lacy, Dorset
undated
20
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
21
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
22
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
23
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
24
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
25
Paul Sandby, 1731–1809
Woman and Child Holding a Doll
between 1758 and 1760
26
Paul Sandby, 1731–1809
Washerwomen
between 1790 and 1805
27
Thomas Stothard, 1755–1834
Twenty Young Girls in a Group Walking to the Left
undated
28
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
29
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
30
Gangaram Chintaman Tambat, active 1790s
Utensils
ca. 1790
31
Paul Sandby, 1731–1809
Group of Figures: A Dogfight
ca. 1785
32
William Pars, 1742–1782
A View at Lucerne
1775
33
Paul Sandby, 1731–1809
Two Wheeled Cart and Figures
undated
34
Sir David Wilkie, 1785–1841
Shopping in the Rows, Chester
1837
35
Sir Richard Colt Hoare, 1758–1838
Convent at Valmontone. November 1790
1790
36
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Seventh - The Mess Room
undated
37
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Eighth - The Duel
undated
38
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Ninth - The Sick Room
undated
39
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the First - The Inheritance
undated
40
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Third - The Night House
undated
41
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Fourth - The Betting Booth
undated
42
Robert Mabon, died 1798
Bottom of Sword Sheath
undated
43
William Daniell, 1769–1837
Harwich, Essex
ca. 1820
44
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Fifth - The Gambling House
undated
45
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Sixth - The Usurer
undated
46
Henry Dawe, 1790–1848
The Life of a Nobleman: Scene the Second - The First Party
undated
47
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
48
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
49
Charles H. Schwanfelder, 1774–1837
Horsemen in a Landscape
undated
50
Sir James Thornhill, 1675–1734
A Scene at Windsor
undated
51
Sir Walter Thomas Monnington, 1902–1976
Landscape with Shepherd
undated
52
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking
undated
53
Philippe-Jacques de Loutherbourg, 1740–1812
Smugglers
undated
54
Hubert-François Gravelot, 1699–1773
Design for an Ornamental Cartouche: Samuel Garth
undated
55
William Henry Harriott, active 1811, died 1839
Fish Market, Hastings
1824
56
Matthew Haughton, 1768–1821
A Fashionable Audience
undated
57
Attributed to unknown artist
A Soldier on Horseback
undated
58
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
59
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
60
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
61
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
62
John Thomas Smith, 1766–1833
The Smock Exposed
1817
63
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
64
John Thomas Smith, 1766–1833
The Reconcilation
1817
65
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
66
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
67
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
68
John Varley, 1778–1842
The Fisherman
undated
69
Samuel Prout, 1783–1852
Church and Cottages
undated
70
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
71
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
72
Paul Sandby, 1731–1809
The Misses Sandby of Norwich
undated
73
unknown artist
The Long Minuet as Danced at Bath
after 1787
74
Benjamin West, 1738–1820
A Farm near Windsor
1789
75
Sir Richard Colt Hoare, 1758–1838
View on the River Liris near Isola
1790
76
Sir Richard Colt Hoare, 1758–1838
View near Sora on the Liris
1790
77
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
78
Sir Richard Colt Hoare, 1758–1838
View on the Liris near Isola
1790
79
Sir Richard Colt Hoare, 1758–1838
Castle of Balzerrano, and Vale of Roveto, in Abbruzzo
1791
80
Sir Richard Colt Hoare, 1758–1838
View in Abruzzo, May 1791
1791
81
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
82
Sir Richard Colt Hoare, 1758–1838
Ferry over the Vulturnus, Sept.r 1790
1790
83
Sir Richard Colt Hoare, 1758–1838
Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790
1790
84
Sir Richard Colt Hoare, 1758–1838
View on the river Vulturnus, Sept.r 1790
1790
85
Sir Richard Colt Hoare, 1758–1838
Ferry over the river Vulturnus, Sept.r 1790
1790
86
Sir Richard Colt Hoare, 1758–1838
The Pont du Gard in Languedoc
1786 to 1819
87
Sir Richard Colt Hoare, 1758–1838
A Mill at Marino, near Rome
1786 to 1819
88
Sir Richard Colt Hoare, 1758–1838
At Marino, near Rome
1786 to 1819
89
Sir Richard Colt Hoare, 1758–1838
An Ancient Sepulchre at Albano
1786 to 1819
90
Sir Richard Colt Hoare, 1758–1838
A Convent at Albano overlooking the Campagna
1786 to 1819
91
Sir Richard Colt Hoare, 1758–1838
An Ancient Sepulchre near Albano, vulgarly ascribed to the Horatii
1786 to 1819
92
Sir Richard Colt Hoare, 1758–1838
A Convent at Grotto Ferrata, near Rome, the supposed site of Tusculum